Death rituals and Buddhist imagery of the afterlife have been central to the development and spread of Buddhism as a social and textual tradition. Bringing together ethnographic, historical and theoretically informed accounts, the book presents in-depth studies of the Buddhist funeral cultures of mainland Southeast Asia and China.
Drawing on extensive ethnographic fieldwork in Cambodia, Erik W. Davis radically reorients approaches toward the nature of Southeast Asian Buddhism's interactions with local religious practice and, by extension, reorients our understanding of Buddhism itself. Through a vivid study of contemporary Cambodian Buddhist funeral rites, he reveals the powerfully integrative role monks play as they care for the dead and negotiate the interplay of non-Buddhist spirits and formal Buddhist customs. Buddhist monks perform funeral rituals rooted in the embodied practices of Khmer rice farmers and the social hierarchies of Khmer culture. The monks' realization of death underwrites key components of the Cambodian social imagination: the distinction between wild death and celibate life, the forest and the field, and moral and immoral forms of power. By connecting the performative aspects of Buddhist death rituals to Cambodian history and everyday life, Davis undermines the theory that Buddhism and rural belief systems necessarily oppose each other. Instead, he shows Cambodian Buddhism to be a robust tradition with ethical and popular components extending throughout Khmer society.
Kniha s názvem Contemporary Funeral Rituals of Sa'dan Toraja; From Aluk Todolo to "New" Religions pojednává o etniku Toradžů, jež obývá provincie Tana Toraja a Toraja Utara v jižní části indonéského ostrova Sulawesi. Práce se zabývá jejich kulturou a soustředí se na nejvýznamnější soudobý toradžský rituál – pohřeb. Její jádro je rozděleno do dvou kapitol – první z nich představuje etnikum Toradžů a důležité aspekty jejich kultury, druhá kapitola je založena především na výsledcích terénního výzkumu autorky. Zabývá se tím, co se stane s duší zesnulého člověka podle náboženství Aluk Todolo, jak musí pozůstalí naložit s jeho tělem a do jaké míry společenský původ ovlivňuje ještě i v současnosti typ a délku funerálního rituálu Cílem této knihy je nastínit podobu funerálního rituálu v jeho původní formě a zachytit zásadní sociální a náboženské změny, ke kterým dochází v toradžské společnosti od počátku 20. století, kdy na jejich území vstoupili první nizozemští misionáři. Autorka knihy se snažila zjistit, do jaké míry jsou soudobé toradžské rituály synkretickým útvarem – snoubí se v nich totiž autochtonní víra Aluk Todolo a zvykové právo adat s nově přijatými náboženstvími. Práce tedy poukazuje na to, jak nově přijatá náboženství ovlivnila podobu rituálů, soustředí se zejména na jejich formální a principiální významové posuny
This volume advocates a trans-regional, and maritime-focused, approach to studying the genesis, development and circulation of Esoteric (or Tantric) Buddhism across Maritime Asia from the seventh to the thirteenth centuries ce. The book lays emphasis on the mobile networks of human agents (‘Masters’), textual sources (‘Texts’) and images (‘Icons’) through which Esoteric Buddhist traditions spread. Capitalising on recent research and making use of both disciplinary and area-focused perspectives, this book highlights the role played by Esoteric Buddhist maritime networks in shaping intra-Asian connectivity. In doing so, it reveals the limits of a historiography that is premised on land-based transmission of Buddhism from a South Asian ‘homeland’, and advances an alternative historical narrative that overturns the popular perception regarding Southeast Asia as a ‘periphery’ that passively received overseas influences. Thus, a strong point is made for the appreciation of the region as both a crossroads and rightful terminus of Buddhist cults, and for the re-evaluation of the creative and transformative force of Southeast Asian agents in the transmission of Esoteric Buddhism across mediaeval Asia.
"Refiguring East Asian Religious Art consists of twelve chapters organized in four sections, titled "Death of the Buddha and Buddhist Icons," "Kinship and Commemoration," "Filial Piety and Politics," and "Constructing Ritual Space." Instead of designating self-contained entities, these subtitles point to four general themes of the volume, around which the authors address interrelated issues from different perspectives. Co-editors Paul Copp and Wu Hung have brought together these essays (richly illustrated with images and photos) by leading scholars to compose an outstanding text. This book reflects on the roles that the integration and interpenetration of Buddhist devotion and ancestor veneration played in creating images, objects, and architectural forms in premodern East Asia. These reflections are occasioned by specific historical cases, not motivated by abstract theoretical agendas. The case analyses, in turn, revolve in various degrees around the phenomenon and concept of death, whether the passing of the Buddha, the departure of family members, or the destruction of religious icons"--
Originally published in 1997, Religions of Tibet in Practice is a landmark work--the first major anthology on the topic ever produced. This new edition--abridged to further facilitate course use--presents a stunning array of works that together offer an unparalleled view of the Tibetan religious landscape over the centuries. Organized thematically, the twenty-eight chapters are testimony to the vast scope of religious practice in the Tibetan world, past and present. Religions of Tibet in Practice remains a work of great value to scholars, students, and general readers.
Few issues apply universally to people as poignantly as death and dying. All religions address concerns with death from the handling of human remains, to defining death, to suggesting what happens after life. The Routledge Companion to Death and Dying provides readers with an overview of the study of death and dying. Questions of death, mortality, and more recently of end-of-life care, have long been important ones and scholars from a range of fields have approached the topic in a number of ways. Comprising over fifty-two chapters from a team of international contributors, the companion covers: funerary and mourning practices; concepts of the afterlife; psychical issues associated with death and dying; clinical and ethical issues; philosophical issues; death and dying as represented in popular culture. This comprehensive collection of essays will bring together perspectives from fields as diverse as history, philosophy, literature, psychology, archaeology and religious studies, while including various religious traditions, including established religions like Christianity, Judaism, Islam, Hinduism, and Buddhism as well as new or less widely known traditions such as the Spiritualist Movement, the Church of Latter Day Saints, and Raëlianism. The Routledge Companion to Death and Dying is essential reading for students and researchers in religious studies, philosophy and literature.
Through a cultural analysis of the symbols of death - flesh, blood, bones, souls, time numbers, food and money - Chinese Death Rituals in Singapore throws light upon the Chinese perception of death and how they cope with its eventuality. In the seeming mass of religious rituals and beliefs, it suggests that there is an underlying logic to the rituals. This in turn leads Kiong to examine the interrelationship between death and the socioeconomic value system of China as a whole.
The Oxford Handbook of Contemporary Buddhism offers a comprehensive collection of work by leading scholars in the field. They examine the historical development of Buddhist traditions throughout the world, from traditional settings like India, Japan, and Tibet, to the less well known regions of Latin America, Africa, and Oceania.
In Buddha’s Company explores a previously neglected aspect of the Vietnam War: the experiences of the Thai troops who served there and the attitudes and beliefs that motivated them to volunteer. Thailand sent nearly 40,000 volunteer soldiers to South Vietnam to serve alongside the Free World Forces in the conflict, but unlike the other foreign participants, the Thais came armed with historical and cultural knowledge of the region. Blending the methodologies of cultural and military history, Richard Ruth examines the individual experiences of Thai volunteers in their wartime encounters with American allies, South Vietnamese civilians, and Viet Cong enemies. Ruth shows how the Thais were transformed by living amongst the modern goods and war machinery of the Americans and by traversing the jungles and plantations haunted by indigenous spirits. At the same time, Ruth argues, Thailand’s ruling institutions used the image of volunteers to advance their respective agendas, especially those related to anticommunist authoritarianism. Drawing on numerous interviews with Thai veterans and archival material from Thailand and the United States, Ruth focuses on the cultural exchanges that occurred between Thai troops and their allies and enemies, presenting a Southeast Asian view of a conflict that has traditionally been studied as a Cold War event dominated by an American political agenda. The resulting study considers such diverse topics as comparative Buddhisms, alternative modernities, consumerism, celebrity, official memories vs. personal recollections, and the value of local knowledge in foreign wars. The war’s effects within Thailand itself are closely considered, demonstrating that the war against communism in Vietnam, as articulated by Thai leaders, was a popular cause among nearly all segments of the population. Furthermore, Ruth challenges previous assertions that Thailand’s forces were merely "America’s mercenaries" by presenting the multiple, overlapping motivations for volunteering offered by the soldiers themselves. In Buddha’s Company makes clear that many Thais sought direct involvement in the Vietnam War and that their participation had profound and lasting effects on the country’s political and military institutions, royal affairs, popular culture, and international relations. As one of only a handful of academic histories of Thailand in the 1960s, it provides a crucial link between the keystone studies of the Phibun-Sarit years (1946–1963) and those examining the turbulent 1970s.
