(Piano/Vocal/Guitar Songbook). The revised edition of this book features 11 songs from Tim Burton's creepy animated classic, with music and lyrics by Danny Elfman. Songs include: Jack's Lament * Jack's Obsession * Kidnap the Sandy Claws * Making Christmas * Oogie Boogie's Song * Poor Jack * Sally's Song * This Is Halloween * Town Meeting Song * What's This? * Finale/Reprise.
Throughout the years, Alfred Music and Myklas Music Press have published solos for the Halloween season that have become favorites of both students and teachers. The pieces included in this series represent the most popular and effective solos drawn from the catalogues of both companies. Divided into four graded collections, outstanding works are included by Sharon Aaronson, Dennis Alexander, Christine H. Barden, Melody Bober, Anne Shannon Demarest, W. T. Skye Garcia, Mary Hauber, Bernadine Johnson, David Karp, Martha Mier, June Montgomery, Joyce Schatz Pease, Ruth Perdew, John Robert Poe, Catherine Rollin, Mary K. Sallee, George Peter Tingley, Robert D. Vandall, and Kim Williams. Book 4 includes pieces appropriate for early intermediate to intermediate students. Challenges include reading syncopated rhythms and triplets, performing extended eighth note passages, playing triads and inversions, and developing independence between the hands. Titles: March of the Great Pumpkins * Cool Ghouls * Jack-o'-Lantern Jamboree * Howlin' Halloween * House of Shadows * Black Cat Scherzo * Goblins and Ghosties * Ghosts on the Run * March of the Goblins. "Black Cat Scherzo" is a Federation Festivals 2016-2020 selection.
(Educational Piano Library). Great movies have great music scores, and this collection includes many classic favorites as well as themes from recent films: Forrest Gump (Feather Theme) * Hakuna Matata * My Favorite Things * My Heart Will Go On * The Phantom of the Opera * Puttin' on the Ritz * Stand by Me * What a Wonderful World.
Melody Bober's The Dakotas visits both North and South Dakota in three movements. In the opening movement, "The Great Plains," majestic chords, sixteenth-note runs and a soaring melody recreate the sweeping vistas of this vast grassland area that is found in both states. In the second movement, "Heirlooms and Lace," a lyrical and expressive melody with lush accompaniment recreates the sense of loss and longing when families moved to the new Dakota Territory created in 1861 and left behind precious belongings. The final movement, "Badlands Rough Rider," brings the suite to an energetic close. The Badlands regions of North and South Dakota are represented by this lively piece that shows the style and flair of a rough and tough horse and rider in this desolate region.
In today’s digital age, learning and creating music has never been so easy and affordable. Anyone can enhance their musical knowledge, skills, and creativity with the multitude of music apps available. However, sifting through thousands of music apps in the Apple App Store and Google Play can be a daunting task for any musician or music instructor. But not anymore! Having spent countless hours researching the most interesting useful, educational, fun, and easy-to-use music apps, Elizabeth C. Axford in Music Apps for Musicians and Music Teachers surveys the landscape of music-related apps for both iOS and Android mobile devices, including tablets and smartphones. Music Apps for Musicians and Music Teachers lists hundreds of music-related apps organized by category, including singing, musical instruments, music theory and composition, songwriting, improvisation, recording, evaluating music performances, listening to music, music history and literature, music appreciation, and more. App developers are listed with each app, including links to their websites for updates and support. The book sections and chapters align with the newly revised National Standards for Music Education released in 2014 by the National Association for Music Education. Suggested activities for educators are provided, as well as key terms and a bibliography. Music Apps for Musicians and Music Teachers is for anyone interested in music, whether hobbyist or professional. It enhances the ability to learn on the go by offering musicians, music students, and music instructors a list of the most useful music apps available.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 27 FEBRUARY, 1966 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 80 VOLUME NUMBER: Vol. XXXI, No.9 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-78 ARTICLE: 1. Nehru's Place in History 2. Self- Reliance 3. Role of Agricultural Extension Service 4. Defence of India 5. Hazards At the Top 6. As There A Change in British Attitude Towards Pakistan? AUTHOR: 1. M. Chalapathi Rau 2. A. N. Jha 3. Dr. T. R. Mehta 4. Col. A. N. S. Murthy 5. Hari Dang 6. V. R. Bhatt KEYWORDS : 1.Jawaharlal Nehru,Freedom,Struggle,Seriousness 2.India,Agriculture,Development,Demand 3.India,Techniques,Development,Service 4.China ,Pakistan,Training,Defence 5.Mountains,Imagination,Life,Newspaper 6.Pakistan,Nationalism,Communist,British Document ID : APE-1966(J-M) Vol-I-09 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 10 NOVEMBER, 1963 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 67 VOLUME NUMBER: Vol. XXVIII. No. 45 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 10-64 ARTICLE: 1. Principles Involved :Rule of Law 2. World Conquest: Peking's Goal 3. Folk Tales of Valour and Heroism 4. On Being Frank AUTHOR: 1.Shri B. P. Sinha 2. Vishnu Dutt 3. Ramprasad P. Bhakshi 4. M. M. Begg KEYWORDS : 1.Constitution,Law,Anglo-American 2.Nations,Admission,France,Communist 3.Folk-Tale,Maternal,Heroic Tales,Material 4.Honest,Frank,Situation,Personality Document ID : APE-1963 (S-N) Vol-III-07 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
