"The Washington Post" march by J.P.Sousa. Arrangement for Woodwind Quintet (intermediate level). Score and Parts (7): Flute, Oboe, Bb Clarinet, French Horn in F and Bassoon. Optional parts included: Eb Horn and Bass Clarinet (instead bassoon). Audio demo available on www.glissato.it - ________________________ "The Washington Post" arrangiamento per Quintetto di Fiati comprensivo di partitura e parti (7).
"The Washington Post" march by J.P.Sousa. Arrangement for Brass Quintet (intermediate level). Score and Parts (10): Bb Trumpets 1&2 - Horn In F - Trombone - Tuba. Optional parts included: Eb Horn , Bb Tenor Horn (III T.C.) , Bb Trombone (T.C.), Eb Tuba (T.C.), Bb Tuba (T.C.). Audio demo available on www.glissato.it - ________________________ "The Washington Post" arrangiamento per Quintetto di Ottoni comprensivo di partitura e parti (10).
"The Washington Post" march by John Philip Sousa arranged for Flute quartet by Francesco Leone. Score and Parts (5): Flutes in C 1-4, optional part for G Alto (instead Flute 4) included. Audio demo available on www.glissato.it. ________________ "The Washington Post" arrangiamento per Quartetto di Flauti. Partitura e Parti (5).
"Morning Mood" from "Peer Gynt" Suite I, Op. 46 by Edvard Grieg, Transcription for Woodwind Quintet (Early Intermediate Level) by Francesco Leone Experience the enchanting beauty of Edvard Grieg's "Morning Mood" from the iconic "Peer Gynt" Suite I, Op. 46, brought to life in a delightful transcription for woodwind quintet by the talented Francesco Leone. This arrangement is designed for musicians at an easy to intermediate level, providing an accessible yet fulfilling challenge. Included in this eBook are both the full score and individual parts for eight instruments: Flute, Oboe, Bb Clarinet, French Horn in F, and Bassoon. To ensure versatility and accommodate different ensemble configurations, Leone has thoughtfully provided optional parts for Eb Horn, Bass Clarinet (as an alternative to the Bassoon), and Bb Clarinet (to replace the Oboe). Included informative sheets in: English, French, German, Spanish, Portuguese, Italian. Leone's transcription captures the serene and pastoral essence of the original composition, while expertly adapting it for a woodwind quintet. This makes it an excellent choice for both educational purposes and performance, offering a rich opportunity to explore one of Grieg's most beloved melodies.
The bibliography lists nearly 5,000 compositions by 200 composers of jazz and "art" music, indicating where scores or realizations can be purchased, rented, or borrowed, and which Boston area libraries have them in their collections.
"Kansas City Stomp" by Jelly Roll Morton: A Spirited Woodwind Quintet Arrangement by Francesco Leone Immerse yourself in the vibrant rhythms and infectious melodies of early jazz with Francesco Leone's arrangement of "Kansas City Stomp" by the legendary Ferdinand "Jelly Roll" Morton, now beautifully adapted for woodwind quintet. This piece, originally composed by one of jazz's foundational figures, brings the lively atmosphere of Kansas City's jazz scene to the classical woodwind ensemble, offering an intermediate-level challenge that is both enjoyable and educational. Arrangement Highlights: Instrumentation: Crafted for Flute, Oboe, B♭ Clarinet, French Horn in F, and Bassoon, this arrangement captures the essence of Morton's jazz classic, allowing each instrument to shine through solo passages and tight ensemble sections. The inclusion of alternative parts for E♭ Horn and B♭ Bass Clarinet (in lieu of Bassoon) provides flexibility for ensembles to tailor the sound to their unique strengths and preferences. Score and Parts (7): The e-book package includes a comprehensive score and seven individual parts, all meticulously prepared to ensure a seamless rehearsal process. The clear and accessible notation allows intermediate players to navigate Morton's syncopated rhythms and melodic intricacies confidently. Educational Value: This arrangement not only entertains but also educates, introducing woodwind musicians to the fundamentals of jazz performance within a classical ensemble context. It's an excellent opportunity for players to expand their repertoire beyond traditional genres, exploring the rich textures and dynamic expressions of early jazz music. Exclusive Online Resources: Prepare for an engaging performance with the aid of an audio demo available at www.glissato.it. This invaluable resource offers a precise reference for tempo, articulation, and ensemble balance, enabling musicians to capture the spirited essence of "Kansas City Stomp." It's a crucial tool for both individual practice and group rehearsals, ensuring a cohesive and lively rendition of this jazz classic. Dive into the World of Jazz with Your Woodwind Quintet: Francesco Leone's arrangement invites intermediate woodwind quintets to explore the exuberant world of "Kansas City Stomp," offering a piece that is as educational as it is enjoyable. Whether for a concert, competition, or simply the pleasure of playing, this arrangement promises to delight audiences and performers alike, bringing the joy and spontaneity of Jelly Roll Morton's jazz to the classical stage. Embrace this unique musical journey and let your ensemble swing with the best of them.
Aaron Horne provides the most comprehensive guide to brass music written by black composers. He covers composers from around the world in the 19th and 20th centuries. Included in the book is biographical information; commission, duration, instrumentation, date of publication, premiere, publisher, discography for each piece; bibliographical sources; and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers. In this volume he covers composers from around the world in the 19th and 20th centuries, including William Grant Still, Ulysses Kay, Anthony Davis, John Coltrane, and other major figures from the world of classical, jazz, and popular music. The main body of the book is divided into sections devoted to African, African American, Afro-European, and Afro-Latino composers. Within each section composers are arranged alphabetically; each entry provides biographical information as well as commission, duration, instrumentation, date of publication, premiere, publisher, discography for each composition. Backmatter includes a Brass Music Index which groups the music by numbers, medium, and ensembles; a title index; discography; and bibliography. As with the earlier volumes, this is an essential reference tool for anyone with an interest in researching and/or performing the music of black composers.
