Theatre Cultures within Globalising Empires
Theatre Cultures within Globalising Empires

Author: Joachim Küpper

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2018-08-06

Total Pages: 359

ISBN-13: 3110612038

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This volume presents the proceedings of the international conference “Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain”, held in 2012 as part of the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet). Implementing the concept of culture as a virtual network, it investigates Early modern European drama and its global dissemination. The 12 articles of the volume – all written by experts in the field teaching in the United Kingdom, the USA, Russia, Switzerland, India and Germany – focus on a selection of English and Spanish dramas from the sixteenth and seventeenth centuries. Analysing and comparing motifs, formal parameters as well as plot structures, they discuss the commonalities and differences of Early modern drama in England and Spain.

Theatre Cultures within Globalising Empires
Theatre Cultures within Globalising Empires

Author: Joachim Küpper

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2018-08-06

Total Pages: 246

ISBN-13: 3110536889

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This volume presents the proceedings of the international conference “Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain”, held in 2012 as part of the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet). Implementing the concept of culture as a virtual network, it investigates Early modern European drama and its global dissemination. The 12 articles of the volume – all written by experts in the field teaching in the United Kingdom, the USA, Russia, Switzerland, India and Germany – focus on a selection of English and Spanish dramas from the sixteenth and seventeenth centuries. Analysing and comparing motifs, formal parameters as well as plot structures, they discuss the commonalities and differences of Early modern drama in England and Spain.

Western Theatre in Global Contexts
Western Theatre in Global Contexts

Author: Yasmine Marie Jahanmir

Publisher: Routledge

Published: 2020-08-12

Total Pages: 336

ISBN-13: 0429534000

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Western Theatre in Global Contexts explores the junctures, tensions, and discoveries that occur when teaching Western theatrical practices or directing English-language plays in countries that do not share Western theatre histories or in which English is the non-dominant language. This edited volume examines pedagogical discoveries and teaching methods, how to produce specific plays and musicals, and how students who explore Western practices in non-Western places contribute to the art form. Offering on-the-ground perspectives of teaching and working outside of North American and Europe, the book analyzes the importance of paying attention to the local context when developing theatrical practice and education. It also explores how educators and artists who make deep connections in the local culture can facilitate ethical accessibility to Western models of performance for students, practitioners and audiences. Western Theatre in Global Contexts is an excellent resource for scholars, artists, and teachers that are working abroad or on intercultural projects in theatre, education and the arts.

The Cultural Net
The Cultural Net

Author: Joachim Küpper

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2018-04-09

Total Pages: 513

ISBN-13: 3110601737

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This volume offers a new theoretical approach to cultural production inspired by the metaphor of culture as a virtual network. Following a thorough outline of this approach, the theoretical framework is elucidated in a second part through examples drawn from early modern European drama. A third and final part then presents a critical discussion of the concept of "national" culture and literature, from its first formulation by Johann Gottfried Herder to its current developments, including postcolonial studies.

Theater as Metaphor
Theater as Metaphor

Author: Elena Penskaya

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-05-20

Total Pages: 467

ISBN-13: 3110622106

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The papers of the present volume investigate the potential of the metaphor of life as theater for literary, philosophical, juridical and epistemological discourses from the Middle Ages through modernity, and focusing on traditions as manifold as French, Spanish, Italian, German, Russian and Latin-American.

Massinger’s Italy
Massinger’s Italy

Author: Cristina Paravano

Publisher: Taylor & Francis

Published: 2023-08-04

Total Pages: 160

ISBN-13: 1000919838

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Massinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger offers the first book-length account of the pervasive influence of Italian culture on the canon of Philip Massinger, one of the most successful playwrights of the post-Shakespearean period. This volume explores the relationships between Massinger and Italian literary, dramatic and intellectual culture in the larger context of Anglo-Italian cultural exchanges. The book investigates the influence of Italian culture, considering Massinger’s engagement and appropriation of Italian texts, dramatic and political theories and ideas related to the country and his use of Italy as a setting. Massinger’s Italy offers a fresh and unexpected perspective on the development of Anglo-Italian discourse on the early modern English stage, showing to what extent Massinger contributed to the myth of Italy and to the circulation of Italian culture and shedding light on the complex system of Anglo-Italian interconnections within the corpus of Massinger’s plays as well as with the works of Shakespeare and his contemporaries.

Pulcinella’s Brood
Pulcinella’s Brood

Author: Karen T. Raizen

Publisher: University of Toronto Press

Published: 2024-10-01

Total Pages: 291

ISBN-13: 1487555806

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Pulcinella, a Neapolitan clown born of the commedia dell’arte tradition, went viral in Europe in the seventeenth and eighteenth centuries. He was an unlikely hero, grotesque in his mannerisms, with a bulging belly, occasional hunchback, and an insatiable desire for macaroni. Still, this bulbous misfit took his place next to kings, caliphs, and intellectual heavyweights. Pulcinella’s Brood traces the transnational arc of the Enlightenment-era Pulcinella, from his native Naples to Paris, from Rome to London. The book explores how Pulcinella was inserted into discourses about social order, aesthetics, and politics – how he became a revolutionary, a critic of the Catholic Church, and a champion of education. It examines how Pulcinella, along with his transnational brood, was a constant, pervasive presence during the Enlightenment and a squeaky-voiced participant in the ideological and theoretical debates that defined the era. Exploring the diffusion of Italian popular comedy throughout Europe, Pulcinella’s Brood proposes that Pulcinella, a grotesque, food-obsessed clown, can be wielded as a historical disruptor and a rich and dynamic source for casting both the Enlightenment and our contemporary world in a different light.

Nationalism
Nationalism

Author: Eric Storm

Publisher: Princeton University Press

Published: 2024-10-29

Total Pages: 512

ISBN-13: 0691233098

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"A new global history of nationalism. Today, almost all countries are considered nation-states, but only a handful conform to the original nationalist ideal of a unitary state which governs an ethnically homogenous nation, an ideal which has rarely been realized in the past. Given this disjunction between the ideal and reality, what explains the extraordinary success of the nation-state model - a form of statehood based on popular sovereignty - and the seductive power of the myth of national homogeneity? Most existing studies focus on the activities of nationalist movements, their views on the nation's identity and the wars and revolutions that produced nation-states. This has served to overemphasize the singularity of each case, producing a very fragmented picture overall. In this book, author Eric Storm takes a global approach by examining the structural changes that were engendered by the advance of the nation-state model and the nationalization of culture. Emphasizing how conceptions of the nation changed profoundly over time, the book details how the rise of nationalism fundamentally affected the everyday life of ordinary people across the globe. Storm explores four interrelated topics chronologically: the rise, dissemination, and evolution of the nation-state model, which was first developed during the Atlantic Revolutions; the implications of national citizenship for citizens and the attempt by nation-states to expand the ambit of citizenship, even while more strictly excluding outsiders; the allure of nationalism, as the existence of differentiated nations was increasingly taken for granted in the humanities, social sciences and high culture; and, finally, the process whereby nationalism became ingrained in daily life and the physical environment. In making use of a global comparative approach, Storm makes clear that no nation has been unique; rather, they have all conformed to the nation-state model"--

Stages of Loss
Stages of Loss

Author: George Oppitz-Trotman

Publisher: Oxford University Press

Published: 2020-07-29

Total Pages: 320

ISBN-13: 0192602454

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Stages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travelling and performing abroad in early modern Europe, and Germany in particular, during the sixteenth and seventeenth centuries. These players, known as English Comedians, were among the first professional actors to perform in central and northern European courts and cities. The vital contributions made by them to the development of a European theatre institution have long been neglected owing to the pre-eminence of national theatre histories and the difficulty of researching an inherently evanescent phenomenon across large distances. These contributions are here introduced in their proper contexts for the first time. Stages of Loss explores connections real and perceived between diminishments of national value and the material wealth transported by itinerant players; representations of loss, waste, and profligacy within the drama they performed; and the extent to which theatrical practice and the process of canonization have led to archival and interpretive losses in theatre history. Situating the English Comedians in a variety of economic, social, religious, and political contexts, it explores trends and continuities in the reception of their itinerant theatre, showing how their incorporation into modern theatre history has been shaped by derogatory assessments of travelling theatre and itinerant people in the seventeenth and eighteenth centuries. Stages of Loss reveals that the Western theatre institution took shape partly as a means of accommodating, controlling, evaluating, and concealing the work of migrant strangers.

Polycoloniality
Polycoloniality

Author: Saugata Bhaduri

Publisher: Bloomsbury Publishing

Published: 2021-12-30

Total Pages: 254

ISBN-13: 9389812569

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Polycoloniality is a study of the activities of non-British European powers and players - primarily the Portuguese, the Dutch, the French, the Danish, the 'Germans' (representatives of the Austrian and Prussian empires), the Swedish and the Greek - in Bengal from the late 13th to the early 19th century, and their role in shaping Bengal's brush with 'colonial modernity' prior to, and possibly more foundationally than, the English. Much of the traditional historiography of colonialism, in South Asia in general and Bengal in particular, and the resultant postcolonial commonsense, is woefully mononational, with the focus being almost exclusively on England and its colonial exploits. This is obviously factually incorrect and inadequate, with the multiple European nations named above having had simultaneous colonial contact with Bengal from the 16th century, and there having been a steady flow of Europeans, primarily Italians, to Bengal from at least the late 13th century. More importantly, it is these multiple European players, rather than the English, who can be credited with the setting up of the first cosmopolitan cities in Bengal, its first colleges and universities, the beginnings of print culture in Bengali, the foundations of the modern linguistic, literary and cultural registers of Bengal, the first instances of social and political reforms, etc. Apart from an elaboration of all the above, can Polycoloniality, or a re-look at Bengal's colonial history through the lens of plurality, also offer a template to understand the multinational forms of current new-imperialism more fittingly than postcolonial commonsense can?