Thunder and Lament

Thunder and Lament

Author: Timothy A. Joseph

Publisher:

Published: 2022

Total Pages:

ISBN-13: 9780197582169

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"Lucan's epic poem Pharsalia tells the story of the cataclysmic "end of Rome" through the victory of Julius Caesar and Caesarism in the civil wars of 49-48 BCE. This book argues that Lucan's poetic agenda moves in lockstep with his narrative arc, as he fashions the Pharsalia to mark the momentous end of the epic genre. In order to accomplish the closure of the genre, Lucan engages pervasively and polemically with the very first works of Greek and Roman epic - inverting, undoing, and closing off many of the tropes and themes introduced in Homer's Iliad and Odyssey and in the foundational Latin epic poems by Livius Andronicus, Naevius, and most of all Ennius. By looking at Lucan's effort to "surpass the poets of old" - a phrase Statius would use of his achievement - this study broadens our appreciation of Lucan's poetic ambitions and accomplishment. Statius also read Lucan as a poet who both thunders and laments, and this book makes the case that Lucan closes off epic's beginnings through not just gestures of thundering poetic violence but also a transformation and expansion of the traditional epic mode of lament. In his story of violent Roman self-destruction and the lamentation that accompanies it, Lucan at the same time uproots and marks the end of the epic song"--


Thunder and Lament

Thunder and Lament

Author: Timothy A. Joseph

Publisher: Oxford University Press

Published: 2022

Total Pages: 313

ISBN-13: 0197582141

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"Lucan's epic poem Pharsalia tells the story of the cataclysmic "end of Rome" through the victory of Julius Caesar and Caesarism in the civil wars of 49-48 BCE. This book argues that Lucan's poetic agenda moves in lockstep with his narrative arc, as he fashions the Pharsalia to mark the momentous end of the epic genre. In order to accomplish the closure of the genre, Lucan engages pervasively and polemically with the very first works of Greek and Roman epic - inverting, undoing, and closing off many of the tropes and themes introduced in Homer's Iliad and Odyssey and in the foundational Latin epic poems by Livius Andronicus, Naevius, and most of all Ennius. By looking at Lucan's effort to "surpass the poets of old" - a phrase Statius would use of his achievement - this study broadens our appreciation of Lucan's poetic ambitions and accomplishment. Statius also read Lucan as a poet who both thunders and laments, and this book makes the case that Lucan closes off epic's beginnings through not just gestures of thundering poetic violence but also a transformation and expansion of the traditional epic mode of lament. In his story of violent Roman self-destruction and the lamentation that accompanies it, Lucan at the same time uproots and marks the end of the epic song"--


Lament

Lament

Author: Ann Suter

Publisher: Oxford University Press

Published: 2008-02-05

Total Pages: 301

ISBN-13: 0195336925

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Lament seems to have been universal in the ancient world. As such, it is an excellent touchstone for the comparative study of attitudes towards death and the afterlife, human relations to the divine, views of the cosmos, and the constitution of the fabric of society in different times and places. This collection of essays offers the first ever comparative approach to ancient Mediterranean and Near Eastern traditions of lament. Beginning with the Sumerian and Hittite traditions, the volume moves on to examine Bronze Age iconographic representations of lamentation, Homeric lament, depictions of lament in Greek tragedy and parodic comedy, and finally lament in ancient Rome. The list of contributors includes such noted scholars as Richard Martin, Ian Rutherford, and Alison Keith.Lament comes at a time when the conclusions of the first wave of the study of lament-especially Greek lament-have received widespread acceptance, including the notions that lament is a female genre; that men risked feminization if they lamented; that there were efforts to control female lamentation; and that a lamenting woman was a powerful figure and a threat to the orderly functioning of the male public sphere. Lament revisits these issues by reexamining what kinds of functions the term lament can include, and by expanding the study of lament to other genres of literature, cultures, and periods in the ancient world. The studies included here reflect the variety of critical issues raised over the past 25 years, and as such, provide an overview of the history of critical thinking on the subject.


Making It Heard

Making It Heard

Author: Rui Chaves

Publisher: Bloomsbury Publishing USA

Published: 2019-12-12

Total Pages: 389

ISBN-13: 1501344447

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From the mid-20th century to present, the Brazilian art, literature, and music scene have been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art, a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, mail art, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recognize local idiosyncrasies, and creates a local rationale and discourse. Through this approach, Chaves and Iazzetta enable students, researchers, and artists to discover and acknowledge work produced outside of a standard Anglo-European framework.


Lament-Driven Preaching

Lament-Driven Preaching

Author: Eliana Ah-Rum Ku

Publisher: Wipf and Stock Publishers

Published: 2024-03-04

Total Pages: 271

ISBN-13: 1666774316

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This book challenges Christian communities to engage in lament—a mode of existence characterized by impassioned expression, witnessing, and personal or social protest in the face of evil and injustice, reflecting a profound yearning for God’s saving presence. Divine lament responds to, and expresses solidarity with, human suffering, unveiling multiple facets of God’s image and demonstrating a profound sense of divine compassion. Drawing on the Book of Lamentations, Korean concepts related to suffering (han and hanpuri), the Paschal Triduum narratives, and recent homiletic discourses on suffering, the author investigates how complex issues related to grief and hope can be addressed in preaching without diminishing the harsh reality of affliction. Designed to assist preachers, this book encourages a more intentional approach to addressing suffering, specifically by advocating for lament as a transitional space between affliction and hope. Furthermore, readers are invited to contemplate the significance of the church, which, within a world in decline, embodies the body of Christ, manifesting both the demise and resurrection of God.


Critical Perspectives on Christopher Okigbo

Critical Perspectives on Christopher Okigbo

Author: Donatus Ibe Nwoga

Publisher: Lynne Rienner Publishers

Published: 1984

Total Pages: 388

ISBN-13: 9780894102585

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A collection of essays and reviews, both favourable and negative, about the Igbo poet. The book begins with a memorial essay by Chinua Achebe. Other contributors examine the imagery that Okigbo drew from nature, history and politics, exploring the surrealistic qualities of his work.


Poetry, Print, and the Making of Postcolonial Literature

Poetry, Print, and the Making of Postcolonial Literature

Author: Nathan Suhr-Sytsma

Publisher: Cambridge University Press

Published: 2017-07-10

Total Pages: 301

ISBN-13: 1316739015

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Poetry, Print, and the Making of Postcolonial Literature reveals an intriguing history of relationships among poets and editors from Ireland and Nigeria, as well as Britain and the Caribbean, during the mid-twentieth-century era of decolonization. The book explores what such leading anglophone poets as Seamus Heaney, Christopher Okigbo, and Derek Walcott had in common: 'peripheral' origins and a desire to address transnational publics without expatriating themselves. The book reconstructs how they gained the imprimatur of both local and London-based cultural institutions. It shows, furthermore, how political crises challenged them to reconsider their poetry's publics. Making substantial use of unpublished archival material, Nathan Suhr-Sytsma examines poems in print, often the pages on which they first appeared, in order to chart the transformation of the anglophone literary world. He argues that these poets' achievements cannot be extricated from the transnational networks through which their poems circulated - and which they in turn remade.