The Proustian Fabric
The Proustian Fabric

Author: Christie McDonald

Publisher: U of Nebraska Press

Published: 1991-01-01

Total Pages: 272

ISBN-13: 9780803231504

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The association of ideas became the foundation of Freudian psychoanalysis, informed the nascent semiology of Saussure, and characterized the literary works of Sterne, Joyce, Woolf, and especially Marcel Proust. The author of Remembrance of Things Past, acutely aware of how philosophical, historical, and narrative writing intersected, gave years of thinking and planning to his multivolume masterpiece. Its shape was protean. Each successive volume reconfigured the previous ones and in 1987 Proust readers welcomed the publication of several new editions, among them the Biblioth_que de la Pläiade, which presented as many pages of variants as of text. The Proustian Fabric engages the complex layers of association to be found in Proust's work. According to Christie McDonald, "Remembrance of Things Past straddles the dominant thinking patterns of two centuries: the nineteenth, inøwhich the association of fragmentary thought was to be subsumed into theønotion of a totality, and the twentieth, in which the notion of associative thinking was to move toward an infinite process of referral and interpretation." Imbued with McDonald's discerning knowledge of Proust's intellectual and historical milieu, his compendious writing and his critics, The Proustian Fabric is one of the first books to take into account the rich variations of the new editions and to reexamine certain suppositions about Proust's methods, as well as his concern with philosophy, literature, art, and politics.

Proust and the Arts
Proust and the Arts

Author: Christie McDonald

Publisher: Cambridge University Press

Published: 2015-11-05

Total Pages: 307

ISBN-13: 1107103363

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Offers new perspectives on Proust's complex and creative relation to a variety of art forms from different eras.

Marcel Proust in Context
Marcel Proust in Context

Author: Adam Watt

Publisher: Cambridge University Press

Published: 2013-12-05

Total Pages: 287

ISBN-13: 110751214X

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This volume sets Marcel Proust's masterwork, Á la recherche du temps perdu (In Search of Lost Time, 1913–27), in its cultural and socio-historical contexts. Essays by the leading scholars in the field attend to Proust's biography, his huge correspondence, and the genesis and protracted evolution of his masterpiece. Light is cast on Proust's relation to thinkers and artists of his time, and to those of the great French and European traditions of which he is now so centrally a part. There is vivid exploration of Proust's reading; his attitudes towards contemporary social and political issues; his relation to journalism, religion, sexuality, science and travel, and how these figure in the Recherche. The volume closes with a comprehensive survey of Proust's critical reception, from reviews during his lifetime to the present day, including assessments of Proust in translation and the broader assimilation of his work into twentieth- and twenty-first-century culture.

Proust's in Search of Lost Time
Proust's in Search of Lost Time

Author: Katherine Elkins

Publisher: Oxford University Press

Published: 2022-09-09

Total Pages: 265

ISBN-13: 0190921579

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"Unlike most fiction writers, Proust was trained in philosophy. In fact, he even considered writing a philosophical treatise instead of the novel we know so well. This hesitation about what form his writing should take still haunts his final choice of a novel, which is both philosophical, and yet, not philosophy. Take your pick of philosophers, from Plato to Nietzsche, and you can easily find an essay or even a book arguing that this particular philosopher most applies to Proust. But as one plunges into the narrative that he finally wrote, one is struck by the fact that In Search of Lost Time feels nothing like what we often call a philosophical novel, or even, a novel of ideas. Instead, philosophical reflection lies in the shadows of his fictional world, a sort of parallel life that can be found in the underweave"--

Mourning and Creativity in Proust
Mourning and Creativity in Proust

Author: Anna Magdalena Elsner

Publisher: Springer

Published: 2017-03-09

Total Pages: 265

ISBN-13: 113760073X

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This study explores Proust’s answers to some of the fundamental challenges of the inevitable human experience of mourning. Thinking mourning and creativity together allows for a fresh approach to the modernist novel at large, but also calls for a reassessment of the particular historical and social challenges faced by mourners at the beginning of the twentieth century. The book enables the reader to acknowledge loss and forgetting as an essential part of memory, and it proposes that this literary topos has seminal implications for an understanding of the ethics, aesthetics, and erotic in Proust’s A la recherche du temps perdu. Drawing on the works of Sigmund Freud and Jacques Derrida, Anna Magdalena Elsner develops an original theory of how mourning and creativity are linked by emphasizing that ethical dilemmas are central to an understanding of the novel’s final aesthetic apotheosis. This sheds new light on the enigmatic and versatile nature of mourning but also pays tribute to those fertile tensions and paradoxes that have made Proust’s novel captivating for readers since its publication.

Proust in Perspective
Proust in Perspective

Author: Armine Kotin Mortimer

Publisher: University of Illinois Press

Published: 2002-08-07

Total Pages: 344

ISBN-13: 9780252027543

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Marcel Proust speaks to us today as a contemporary and a classic. His great novel resonates across languages and time, summing up the past, interpreting the present, and envisioning the future. For Proust in Perspective, scholars from France, Italy, Belgium, Germany, Sweden, Japan, Canada, and the United States have drawn on rich new editions of Proust's novel and correspondence to bring us fresh views of his work. In nineteen original essays, a foreword by Jean–Yves Tadié, and an introduction by editors Armine Kotin Mortimer and Katherine Kolb, this volume guides readers through the dense weave of Proust's fiction and correspondence. The essays take us into the realm of Proustian language–-as quotation, metaphor, and memory–-and into art history and musical ideology, connecting the art of words with the words of art. They explore the interface of history and fiction, the mysteries of the text's evolution, and the dilemmas of its publication. They present the revelations of genetic criticism and the surprises of gender analysis. Taken together, these essays conjure a multifaceted profile of Proust–-his work, life, character, and influence–-and of new directions in Proust scholarship today. With compelling rigor and infectious enthusiasm, Proust in Perspective conveys the magnitude of Proust's continuing appeal.

Proust's Deadline
Proust's Deadline

Author: Christine M. Cano

Publisher: University of Illinois Press

Published: 2010-10-01

Total Pages: 160

ISBN-13: 0252090721

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Marcel Proust’s multivolume masterpiece, À la recherche du temps perdu, began to appear in 1913. Over the next fifty years, it gained a reputation as one of the greatest literary works of the twentieth century. But the novel’s classic image as a completed work was later shattered by the discovery of unpublished drafts, and the “war of the Prousts” has kept scholars arguing over its definitive form ever since. Christine M. Cano’s Proust’s Deadline presents a concise history of the publishing and reception of À la recherche du temps perdu, and sorts out the most important issues that have arisen from the ensuing debates about the text. She ultimately shows how this quintessential “book about time” tells another story about time’s passage: the story of Proust’s mortal confrontation with the temporality of writing, publishing, and reading.

In Looking Back One Learns to See: Marcel Proust and Photography
In Looking Back One Learns to See: Marcel Proust and Photography

Author: Mary Bergstein

Publisher: Rodopi

Published: 2014-03-01

Total Pages: 304

ISBN-13: 9401210748

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Marcel Proust offered the twentieth century a new psychology of memory and seeing. His novel In Search of Lost Time was written in the modern age of photography and art history. In Looking Back One Learns to See: Marcel Proust and Photography is an intellectual adventure that brings to light Proust’s visual imagination, his visual metaphors, and his photographic resources and imaginings. The book features over 90 illustrations. Mary Bergstein highlights various kinds of photography: daguerreotypes, stereoscopic cards, cartes-de-visite, postcards, book illustrations, and other photographic mediums. Portraiture, medical photography, spirit photography, architectural photography, Orientalism, ethnographic photography, and fin-de-siècle studies of Botticelli, Leonardo, and Vermeer, are considered in terms of Proust’s life and work. The net is cast wide, and each image under discussion has been researched with subtle attention to art, literature, and cultural history. This scholarly study in literature and visual culture will be a delight, too, for general readers who love photography or Proust. Mary Bergstein is professor of History of Art and Visual Culture at the Rhode Island School of Design. She won the 2012 “Courage to Dream” book prize from the American Psychoanalytic Association for, Mirrors of Memory: Freud, Photography, and the History of Art (Cornell 2010). She has published numerous books and articles on art and visual culture from Italian Renaissance sculpture to contemporary photography.

Proust, the One, and the Many
Proust, the One, and the Many

Author: Erika Fulop

Publisher: Routledge

Published: 2017-12-02

Total Pages: 392

ISBN-13: 1351192493

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"One of the many aspects that make Marcel Prousts A la recherche du temps perdu such a complex and subtle work is its engagement with metaphysical questions. The disparate nature of the narrators experiences, hypotheses, and statements has generated a number of conflicting interpretations, based on parallels with the thought of one or another philosopher from Plato to Leibniz, Spinoza, Schopenhauer, Nietzsche, Bergson, or Deleuze. Through the analysis of the narrators two seemingly incompatible perceptions of the world, which reveal reality to be either one or infinitely multiple, Erika Fuelop proposes a reading of the novel that reconciles the opposites. Rather than being undecided or self-contradictory, the narrative thematizes the insufficiency of the dualist perspective and invites the reader to take a step beyond it. Erika Fuelop is an independent researcher, whose doctoral thesis completed at the University of Aberdeen is at the basis of this monograph."