Fans of Jason Reynolds and Sharon M. Draper will love this oh-so-honest middle grade novel from writer and educator Maurice Broaddus. Thelonius Mitchell is tired of being labeled. He’s in special ed, separated from the “normal” kids at school who don’t have any “issues.” That’s enough to make all the teachers and students look at him and his friends with a constant side-eye. (Although his disruptive antics and pranks have given him a rep too.) When a gun is found at a neighborhood hangout, Thelonius and his pals become instant suspects. Thelonius may be guilty of pulling crazy stunts at school, but a criminal? T isn’t about to let that label stick.
A heist thriller with a dazzling twist in the tail, this film 'The Usual Suspects' has seen its reputation grow until it is now a major cult movie. Ernest Larsen examines the film's sophistcated narrative structure and the new spin it puts on an old genre.
5 criminals brought together in a framed police line-up . . . 27 bodies in Long Beach Harbour . . . 1 dying, terrified eyewitness . . . 1 dogged cop determined to unravel the truth . . . And at the root of this twisting tale, the notorious - mythical? - Hungarian master criminal, Keyser Souml;ze. Christopher McQuarrie's fiendishly tricky script for director Bryan Singer earned him both the US Academy Award and BAFTA for Best Original Screenplay of 1995. The taut, sinewy writing weaves a densely textured yarn that is as satisfying on the page as it is on screen.
The remarkable true story of a modern-day Robin Hood: a British college student who started robbing banks as the financial crisis unfolded. “Completely fascinating . . . [The Unusual Suspect] reads like a deep psychological thriller, but it’s real. Is truth stranger than fiction? You bet.”—Lee Child, #1 New York Times bestselling author Stephen Jackley was a young British college student when the global financial crisis began in 2007. Overwhelmed by the growing indifference toward economic equality, he became obsessed with the idea of taking on the role of Robin Hood. With no prior experience, he resolved to become a bank robber. He would steal from the rich and give to the poor. Against all likelihood, his plan actually worked. Jackley used disguises, elaborate escape routes, and fake guns to successfully hold up a string of banks, making away with thousands of pounds. He attempted ten robberies in southwest England over a six-month period. Banknotes marked with “RH”—“Robin Hood”—began finding their way into the hands of the homeless. Motivated by a belief that global capitalism was ruining lives and driving the planet toward ecological disaster, he dreamed of changing the world for the better through his crimes. The police, despite their concerted efforts, had no idea what was going on or who was responsible. That is, until Jackley’s ambition got the better of him. This is his story. Acclaimed journalist Ben Machell had full and direct access to Stephen Jackley, who in turn shared his complete set of diaries, selections of which are included throughout the narrative. The result lends an intense intimacy and urgency to Jackley’s daring and disturbing tale, shedding light on his mental state and the challenges he faced in his own mind and beyond. It wasn’t until Jackley was held in custody that he underwent a psychiatric evaluation, resulting in a diagnosis of Asperger’s syndrome. Behind the simple act of bank robbery lies a complex and emotionally wrought story of an individual whose struggles led him to create a world in which he would succeed against all odds. Until he didn’t.
This book is based on the acknowledgment that climate change is a multifaceted challenge that requires action on the part of all stakeholders, including civil society, and the notion that climate change is at a tipping point with urgent measures needed in the next decade. Against this background, civil society is turning its attention to the courts as a means to directly influence climate action, partly because of the global scepticism towards the progress of global climate action, despite the ongoing implementation of the Paris Agreement. Focusing on the individual, broadly representing civil society, the book offers fresh perspectives on climate change litigation. While most of the literature on climate change litigation examines the same specific jurisdictions, mostly common law countries (US and Australia in particular), this book also considers specific countries in Asia, Africa and Latin America with little or no climate change litigation. It explores the reasons for the lack of litigation and discusses what measures should or could be taken to change this situation and push forward climate action. Unlike other literature on the subject, this book analyses climate change litigation using a scenario-based methodology. Combining rigorous academic analysis with a practical policy-oriented focus, the book provides valuable insights for a wide range of stakeholders interested in climate change litigation. It appeals to civil society organisations around the world, international organisations and law firms interested in climate change litigation.
The must-have photography monograph of the year, this lavish oversized volume celebrates David Yarrow's unparalleled wildlife imagery. For more than two decades, legendary British photographer David Yarrow has been putting himself in harm's way to capture immersive and evocative photography of the world's most revered and endangered species. With his images heightening awareness of those species and also raising huge sums for charity and conservation, he is one of the most relevant photographers in the world today. Featuring Yarrow's 150 most iconic photographs, this book offers a truly unmatched view of some of the world's most compelling animals. The collection of stunning images, paired with Yarrow's first-person contextual narrative, offers insight into a man who will not accept second best in his relentless pursuit of excellence. David Yarrow Photography offers a balanced retrospective of his spectacular work in the wild and his staged storytelling work, which has earned him wide acclaim in the fine-art market. Yarrow rarely just takes pictures--he almost always makes them. This approach sets him apart from others in the field. Yarrow's work will awaken our collective conscience, and--true to form--he plans to donate all the royalties from this book to conservation
Robespierre's Reign of Terror spawned an evil little twin in William Pitt the Younger's Reign of Alarm, 1792-1798. Terror begat Alarm. Many lives and careers were ruined in Britain as a result of the alarmist regime Pitt set up to suppress domestic dissent while waging his disastrous wars against republican France. Liberal young writers and intellectuals whose enthusiasm for the American and French revolutions raised hopes for Parliamentary reform at home saw their prospects blasted. Over a hundred trials for treason or sedition (more than ever before or since in British history) were staged against 'the usual suspects' - that is, political activists. But other, informal, vigilante means were used against the 'unusual suspects' of this book: jobs lost, contracts abrogated, engagements broken off, fellowships terminated, inheritances denied, and so on and on. As in the McCarthy era in 1950s America, blacklisting and rumor-mongering did as much damage as legal repression. Dozens of 'almost famous' writers saw their promising careers nipped in the bud: people like Helen Maria Williams, James Montgomery, William Frend, Gilbert Wakefield, John Thelwall, Joseph Priestley, Dr. Thomas Beddoes, Francis Wrangham and many others. Unusual Suspects tells the stories of some representative figures from this largely 'lost' generation, restoring their voices to nationalistic historical accounts that have drowned them in triumphal celebrations of the rise of English Romanticism and England's ultimate victory over Napoleon. Their stories are compared with similar experiences of the first Romantic generation: Coleridge, Wordsworth, Southey, Lamb, Burns, and Blake. Wordsworth famously said of this decade, 'bliss was it in that dawn to be alive, but to be young was very heaven!' These young people did not find it so-and neither, when we look more closely, did Wordsworth.
This exhibition catalogue features recent works by artist Carrie Mae Weems included in LSU Museum of Art’s exhibition, Carrie Mae Weems: The Usual Suspects. The exhibition focuses on the humanity denied in recent killings of black men, women, and children by police. She directs our attention to the constructed nature of racial identity—specifically, representations that associate black bodies with criminality. Through a formal language of blurred images, color blocks, stated facts, and meditative narration, Weems directs our attention toward the repeated pattern of judicial inaction. In addition to full color plates of photographic and video works included in the exhibition, the catalogue features an introductory essay by Curator Courtney Taylor and transcripts by Carrie Mae Weems from video and photographic works included in the exhibition.
