Hargittai tells the story of five remarkable Hungarians: Wigner won a Nobel Prize in theoretical physics; Szilard was the first to see that a chain reaction based on neutrons was possible, initiated the Manhattan Project, but left physics to try to restrict nuclear arms; von Neumann could solve difficult problems in his head and developed the modern computer for more complex problems; von Kármán became the first director of NASA's Jet Propulsion Laboratory, providing the scientific basis for the U.S. Air Force; and Teller was the father of the hydrogen bomb, whose name is now synonymous with the controversial "Star Wars" initiative of the 1980s.
"Wisdom of the Martians of Science refers to five scientists whose brilliance contributed to shaping the modern world. John von Neumann was a pioneer of the modern computer; Theodore von Kármán was the scientist behind the US Air Force; Leo Szilard initiated the development of nuclear weapons; the Nobel laureate Eugene P Wigner was the world's first nuclear engineer; and Edward Teller was the father of the hydrogen bomb. They were born and raised in Budapest, were forced out of Hungary and then from Germany, they became Americans, and devoted themselves to the defense of the United States and the Free World. They contributed significant discoveries to fundamental science ranging from the properties of materials to the application of the symmetry principle in physics, to creating information theory, to game theory. The areas in which we can learn about their wisdom include applications of science to past, present and future real-world needs; defense; education; environment; human nature; humor; politics; religion; weather modification, and others. This book shows the wisdom of the Martians by presenting their thoughts and ideas in their own words and placing them into context. Their wisdom is intriguing, witty, provocative and thought provoking. It extended over many aspects of life and culture that impinge on our existence. While we cannot always agree with what they say, they are never boring. The power of their words and their philosophies will inspire the readers to pursue their own dreams."--
If science has the equivalent of a Bloomsbury group, it is the five men born at the turn of the twentieth century in Budapest: Theodore von Kármán, Leo Szilard, Eugene Wigner, John von Neumann, and Edward Teller. From Hungary to Germany to the United States, they remained friends and continued to work together and influence each other throughout their lives. As a result, their work was integral to some of the most important scientific and political developments of the twentieth century. István Hargittai tells the story of this remarkable group: Wigner won a Nobel Prize in theoretical physics; Szilard was the first to see that a chain reaction based on neutrons was possible, initiated the Manhattan Project, but left physics to try to restrict nuclear arms; von Neumann could solve difficult problems in his head and developed the modern computer for more complex problems; von Kármán became the first director of NASA's Jet Propulsion Laboratory, providing the scientific basis for the U.S. Air Force; and Teller was the father of the hydrogen bomb, whose name is now synonymous with the controversial "Star Wars" initiative of the 1980s. Each was fiercely opinionated, politically active, and fought against all forms of totalitarianism. Hargittai, as a young Hungarian physical chemist, was able to get to know some of these great men in their later years, and the depth of information and human interest in The Martians of Science is the result of his personal relationships with the subjects, their families, and their contemporaries.
"This is an in-depth study of the theory that Mars was once a world which teemed with life. Perhaps, even, life not at all too dissimilar to ours. Incredibly . . . the Martians may still be there. Alive. This book explores the CIA's top-secret search for the Martians, multiple photos of strange anomalies, and the latest revelations about the environment and water on Mars. The questions concerning life on Mars-then and now-are many. The answers are astounding"--
Gathered here for the first time are Miles J. Breuer s first publication, The Man with the Strange Head ; his neglected dystopian novel Paradise and Iron (appearing here in book form for the first time); stories such as Gostak and the Doshes and Mechanocracy ; and Breuer s essay The Future of Scientifiction, one of the early critical statements of the genre. Also included are some of the author s letters from the Discussions column of Amazing Stories. Much of what we know as science fiction saw the light and found its themes, styles, and modes in the science fiction magazines of the early twentieth century. It was in these magazines of the 1920s and 1930s that Breuer often led the way. Breuer himself found his inspiration in the work of H. G. Wells and in turn influenced science fiction masters from Jack Williamson to Robert A. Heinlein. The Man with the Strange Head and Other Early Science Fiction Stories collects the best work of this pioneer of the genre.
Following World War II, the Fleuve Noir publishing house published popular American genre fiction in translation for a French audience. Their imprint Anticipation specialized in science fiction, but mostly eschewed translations from English, preferring instead French work, thus making the imprint an important outlet for native French postwar ideas and aesthetics. This critical text examines in ideological terms eleven writers who published under the Anticipation imprint, revealing the way these writers criticized midcentury notions of progress while adapting and reworking American genre formats.
While students and general readers typically cannot relate to esoteric definitions of science fiction, they readily understand the genre as a literature that characteristically deals with subjects such as new inventions, space, robot and aliens. This book looks at science fiction in precisely this manner, with twenty-one chapters that each deal with a subject that is repeatedly addressed in science fiction of recent centuries. Based on a packet of original essays that the author assembled for his classes, the book could serve as a supplemental textbook in science fiction classes, but also contains material of interest to science fiction scholars and others devoted to the genre. In some cases, chapters offer thorough surveys of numerous works involving certain subjects, such as imagined vehicles, journeys beneath the Earth and undersea adventures, discovering intriguing patterns in the ways that various writers developed their ideas. When comprehensive coverage of ubiquitous topics such as robots, aliens and the planet Mars is impossible, chapters focus on major themes referencing selected texts. A conclusion discusses other science fiction subjects that were omitted for various reasons, and a bibliography lists additional resources for the study of science fiction in general and the topics of each chapter.
This book provides students and other interested readers with a comprehensive survey of science fiction history and numerous essays addressing major science fiction topics, authors, works, and subgenres written by a distinguished scholar. This encyclopedia deals with written science fiction in all of its forms, not only novels and short stories but also mediums often ignored in other reference books, such as plays, poems, comic books, and graphic novels. Some science fiction films, television programs, and video games are also mentioned, particularly when they are relevant to written texts. Its focus is on science fiction in the English language, though due attention is given to international authors whose works have been frequently translated into English. Since science fiction became a recognized genre and greatly expanded in the 20th century, works published in the 20th and 21st centuries are most frequently discussed, though important earlier works are not neglected. The texts are designed to be helpful to numerous readers, ranging from students first encountering science fiction to experienced scholars in the field.
On the 20th anniversary of the first human landing on the Moon, President George H.W. Bush stood atop the steps of the National Air and Space Museum in Washington, D.C. and proposed a long-range human exploration plan that included the successful construction of an orbital space station, a permanent return to the Moon, and a mission to Mars. This enterprise became known as the Space Exploration Initiative (SEI). The president charged the newly reestablished National Space Council with providing concrete alternatives for meeting these objectives. To provide overall focus for the new initiative, Bush later set a thirty-year goal for a crewed landing on Mars. Within a few short years after this Kennedyesque announcement, however, the initiative had faded into history the victim of a flawed policy process and a political war fought on several different fronts. The story of this failed initiative was a tale of organizational, cultural, and personal confrontation by key protagonists and critical battles. Some commentators have argued that SEI was doomed to fail, due primarily to the immense budgetary pressures facing the nation during the early 1990s. The central thesis of Mars Wars: The Rise and Fall of the Space Exploration Initiative suggests, however, that failure was not predetermined. Instead, it was the result of a deeply flawed decision-making process that failed to develop (or even consider) policy options that may have been politically acceptable given the existing political environment.
Seventeen wide-ranging essays explore the evolving scientific understanding of Mars, and the relationship between that understanding and the role of Mars in literature, the arts and popular culture. Essays in the first section examine different approaches to Mars by scientists and writers Jules Verne and J.H. Rosny. Section Two covers the uses of Mars in early Bolshevik literature, Wells, Brackett, Burroughs, Bradbury, Heinlein, Dick and Robinson, among others. The third section looks at Mars as a cultural mirror in science fiction. Essayists include prominent writers (e.g., Kim Stanley Robinson), scientists and literary critics from many nations.
