Part of a series that aims to place buildings within their historical context,his text considers Gropius' Dessau Bauhaus, Le Coubusier's Unite deabitation and Kahn's Salk Institute. It includes specially producedechnical drawings that explain how the buildings were detailed and putogether. The text explains how all three buildings are the product of greatocial vision and humanism and that by studying these pivotal buildingsogether, the approaches of three different architects to building forpecific communities can be examined.
The Catcher in the Rye," written by J.D. Salinger and published in 1951, is a classic American novel that explores the themes of adolescence, alienation, and identity through the eyes of its protagonist, Holden Caulfield. The novel is set in the 1950s and follows Holden, a 16-year-old who has just been expelled from his prep school, Pencey Prep. Disillusioned with the world around him, Holden decides to leave Pencey early and spend a few days alone in New York City before returning home. Over the course of these days, Holden interacts with various people, including old friends, a former teacher, and strangers, all the while grappling with his feelings of loneliness and dissatisfaction. Holden is deeply troubled by the "phoniness" of the adult world and is haunted by the death of his younger brother, Allie, which has left a lasting impact on him. He fantasizes about being "the catcher in the rye," a guardian who saves children from losing their innocence by catching them before they fall off a cliff into adulthooda. The novel ends with Holden in a mental institution, where he is being treated for a nervous breakdown. He expresses some hope for the future, indicating a possible path to recovery..
The author describes the culture of mass death in the 20th century, from the battlefields of both World Wars to local disasters and organized famines, during which some 110 million have died.
Whether highly personal, polemical, philosophical or playful, the essays in this fascinating collection capture their times with wit, urgency, erudition and insight. Decade by decade, the greatest British and American writers span the twentieth century, including Orwell's 'England Your England', Nancy Mitford on the upper classes, Fitzgerald's 'Crack Up', James Baldwin's harrowing 'Notes of a Native Son', Martin Amis on US politics, Tom Wolfe on 'radical chic' and Julian Barnes on the Thatcher years.
Hunger by Knut Hamsun - The Original Classic Edition Finally available, a high quality book of the original classic edition. This is a new and freshly published edition of this culturally important work, which is now, at last, again available to you. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside: From there his parents moved when he was only four to settle in the far northern district of Lofoden--that land of extremes, where the year, and not the day, is evenly divided between darkness and light; where winter is a long dreamless sleep, and summer a passionate dream without sleep; where land and sea meet and intermingle so gigantically that man is all but crushed between the two--or else raised to titanic measures by the spectacle of their struggle. ...But when Kareno, the irreconcilable rebel of At the Gates of the Kingdom, the heaven-storming truth-seeker of The Game of Life, and the acclaimed radical leader in the first acts of Sunset Glow, surrenders at last to the powers that be in order to gain a safe and sheltered harbor for his declining years, then another man of 29 stands ready to denounce him and to take up the rebel cry of youth to which he has become a traitor. Hamsuns ironical humor and whimsical manner of expression do more than the plot itself to knit the plays into an organic unit, and several of the characters are delightfully drawn, particularly the two women who play the greatest part in Karenos life: his wife Eline, and Teresita, who is one more of his many feminine embodiments of the passionate and changeable Northland nature. ...From 1897 to 1912 Hamsun produced a series of volumes that simply marked a further development of the tendencies shown in his first novels: Siesta, short stories, 1897; Victoria a novel with a charming love story that embodies the tenderest note in his production, 1898; In Wonderland, travelling sketches from the Caucasus, 1903; Brushwood, short stories, 1903; The Wild Choir, a collection of poems, 1904; Dreamers, a novel, 1904; Struggling Life, short stories and travelling sketches, 1905; Beneath the Autumn Star a novel, 1906; Benoni, and Rosa, two novels forming to some extent sequels to Pan, 1908; A Wanderer Plays with Muted Strings, a novel, 1909; and The Last Joy, a shapeless work, half novel and half mere uncoordinated reflections, 1912. ...I turned to a shop window and stopped in order to give him an opportunity of getting ahead, but when, after a lapse of some minutes, I again walked on there was the man still in front of me--he too had stood stock still, --without stopping to reflect I made three or four furious onward strides, caught him up, and slapped him on the shoulder.
Twentieth Century Classics is a collection of essays on 20th-century English society through surveys of leading prose writers of that period. In this book the author, Rajiva Wijesinha, puts together 51 writers of English literature whose works have the best claim towards the hallmark of 'classic' in the 20th century. Each of the writers included in this book is representative of the period in terms of his or her literary concerns and choice of themes and subjects. Initially published in Sri Lanka in the newspaper, The Island, as a weekly column, the essays also contribute much to our understanding of the society they describe, the changes the society experienced and the moral perspectives that governed it. The essays are educational and written in a lucid manner. They can be a reader's best guide to good literature of the previous century.
Rates the best of the twentieth century's art and pop culture, while accompanying essays provide commentary on the way art and performance influences the public and modern world.
Christine Berberich shows that the English gentleman has proven to be a remarkably adaptable and relevant ideal that continues to influence not only literature but other forms of representation, including the media and advertising industries. Paying particular attention to the relationship of nostalgia to 'Englishness', Berberich demonstrates that twentieth-century depictions of the gentleman have much to tell us about rapidly changing conceptions of national, class, and gender identity.
