Test out your threshold of terror with these tales of monsters and demons, journeys across the world and into other dimensions, and maybe find out the most frightening creature of all: ourselves! Strap in for 15 new horrifying stories that will leave you gasping for air and begging for mercy.
They arrive alive. They leave dead.But first, they give me their confessions.My name is Jack Steen. That name shouldn't mean anything to you. Unless you're about to die. And then I'm your bloody guardian angel. I work as a night nurse in the Asylum for the criminally insane. My name is the only real name you'll find in this book. I won't tell you which hospital I work at. I won't tell you the names of those dying.But I won't lie to you.You'll read exactly what I'm told. If you're smart, if you're deranged enough to read between the lines, you'll know who is telling the story.They could be playing their final game with me by messing with my head. Now, maybe they're messing with yours too.Inside this book are 4 confessions: One has an interesting 'appetite'. One was the Ken to his Barbie, and he would do anything to keep her happy.Another is a Nanny, but not one you want watching your kids.The other is the sweetest soul you'd ever meet but you'll have a hard time reading her confession. WARNING: There is swearing in this book. And some stories might be a trigger for something you have a hard time handling. But, these are the confessions of serial killers, mass murderers and such. NOTE: These once were published as novellas. Now they're in a full length novel. Deal with it.Want to read the next set of Confession books? Sign up for my mailing list - I'm told all the real authors have one, so I figured why not
Fiction. Art. The broken windows of the abandoned sanitarium are foreboding and ominous, yet darkly inviting. The inmates have long since departed, but their suffering can still be felt imprinted on the stagnant air of the empty wards. The door at the front of the overgrown madhouse has been ripped from its hinges. It would be easy to cross the threshold, yet we hesitate to enter... Having spent a lifetime exploring the long-abandoned Essex Mountain Sanatorium and Overbrook Psychiatric Hospital in Northern New Jersey, Wheeler Antabanez, artist, writer, and intrepid explorer of New Jersey's abandoned and defiled places, is uniquely qualified to open doors at the Old Asylum that no one even knew existed. In these stories, illustrated with remarkably evocative paintings by the author, the broken hulk of the abandoned mental hospital comes vividly back to life, reanimated by a spirit of risk-taking, transgressive adventure, macabre humor, and the author's comprehensive artistic and personal mission to create from the ruins of our collective past an imaginative, vibrantly living whole. The book contains reproductions of a series of paintings by the author.
In the aftermath of the Big Crash, the President of the United States declares martial law. The National Guard rounds up citizens who are never heard from again. While fear and chaos reign, a small band of revolutionaries rise up to resist. Lacy Monroe, barely out of high school, never saw herself as a leader. All that changed after the Big Crash. When the rest of her family fled, she remained on the farm, the last piece of land in the state holding out against the hostile government. Alone and vulnerable, she endures a horrific attack, yet survives and offers sanctuary to others like herself—until an old friend turns her world upside-down. Jace Cooper has harbored a secret for years—he is completely in love with his best friend’s sister. The world is crumbling around them, no one knows how long they will survive, and all he wants is to protect Lacy and stay with her. With the National Guard circling ever closer, hunger and sickness taking a toll, and betrayal and jealousy threatening to destroy the group from the inside, the struggle to hold onto the farm pushes them to the brink. And Lacy is keeping a secret so devastating it could drive Jace to unthinkable actions. Is the farm a safe asylum—or will the fight for freedom destroy them?
In this edgy thriller from the #1 international bestselling author of Lineup, which was described by New York Times bestselling author Joseph Finder as "a marvel of tight plotting, spare prose, and relentless pacing," a young police officer's investigation of a murder plunges her into the dark underworld of Tel Aviv. When young social activist Michal Poleg is found dead in her Tel Aviv apartment, her body showing signs of severe violence, officer Anat Nachmias is given the lead on her first murder investigation. Eager to find answers, the talented and sensitive cop looks to the victim's past for clues, focusing on the last days before her death. Could one of the asylum seekers Michal worked with be behind this crime? Then a young African man confesses to the murder, and Anat's commanders say the case is closed. But the cop isn't convinced. She believes that Michal, a tiny girl with a gift for irritating people, got involved in something far too big and dangerous for her to handle. Joined by Michal's clumsy yet charming boss, Anat is pulled deep into a perplexing shadow world where war victims and criminals, angels and demons, idealists and cynics, aid organizations and criminal syndicates intersect. But the truth may be more than Anat can handle, bringing her face to face with an evil she's never before experienced.
The Book of Other People is just that: a book of other people. Open its covers and you’ll make a whole host of new acquaintances. Nick Hornby and Posy Simmonds present the ever-diverging writing life of Jamie Johnson; Hari Kunzru twitches open his net curtains to reveal the irrepressible Magda Mandela (at 4:30a.m., in her lime-green thong); Jonathan Safran Foer's Grandmother offers cookies to sweeten the tale of her heart scan; and Dave Eggers, George Saunders, David Mitchell, Colm Tóibín, A.M. Homes, Chris Ware and many more each have someone to introduce to you, too. With an introduction by Zadie Smith and brand-new stories from over twenty of the best writers of their generation from both sides of the Atlantic, The Book of Other People is as dazzling and inventive as its authors, and as vivid and wide-ranging as its characters.
Perfect for fans of The Familiars and The Glass House, this is the intoxicating story of one woman's fight for freedom in Victorian England. ????? 'Outstanding gothic psychological thriller!' ????? 'Fantastic character and fantastic story. Buy this book' ????? 'Beautifully written and incredibly addictive' ????? 'I can’t stop thinking about it' ___________ WHO IS MAUD LOVELL AND WHERE HAS SHE COME FROM? Maud has been at Angelton Lunatic Asylum for 5 years. She has no memory of her past or how she came to be here. They say she is violent and unstable, hysterical and untrustworthy. But when she's hypnotised, the memories come flooding back. And now it's time for revenge. Welcome to Angelton Lunatic Asylum. Once you're in, it's murder getting out . . . ___________ PRAISE FOR THE ASYLUM: 'Haunting and mesmerising' – Essie Fox, author of The Last Days of Leda Grey 'Vivid, disturbing and visceral, The Asylum is this year's must-read!' – Ruby Speechley, author of A Mother Like You 'This twisty rollercoaster story made me desperate for Maud's salvation and yearn for her revenge. Utterly compelling' – Kerry Fisher, author of The Woman I Was Before 'Evocative, menacing and darkly sinister. A brilliantly executed gothic thriller that will leave you breathless' – Jane Isaac, international bestselling crime fiction author 'A historic novel that seethes with claustrophobia, trauma and thoughts of revenge. What a sophisticated and gripping tale' – Fiona Mitchell, author of The Swap
Offering the first interdisciplinary study of refugees in the Caribbean, Central America, and the United States, Asylum Speakers relates current theoretical debates about hospitality and cosmopolitanism to the actual conditions of refugees. In doing so, the author weighs the questions of "truth value" associated with various modes of witnessing to explore the function of testimonial discourse in constructing refugee subjectivity in New World cultural and political formations. By examining literary works by such writers as Edwidge Danticat, Nik l Payen, Kamau Brathwaite, Francisco Goldman, Julia Alvarez, Ivonne Lamazares, and Cecilia Rodr guez Milan s, theoretical work by Jacques Derrida, Edouard Glissant, and Wilson Harris, as well as human rights documents, government documents, photography, and historical studies, Asylum Speakers constructs a complex picture of New World refugees that expands current discussions of diaspora and migration, demonstrating that the peripheral nature of refugee testimonial narratives requires us to reshape the boundaries of U.S. ethnic and postcolonial studies.