Translated from the Tamil by Pritham K. Chakravarthy and Rakesh Khanna. With its mad patchwork of phone sex conversations, nightmarish torture scenes, tender love poems, numerology, mythology, and compulsive name-dropping of Latin American intellectuals, Charu Nivedita's novel ZERO DEGREE stands out as a groundbreaking work of Tamil transgressive fiction that unflinchingly probes the deepest psychic wounds of humanity. "Hide it in the deep recesses of your clothes cupboard or in the general chaos of your office desk, if you must, but read it"--Asha S. Menon, New Sunday Express.
Space and time on earth are regulated by the prime meridian, 0°, which is, by convention, based at the Royal Observatory, Greenwich. But the meridian’s location in southeast London is not a simple legacy of Britain’s imperial past. Before the nineteenth century, more than twenty-five different prime meridians were in use around the world, including Paris, Beijing, Greenwich, Washington, and the location traditional in Europe since Ptolemy, the Canary Islands. Charles Withers explains how the choice of Greenwich to mark 0° longitude solved complex problems of global measurement that had engaged geographers, astronomers, and mariners since ancient times. Withers guides readers through the navigation and astronomy associated with diverse meridians and explains the problems that these cartographic lines both solved and created. He shows that as science and commerce became more global and as railway and telegraph networks tied the world closer together, the multiplicity of prime meridians led to ever greater confusion in the coordination of time and the geographical division of space. After a series of international scientific meetings, notably the 1884 International Meridian Conference in Washington, DC, Greenwich emerged as the most pragmatic choice for a global prime meridian, though not unanimously or without acrimony. Even after 1884, other prime meridians remained in use for decades. As Zero Degrees shows, geographies of the prime meridian are a testament to the power of maps, the challenges of accurate measurement on a global scale, and the role of scientific authority in creating the modern world.
Bell Laboratories is one of the world's leading research centres. Bell scientists have won seven Nobel prizes in, physics, more than any other single institution in the world. In this engrossing book - a blend of popular science, and history -Jeremy Bernstein guides us on a fascinating tour of the labs, introducing us to the men and women who have been responsible for some of the greatest scientific advances of this century, in computers and computation, solid state physics (including the invention and development of the transistor); communications, and in astrophysics.
In the spirit if Tony Abbott's UNDERWORLD books, comes the new kid on the block - Barkari Katari Johnson! Shy fourth-grader Bakari Katari Johnson is having a bad day. He's always coming up against Tariq Thomas, the most popular kid in their class, and today is no different. On top of that, Bakari has found a strange ring that appears to have magical powers--and the people from the ring's fantastical other world want it back! Can Bakari and his best friend Wardell stave off the intruders' attempts, keep the ring safe, and stand up to Tariq and his pal Keisha, all before the school bell rings? Media celebrity and Essence Magazine entertainment producer, Patrik Henry Bass delivers adventure, fun, fantasy and friendship in this illustrated action-packed adventure starring an African American boy hero and his classmates.
We have always struggled to explain why some people behave in the most evil way imaginable, while others are completely self-sacrificing. From the Nazi concentration camps of World War Two to the playgrounds of today, the author examines empathy, cruelty and understanding and looks at what exactly makes our behaviour uniquely human.
An essential guide to an essential book, this first anthology on Camera Lucida offers critical perspectives on Barthes's influential text. Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero, the first anthology of writings on Camera Lucida, goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero (the title links Barthes's first book, Writing Degree Zero, to his last, Camera Lucida) includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucida and its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it. The variety of perspectives included in Photography Degree Zero, and the focus on Camera Lucida in the context of photography rather than literature or philosophy, serve to reopen a vital conversation on Barthes's influential work.
Examines the centrality of drawing to the art of the late 1960s and early 1970s. Focuses on the work of Mel Bochner, Rosemarie Castoro, Sol LeWitt, Dorothea Rockburne, and Richard Tuttle.
Fourteen degrees below zero cold enough to freeze the soul Lewis Ingraham is cold. He s lost his wife to cancer, his executive career, his once sure grip on the world around him. All that he can hold on to is his beautiful daughter Jay, a brilliant student who has become a struggling single mother. But he sees that even Jay is starting to slip away from him, in favor of Stephen, her self-important boyfriend. This time Lewis is going to fight back. But when Lewis takes out his fury on Stephen, he ignites a chain reaction of violence. Now winter is bearing down on Minnesota. Desire, guilt, and rage are swirling in the snow. And a heinous crime is about to lead three people down a steep and unforgiving slope into a realm of cold, hard truth. Set in a chillingly barren milieu and invoking comparisons to Donald Westlake s bestselling classic The Ax, 14 Degrees Below Zero is a stunning, provocative, and utterly unforgettable experience in psychological suspense and American" "noir fashioned from the heat of ordinary lives."
Throughout his career, Roland Barthes (1915-1980) had a complex and often uneasy relationship with theatre and performance. In Performance Degree Zero, Timothy Scheie argues that Barthes's body of work must be considered a lifelong engagement with theatre. Exploring his changing critical methodologies, Scheie provides a new understanding of the rapid shifts in critical modes Barthes traverses, from a Sartrean Marxism in the 1950s, through semiology, to French post-structuralism and the mournful introspection of his later years. The theatrical figure illuminates Barthes's accounts of the sign, the text, the body, homosexuality, love, the voice, photography, and other important and contested terms of his thought. "Performance Degree Zero"offers the first comprehensive account of Barthes's lifelong engagement with theatre and performance.
In the fields of literature and the visual arts, 'zero degree' represents a neutral aesthetic situated in response to, and outside of, the dominant cultural order. Taking Roland Barthes' 1953 book Writing Degree Zero as just one starting point, this volume examines the historical, theoretical and visual impact of the term and draws directly upon the editors' ongoing collaboration with artist and writer Victor Burgin. The book is composed of key chapters by the editors and Burgin, a series of collaborative texts with Burgin and four commissioned essays concerned with the relationship between Barthes and Burgin in the context of the spectatorship of art. It includes an in-depth dialogue regarding Burgin's long-term reading of Barthes and a lengthy image-text, offering critical exploration of the Image (in echo of earlier theories of the Text). Also included are translations of two projections works by Burgin, 'Belledonne' and 'Prairie', which work alongside and inform the collected essays. Overall, the book provides a combined reading of both Barthes and Burgin, which in turn leads to new considerations of visual culture, the spectatorship of art and the political aesthetic.
