Unlike the "Rob Roy", the new historical novel written by Walter Scott "The Monastery" was taken by critics and readers rather cool. Nevertheless, the writer managed to brightly describe the dark and deaf Scotland during the tragic times of military defeat and at the same time - spiritual renewal, with the dying old religion and the emerging new, full political anarchy within the country and with the Scotch-typical thirst for political freedom. Pretty illustrations by Elena Odarich provide you with new impressions from reading this legendary story.
The Monastery: A Romance is one of Scott's Tales from Benedictine Sources and is set in the time of Mary, Queen of Scots, and the Elizabethan period. The action is centered on the Monastery of Kennaquhair, probably based on Melrose Abbey in south east Scotland, on the River Tweed. At this time, circa 1550, the Scottish Reformation is just beginning, and the monastery is in peril. A love story is interwoven as the Glendinning boys fall in love with Mary Avenel. Edward ends up becoming a monk, and Halbert finally marries Mary, after service with the Earl of Murray. A sequel to The Monastery, The Abbot is the second of Scott's Tales from Benedictine Sources. The story follows the fortunes of certain characters Scott introduced in The Monastery, but it also introduces new characters such as Roland Graeme. It is concerned mainly with Queen Mary's imprisonment at Loch Leven Castle in 1567, her escape, and her defeat. Parallel to this is the romance of Roland Graeme, a dim-witted but spirited youth. He is brought up at the castle of Avenel by Mary Avenel and her husband, Halbert Glendinning. Roland is sent by the Regent Murray to be page to Mary Stuart with directions to guard her. He falls in love with Catherine Seyton, who is one of the ladies-in-waiting to the queen. He is found later to be the heir to Avenel. Edward Glendinning, the brother of Halbert, is the abbot of the title, the last abbot of the monastery described in the preceding novel. Sir Walter Scott (1771–1832) was a Scottish historical novelist, playwright and poet.
"The Monastery: A Romance" is one of Scott's Tales from Benedictine Sources and is set in the time of Mary, Queen of Scots, and the Elizabethan period. The action is centered on the Monastery of Kennaquhair, probably based on Melrose Abbey in south east Scotland, on the River Tweed. At this time, circa 1550, the Scottish Reformation is just beginning, and the monastery is in peril. A love story is interwoven as the Glendinning boys fall in love with Mary Avenel. Edward ends up becoming a monk, and Halbert finally marries Mary, after service with the Earl of Murray. "The Abbot" is the second of Scott's Tales from Benedictine Sources and a sequel to "The Monastery". The story follows the fortunes of certain characters Scott introduced in The Monastery, but it also introduces new characters such as Roland Graeme. It is concerned mainly with Queen Mary's imprisonment at Loch Leven Castle in 1567, her escape, and her defeat. Parallel to this is the romance of Roland Graeme, a dim-witted but spirited youth. He is brought up at the castle of Avenel by Mary Avenel and her husband, Halbert Glendinning. Roland is sent by the Regent Murray to be page to Mary Stuart with directions to guard her. He falls in love with Catherine Seyton, who is one of the ladies-in-waiting to the queen. He is found later to be the heir to Avenel. Edward Glendinning, the brother of Halbert, is the abbot of the title, the last abbot of the monastery described in the preceding novel. Sir Walter Scott (1771-1832) was a Scottish historical novelist, playwright and poet.
The Zen Buddhist monastery Daitokuji in Kyoto has long been revered as a cloistered meditation centre, a repository of art treasures, and a wellspring of the "Zen aesthetic." Gregory Levine's Daitokuji unsettles these conventional notions with groundbreaking inquiry into the significant and surprising visual and social identities of sculpture, painting, and calligraphy associated with this fourteenth-century monastery and its enduring monastic and lay communities. The book begins with a study of Zen portraiture at Daitokuji that reveals the precariousness of portrait likeness; the face that gazes out from an abbot's painting or statue may not be who we expect it to be or submit quietly to interpretation. By tracing the life of Daitokuji's famed statue of the chanoyu patriarch Sen no Riky-u (1522-91), which was all but destroyed by the ruler Toyotomi Hideyoshi (1537-98) but survived in Rash-omon-like narratives and reconstituted sculptural forms, Levine throws light upon the contested status of images and their mytho-poetic potential. Levine then draws from the seventeenth-century journal of K-ogetsu S-ogan, Bokuseki no utsushi, to explore practices of calligraphy connoisseurship at Daitokuji and the pivotal role played by the monastery's abbots within Kyoto art circles. The book's final section explores Daitokuji's annual airings of temple treasures not merely as a practice geared toward preservation but also as a space in which different communities vie for authority over the artistic past. An epilogue follows the peripatetic journey of the monastery's scrolls of the 500 Luohan from China to Japan, to exhibition and partial sale in the West, and back to Daitokuji. Illuminating canonical and heretofore ignored works and mining a trove of documents, diaries, and modern writings, Levine argues for the plurality of Daitokuji's visual arts and the breadth of social and ritual circumstances of art making and viewing within the monastery. This diversity encourages reconsideration of stereotyped notions of "Zen art" and offers specialists and general readers alike opportunity to explore the fertile and sometimes volatile nexus of the visual arts and religious sites in Japan.
This eBook features the unabridged text of ‘The Monastery’ from the bestselling edition of ‘The Complete Works of Sir Walter Scott’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Scott includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Monastery’ * Beautifully illustrated with images related to Scott’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Inside Story is an award-winning series for children which acts as a resource for Key Stages 2 and 3 of the National Curriculum. Each book focuses on a particular structure, showing how it was built and the daily routines and people associated with it.
This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published— highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today.
Four essays on the oldest church in Istanbul. The Monastery of Stoudios was built in the fifth century in Constantinople and for centuries constituted one of the most significant monasteries of the Byzantine capital. Today, only the church of the monastic complex--which was converted into a mosque in the Ottoman Period--survives. The chapters of this book complement different aspects of the Monastry of Stoudios based on primary sources. Esra Kudde explores its architectural characteristics and provides detailed documentation; Nicholas Melvani provides a meticulous study of its Byzantine history and evaluates its elements of architectural sculpture; and Tarkan Okçuoğlu narrates the Ottoman history of the complex.
