Enjoy four of Shakespeare’s tragedies told with LEGO bricks. Here are Hamlet, Macbeth, Romeo and Juliet, and Julius Caesar enacted scene by scene, captioned by excerpts from the plays. Flip through one thousand color photographs as you enjoy Shakespeare’s iconic poetry and marvel at what can be done with the world’s most popular children’s toy. Watch the brick Hamlet give his famous “To be or not to be” soliloquy, and feel brick Ophelia’s grief as she meets her watery end. Lady Macbeth in brick form brings new terror to “Out, out, damn spot!” and brick Romeo and Juliet are no less star-crossed for being rectangular and plastic. The warm familiarity of bricks lends levity to Shakespeare’s tragedies while remaining true to his original language. The ideal book for Shakespeare enthusiasts, as well as a fun way to introduce children to Shakespeare’s masterpieces, this book employs Shakespeare’s original, characteristic language in abridged form. Though the language stays true to its origins, the unique format of these well-known tragedies will give readers a new way to enjoy one of the most popular playwrights in history.
A volume of five of Shakespeare's most enduring works of tragedies, offering perennial insights into human emotion as well as telling inscriptions of the particular concerns of Shakespeare's own day.
An epic tragedy of love, war, murder, and madness, plucked from the pages of Shakespeare In All the World’s a Grave, John Reed reconstructs the works of William Shakespeare into a new five-act tragedy. The language is Shakespeare’s, but the drama that unfolds is as fresh as the blood on the stage. Prince Hamlet goes to war for Juliet, the daughter of King Lear. Having captured Juliet as his bride—by reckless war—he returns home to find that his mother has murdered his father and married Macbeth. Enter Iago, who persuades Hamlet that Juliet is having an affair with Romeo. As the Prince goes mad with jealousy, King Lear mounts his army. . . This play promises to be the most provocative and entertaining work to be added to the Shakespeare canon since Tom Stoppard’s Rosencrantz and Guildenstern Are Dead.