Using recently released material from the National Archives and Turner's own words, Starns re-analyses the Pacific conflict against a backdrop of one person's incredible fortitude and strength, and brings the story of a remarkable woman to life.
Using recently released material from the National Archives and Turner's own words, Starns re-analyses the Pacific conflict against a backdrop of one person's incredible fortitude and strength, and brings the story of a remarkable woman to life.
The author of Children of the Camps delves into the harrowing true stories behind the TV drama: the fate of women held in Japanese captivity during WWII. This book details the treatment of Allied servicewomen, female civilians, and local women by the Japanese occupation forces, including the massacres of nurses (such as that at Alexandra Hospital, Singapore), disturbing atrocities on both Europeans and Asians, and accounts of imprisonment. It reveals how many ended up in Japanese hands when they should have been evacuated. Also covered are the hardships of long marches and the sexual enslavement of white and native women (so called “Comfort Women”). The book is a testimony both to the callous and cruel behavior of the Japanese and to the courage and fortitude of those who suffered at their hands. “This well-researched book has to be read.” —UK Ministry of Defence “The story of the Allied medical staff who were caught in Japan’s wave of terror during the Second World War . . . briefly follows the fate of Australian nursing survivors as they try to rebuild their shattered lives.” —Soldier Magazine “Accounts of Japanese brutality towards Allied prisoners of war are quite well known, but the fate of the tens of thousand[s] of Allied women and children who fell into their hands is not so familiar (at least since memories of the TV drama Tenko have faded). This harrowing account should go some way towards redressing that balance . . . an important piece of work looking at an aspect of the Second World War that should not be forgotten.” —HistoryOfWar.org
This harrowing WWII memoir recounts the tragic ordeal of a British couple separated by war and taken prisoner by Japanese forces in Sumatra. Captain C.O. “Mick” Jennings and his wife Margery were living in British Singapore when the Japanese invaded in 1941. Margery was on her way to Australia with other British families when their ship was bombed, leading to her capture in Sumatra. When Singapore fell in February 1942, Mick and other soldiers commandeered a junk and sailed to Sumatra. With a fellow soldier, he set sail for Australia in a seventeen-foot dinghy. But after an appalling ordeal at sea, he was also captured. Despite their close proximity, Mick and Margery never saw each other again. Though they managed to exchange a few letters, Margery died of deprivation and exhaustion in May 1945, shortly before VJ day, while Mick miraculously survived. Based on personal accounts and Margery’s secret diary, this outstanding book describes in graphic detail their attempted escapes and horrific imprisonments. Above all it is a moving testimony to the couple’s courage, resilience, and ingenuity.
The image of the nurse is ubiquitous, both in life and in popular media. One of the earliest instances of nursing and media intersecting is the Edison phonographic recording of Florence Nightingale's voice in 1890. Since then, a parade of nurses, good, bad or otherwise, has appeared on both cinema and television screens. How do we interpret the many different types of nurses--real and fictional, lifelike and distorted, sexual and forbidding--who are so visible in the public consciousness? This book is a comprehensive collection of unique insights from scholars across the Western world. Essays explore a diversity of nursing types that traverse popular characterizations of nurses from various time periods. The shifting roles of nurses are explored across media, including picture postcards, film, television, journalism and the collection and preservation of uniforms and memorabilia.
A pathbreaking account of World War II POW camps, challenging the longstanding belief that the Japanese Empire systematically mistreated Allied prisoners. In only five months, from the attack on Pearl Harbor in December 1941 to the fall of Corregidor in May 1942, the Japanese Empire took prisoner more than 140,000 Allied servicemen and 130,000 civilians from a dozen different countries. From Manchuria to Java, Burma to New Guinea, the Japanese army hastily set up over seven hundred camps to imprison these unfortunates. In the chaos, 40 percent of American POWs did not survive. More Australians died in captivity than were killed in combat. Sarah Kovner offers the first portrait of detention in the Pacific theater that explains why so many suffered. She follows Allied servicemen in Singapore and the Philippines transported to Japan on “hellships” and singled out for hard labor, but also describes the experience of guards and camp commanders, who were completely unprepared for the task. Much of the worst treatment resulted from a lack of planning, poor training, and bureaucratic incoherence rather than an established policy of debasing and tormenting prisoners. The struggle of POWs tended to be greatest where Tokyo exercised the least control, and many were killed by Allied bombs and torpedoes rather than deliberate mistreatment. By going beyond the horrific accounts of captivity to actually explain why inmates were neglected and abused, Prisoners of the Empire contributes to ongoing debates over POW treatment across myriad war zones, even to the present day.
This book approaches the concept of tenkō (political conversion) as a response to the global crisis of interwar modernity, as opposed to a distinctly Japanese experience in postwar debates. Tenkō connotes the expressions of ideological conversion performed by members of the Japanese Communist Party, starting in 1933, whereby they renounced Marxism and expressed support for Japan's imperial expansion on the continent. Although tenkō has a significant presence in Japan's postwar intellectual and literary histories, this multi-authored volume is one of the first in English-language scholarship to approach the phenomenon. International perspectives from both established and early career scholars show tenkō as inseparable from the global politics of empire, deeply marked by an age of mechanical reproduction, mediatization and the manipulation of language. Chapters draw on a wide range of interdisciplinary methodologies, from political theory and intellectual history to literary studies. In this way, tenkō is explored through new conceptual and analytical frameworks, including questions of gender and the role of affect in politics, implications that render the phenomenon distinctly relevant to the contemporary moment. Tenkō: Cultures of Political Conversion in Transwar Japan will prove a valuable resource to students and scholars of Japanese and East Asian history, literature and politics.
Since ancient times, music has demonstrated the incomparable ability to touch and resonate with the human spirit as a tool for communication, emotional expression, and as a medium of cultural identity. During World War II, Nazi leadership recognized the power of music and chose to harness it with malevolence, using its power to push their own agenda and systematically stripping it away from the Jewish people and other populations they sought to disempower. But music also emerged as a counterpoint to this hate, withstanding Nazi attempts to exploit or silence it. Artistic expression triumphed under oppressive regimes elsewhere as well, including the horrific siege of Leningrad and in Japanese internment camps in the Pacific. The oppressed stubbornly clung to music, wherever and however they could, to preserve their culture, to uplift the human spirit and to triumph over oppression, even amid incredible tragedy and suffering. This volume draws together the musical connections and individual stories from this tragic time through scholarly literature, diaries, letters, memoirs, compositions, and art pieces. Collectively, they bear witness to the power of music and offer a reminder to humanity of the imperative each faces to not only remember, but to prevent another such cataclysm.
From its invasion of Manchuria through to the Allies’ victory in 1945 the Japanese Imperial Army was guilty of widespread atrocities against its enemies and, in particular, the civilians of occupied countries. Massacre, human experimentation, starvation, forced labour and even cannibalism were commonplace during that period. It has been estimated that the number of deaths which resulted from these atrocities range from anything from three to fourteen million people. Using this appalling record the author explains in graphic detail the cruelty of Japanese military forces, drawing attention to the impact on ordinary people. He explores the possible reasons why people committed such horrendous acts. Seventy-eight years have passed since the surrender, yet the Japanese government has never squarely acknowledge their crimes, nor has it made an official apology. Over the years since, a handful of extreme right-wing elements in Japan has depicted the war and the atrocities as ‘the liberation of backward nations.’ They have attempted to reinterpret bloody massacres as 'a self-defensive holy war.' As his father Hugh Lowry suffered grievously as a Prisoner of War on the infamous Thai/Burma Railway, the author knows first-hand of the lasting psychological and physical wounds suffered by victims of Japanese brutality. This disturbing book should serve as a warning that such extreme and widespread behaviour should never be repeated.