In 1876, they wipe out General George A. Custer and his 7th Cavalry at the Battle of the Little Bighorn. Chief Sitting Bull and his Sioux people then flee from the United States to Canada. There, in the autumn of 1877, the Sioux are joined by the remnants of the latest Indian nation to make a stand against the US Army, the Nez Perce. Their survivors are led by Chief White Bird. A young man follows White Bird to Sitting Bull's camp. He is White Bird's close relative and aims to tell the story of the Nez Perce War from the Nez Perce point of view. This young man's name is Duncan McDonald. Descended from chiefs of the Nez Perce and from chiefs of Scotland's most formidable clan, Duncan's family - first as Highlanders, then as Native Americans - have twice been victims of massacre and dispossession. Written with the help of Duncan McDonald's present-day kinsfolk on the Flathead Indian Reservation in Western Montana, this real-life family saga spans two continents and more than thirty generations to link Scotland's clans with the native peoples of the American West.
This text is meant to educate and help people with the identification of unusual stones fashioned by early man. Many of these stones are nothing short of true works of art, as you will see. In these pages are photographs and drawings of stones collected over thirty years, and four years to write this book—60,000 words and 318 photos and drawings to help you understand how ancient man used and really looked at a stone, and you will too. There's no book like this on earth!
The first immigrants to Amer encountered a race of people whose ideas & manner of life were so different from their own that there could be little ground for understanding between them. European & Indian differed in their attitudes toward the natural resources -- land for farming, places for habitation, firewood & lumber, game, & fish -- & they differed in the way they used them. To the Indian, the land & its produce were not subject to individual ownership & control, but were part of a domain controlled by beings who were supernatural. So long as the Indian kept his proper place in the scheme of things, the supernaturals would aid & protect him. Contents of this study: The White Man & the Indian; The World View of the Indian Hunter; & Indian Hunting & Trapping. Illus.
The Swordfish Hunters or Red Paint People as they are called because of the red ochre in their burial sites, were a remarkable culture living on the coast of Maine between 4500 and 3800 years ago. They appeared, briefly flourished, and then vanished without explanation, leaving plentiful evidence of their maritime prowess, from exquisitely carved bone daggers to harpoons and fishing gear whose basic design has not been improved upon in five millennia.
New York Times Bestseller Now part of the HBO docuseries "Exterminate All the Brutes," written and directed by Raoul Peck Recipient of the American Book Award The first history of the United States told from the perspective of indigenous peoples Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortiz offers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire. With growing support for movements such as the campaign to abolish Columbus Day and replace it with Indigenous Peoples’ Day and the Dakota Access Pipeline protest led by the Standing Rock Sioux Tribe, An Indigenous Peoples’ History of the United States is an essential resource providing historical threads that are crucial for understanding the present. In An Indigenous Peoples’ History of the United States, Dunbar-Ortiz adroitly challenges the founding myth of the United States and shows how policy against the Indigenous peoples was colonialist and designed to seize the territories of the original inhabitants, displacing or eliminating them. And as Dunbar-Ortiz reveals, this policy was praised in popular culture, through writers like James Fenimore Cooper and Walt Whitman, and in the highest offices of government and the military. Shockingly, as the genocidal policy reached its zenith under President Andrew Jackson, its ruthlessness was best articulated by US Army general Thomas S. Jesup, who, in 1836, wrote of the Seminoles: “The country can be rid of them only by exterminating them.” Spanning more than four hundred years, this classic bottom-up peoples’ history radically reframes US history and explodes the silences that have haunted our national narrative. An Indigenous Peoples' History of the United States is a 2015 PEN Oakland-Josephine Miles Award for Excellence in Literature.
Photographer Edward Curtis's 1914 orchestrally scored melodrama In the Land of the Head Hunters was one of the first US films to feature an Indigenous cast. This landmark of early silent cinema was an intercultural product of Curtis's collaboration with the Kwakwa̱ka̱'wakw of British Columbia--meant, like Curtis's photographs, to document a supposedly vanishing race. But as this collection shows, the epic film is not simply an artifact of colonialist nostalgia. In recognition of the film's centennial, and the release of a restored version, Return to the Land of the Head Hunters brings together leading anthropologists, Native American authorities, artists, musicians, literary scholars, and film historians to reassess the film and its legacy. The volume offers unique Kwakwa̱ka̱'wakw perspectives on the film, accounts of its production and subsequent circulation, and evaluations of its depictions of cultural practice. Resituated within film history and informed by a legacy of Kwakwa̱ka̱'wakw participation and response, the movie offers dynamic evidence of ongoing cultural survival and transformation under shared conditions of modernity.
This eBook is best viewed on a color device. North American Indian Arts is a fascinating introduction to the arts and crafts reflected in the material culture of North American Indians. Knowledge of the skills and techniques developed by the various Native American tribes, and the fine materials produced provides a key to understanding the rich diversity of native cultures. Packed with information and authentic full-color illustrations, this handsome guide will be welcomed by everyone interested in American cultural history.
"Travel back 12,000 years and learn of Eyr, a youngster who saved his tribe from a woolly mammoth as they traveled from Siberia to Alaska . . . well told in metered verse that flows smoothly throughout...Realistic sketches in burnished colored pencil show details of clothing, family life, and geography." --Children's Literature In this tale, a young Ice-Age boy plays a key role in the survival of his band more than twelve thousand years ago. Eyr s band is hungry and in need of new skins. The old seer predicts a coming snow, and without a good supply ofmeat, the band may starve or die of cold. Eyr walks over meadows and hills with the other hunters looking for tracks, but they return with little game. That night Eyr dreams of killing the great woolly mammoth with his sharp spear. He imagines how his band would dance and feast, with food to last them through the dark winter. The next morning the bands hunter-leader wakes him. Having reached the age that he can hunt alone, Eyr is sent to scout the large beaststhat roam the tundra, especially the woolly mammoths. Taking only his cape, his knife, his spear, and a smoldering ember, Eyr sets out to become a man and save his band.Told in rhyming couplets, just as many ancient storytellers told the epic tales of the past, Eyr the Hunter: A Story of Ice-Age America is based upon many facts. Margaret Zehmer Searcy is a cultural anthropologist who has taught classes about Native Americans and their customs for more than two decades in the Department of Anthropology at the University of Alabama. She has visited archaeological sites and is familiar with the kinds of animals that existed in the Ice-Age landscape. Joyce Haynes has won numerous local, state, and national awards for her illustrations. She has illustrated more than a dozen books and is the author of Drawing Wild Animals . She lives in Southwest Missouri.A story both involving and entertaining, Eyr the Hunter: A Story of Ice-Age America is made all the more moving by its wonderful rhythms and use of vivid detail. A childrens book that can be likened to the Clan of the Cave Bear series, this book can also be useful for explaining how the earliest Americans led their lives. It is a wonderful tie-in to any discussion about native cultures around the world as well.
