Stained Glass of Lincoln Cathedral

Stained Glass of Lincoln Cathedral

Author: Nigel J. Morgan

Publisher: Scala Arts Publishers Incorporated

Published: 2012

Total Pages: 0

ISBN-13: 9781857597745

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A stunning guidebook to the little known but very important collection of glass at Lincoln Cathedral.


Stained Glass in England During the Middle Ages

Stained Glass in England During the Middle Ages

Author: Richard Marks

Publisher: Routledge

Published: 2006-01-16

Total Pages: 356

ISBN-13: 1134967500

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First published in 1993. The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.


The Medieval Stained Glass of the County of Lincolnshire

The Medieval Stained Glass of the County of Lincolnshire

Author: Penny Hebgin-Barnes

Publisher: Oxford University Press, USA

Published: 1996

Total Pages: 480

ISBN-13:

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This comprehensive catalogue describes all the remaining medieval glass of the county of Lincolnshire. It is heavily illustrated in both black-and-white and color and provides essential reading for all those interested in medieval art history and in the local history of Lincolnshire.


A History of Lincoln Minster

A History of Lincoln Minster

Author: Dorothy Owen

Publisher: CUP Archive

Published: 1994-04-14

Total Pages: 376

ISBN-13: 9780521254298

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This is an illustrated volume of specially-commissioned studies of the history of the cathedral foundation of Lincoln which traces its historical development, architectural evolution and musical history from its post-Norman foundation to the present day. The book synthesises the findings of modern scholarship and presents an important and comprehensible interdisciplinary survey for anyone interested in English cathedral history and architecture, and above all for anyone who visits or frequents this great landmark of England's heritage.


Investigations in Medieval Stained Glass

Investigations in Medieval Stained Glass

Author:

Publisher: BRILL

Published: 2019-06-07

Total Pages: 488

ISBN-13: 9004395717

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With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.


Stained Glass of the Middle Ages in England and France

Stained Glass of the Middle Ages in England and France

Author: Hugh Arnold

Publisher: Good Press

Published: 2019-12-06

Total Pages: 122

ISBN-13:

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"Stained Glass of the Middle Ages in England and France" by Hugh Arnold Hugh Arnold was an English stained glass artist which gave him the expertise to write about the topic and its evolution through history. Starting with how to make a stained glass window, he then moves on to discuss how the style of this artform has changed from the first panes all the way through to the fifteenth century.


Stained Glass of the Middle Ages in England and France

Stained Glass of the Middle Ages in England and France

Author: Hugh Arnold

Publisher:

Published: 1913

Total Pages: 490

ISBN-13:

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I have therefore chosen for study certain typical windows in each century, and have written about them some of the things which interest me and which, I hope, will interest others. The work of the countries and period I have chosen is of course the most important of all. There is beauty, it is true, in much Renaissance work (only a prig could resist the gaiety and charm of the windows of St. Vincent at Rouen), but it is for the most part beauty achieved in spite of, and not through, the material. There is beautiful medieval work in Germany and Italy, but the Germans, till the Renaissance, clung to a rather lifeless and archaic convention, and the Italians were hampered by their greater knowledge of painting. The art has found its noblest expression in the work of the great school which for nearly the whole of the Middle Ages was common to France and England. There is especial reason why we English should study the work of our own mediaeval glass painters.