The topics discussed in this volume include: Jonathan Swift; the 1798 rebellion; 17th century drama; l9th century Irish ballad sheets; modern Irish literary manuscripts, including those of W.B. Yeats, J.M. Synge and Samuel Beckett; the Long Room; and a brief history of the Trinity College library.
This is the first comprehensive, scholarly history of Trinity College Library Dublin. It covers the whole 400 years of the Library's development, from its foundation by James Ussher in the seventeenth century to the electronic revolution of the twenty-first century. Particular attention is given to the buildings and to the politics involved in obtaining funding for them, as well as to the acquisition of the great treasures, such as the Book of Kells and the libraries of Ussher, Claudius Gilbert and Hendrik Fagel. An important aspect is the comprehensive coverage of legal deposit from the beginning of the nineteenth century, viewed for the first time from the Irish perspective. The book also draws parallels with the development of other libraries in Dublin and with those of the universities of Oxford and Cambridge, and features throughout the individuals who influenced the Library's development - librarians, politicians, readers, book collectors and book thieves.
The book of Psalms was at the core of devotional practice in western Christianity throughout the Middle Ages. The study of medieval Latin Psalters provides evidence for the owners, users, and makers of each of these unique books. This volume examines Psalter manuscripts as objects, exploring how they were designed and the changes that have been made to them over time. The choices made about text, decoration, size, and layout in these manuscripts reveal a diverse range of engagements with the Psalms, as they were sung, read, and scrutinized. The book thus sheds new light on some of the treasures of Trinity College Dublin and the Chester Beatty Library. *** Slim in format and heavy in insights, this book is a peculiar hybrid. It is not a robust academic catalogue or a glossy exhibition catalogue or a coffee-table book, but it manages to combine some of the most appealing features of all three. Elegantly designed and richly illustrated in (almost) full colour, it is a pleasure to hold, look at and leaf through. ...a publication that invites an intimate study of Dublin's treasures.Ã?Â?Ã?Â?-- Stella Panayotova, Times Literary Supplement, February 2016 [Subject: History, Irish Studies, Medieval Studies, Religious Studies]
"The 1641 Depositions are witness testimonies, mainly by Protestants, but also by some Catholics, from all social backgrounds, concerning their experiences of the 1641 Irish rebellion. The testimonies document the loss of goods, military activity, and the alleged crimes committed by the Irish insurgents. This body of material is unparalleled anywhere in early modern Europe. It provides a unique source of information for the causes and events surrounding the 1641 rebellion and for the social, economic, cultural, religious, and political history of seventeenth- century Ireland, England and Scotland. In total, 19,010 manuscript pages in 31 bound volumes held at Trinity College Dublin have been transcribed and are arranged for publication in 12 volumes from 2014 onwards. The depositions are available online at www.1641.tcd.ie ."--Provided by publisher.
For the past two centuries and more, the West has acquired the treasures of antiquity to fill its museums, so that visitors to the British Museum in London, the Louvre in Paris and the Metropolitan in New York - to name but a few - can wonder at the ingenuity of humanity throughout the ages. However, in the opinion of most people, many of these items are looted property and should be returned immediately. In 'Keeping Their Marbles', Tiffany Jenkins tells the intriguing and sometimes bloody story of how the West came to acquire these treasures. Originally published: 2016.
The twenty-eight essays in this collection showcase cutting-edge research in manuscript studies, encompassing material from late antiquity to the Renaissance. The volume celebrates the exceptional contribution of John Lowden to the study of medieval books. The authors explore some of the themes and questions raised in John’s work, tackling issues of meaning, making, patronage, the book as an object, relationships between text and image, and the transmission of ideas. They combine John’s commitment to the close scrutiny of manuscripts with an interrogation of what the books meant in their own time and what they mean to us now.