On May 20, 2015, Dave said, "Thank you and goodnight." The Foo Fighters sang "Everlong," and Late Show with David Letterman ended its run. The final six weeks of the series had guests like Julia Roberts, George Clooney, Oprah Winfrey, and the Obamas. All names you have heard many times. But it was the people behind the scenes who pulled off these twenty-eight unforgettable episodes of late-night television. Author Scott Ryan conducted over twenty interviews with the staffers of David Letterman. Most of the participants had never given interviews before. The writers, directors, producers, and stage managers offer a behind-the-scenes look at what it was like to work on these shows. Find out what it takes to write a Top Ten list, book a president for a guest spot, and what it was like working at the Ed Sullivan Theater. Long time Letterman writer Bill Scheft penned the foreword for the book. Included are over 100 color photos from staffers' personal collections, as well as publicity photos from the show. Get the first truly inside look at creating an episode of Late Show. Interviews with: Barbara Gaines - Executive Producer; Sheila Rogers - Supervising Producer/ Talent Executive; Randi Grossack - Associate Director; Kathy Mavrikakis, Supervising Producer; Rick Sheckman, Associate Producer; Brian Teta - Supervising Producer/Segment Producer; Sheryl Zelikson - Music Producer; Jay Johnson - Creative Director, Digital Media; Jerry Foley - Director; Michael Barrie - Writer; Lee Ellenberg - Writer; Jim Mulholland - Writer; Joe Grossman - Writer; Jeremy Weiner - Writer; Steve Young - Writer; Vincent Favale - Executive of Late Night Programing; Eddie Valk - Stage Manager; Bill Scheft - Writer; Janice Penino - Vice President, Human Resources; Jill Goodwin - Writer; and Mike Buczkiewicz - Senior Producer/Segment Producer; Rupert Jee - Hello Deli Owner.
New York Times comedy critic Jason Zinoman delivers the definitive story of the life and artistic legacy of David Letterman, the greatest television talk show host of all time and the signature comedic voice of a generation. In a career spanning more than thirty years, David Letterman redefined the modern talk show with an ironic comic style that transcended traditional television. While he remains one of the most famous stars in America, he is a remote, even reclusive, figure whose career is widely misunderstood. In Letterman, Jason Zinoman, the first comedy critic in the history of the New York Times, mixes groundbreaking reporting with unprecedented access and probing critical analysis to explain the unique entertainer’s titanic legacy. Moving from his early days in Indiana to his retirement, Zinoman goes behind the scenes of Letterman’s television career to illuminate the origins of his revolutionary comedy, its overlooked influences, and how his work intersects with and reveals his famously eccentric personality. Zinoman argues that Letterman had three great artistic periods, each distinct and part of his evolution. As he examines key broadcasting moments—"Stupid Pet Tricks" and other captivating segments that defined Late Night with David Letterman—he illuminates Letterman’s relationship to his writers, and in particular, the show’s co-creator, Merrill Markoe, with whom Letterman shared a long professional and personal connection. To understand popular culture today, it’s necessary to understand David Letterman. With this revealing biography, Zinoman offers a perceptive analysis of the man and the artist whose ironic voice and caustic meta-humor was critical to an entire generation of comedians and viewers—and whose singular style ushered in new tropes that have become clichés in comedy today.
Assigned to cover the 1994 Winter Olympics, David Letterman's mother stepped in front of the cameras--and into America's heart--as a featured correspondent on The Late Show with David Letterman. Now fans can discover where the family humor originated and have a hearty laugh and meal at the same time. This fun and informal collection of recipes also includes some of Dorothy's fonder memories of what it was like mothering the future king of late-night comedy.
Miranda Tate and her closest friends have been let in on a powerful secret: their teachers are famous dead writers. After a heroic first semester, Miranda's got Bard Academy's ghost faculty in her debt, a new boyfriend in hot basketball player Ryan Kent, and she's just turned in a paper about The Scarlet Letter that she's sure is A material. But when the Bard Queen Bee, Parker Rodham, claims she's attacked in the woods, Ryan is all too happy to play bodyguard. Then teachers start disappearing and the campus is abuzz with news of the Hooded Sweatshirt Stalker -- not to mention sightings of a monster in the woods. But it's Miranda who feels like a moving target when she is accused not only of plagiarism but of suspicious involvement in the attacks! Meanwhile, rumors are flying about what it really means that Miranda's wearing Ryan's varsity letterman jacket. And she just can't shake her nagging feelings for Heathcliff, who entrusted her with the locket that keeps him in the "real" world even though every one else thinks he's back where he belongs, in the pages of Wuthering Heights. Is he the campus stalker? Does she like him more than she likes Ryan? And how is that possible if he's only a character from a book?
Babyboomers in their thirties never possessed a collective voice until thirtysomething (1987-1991), a thirteen-time Emmy Award-winning series, captured the essence of their angst. Author Scott Ryan now gives the cast and crew their voice on the making of all 85 episodes.
When it comes to the lifestyles of American Express Black Card holders, you'd never know we're in a recession. This Land Was Made For You and Me (But Mostly Me) is a hilarious catalog of the absurdly extravagant lifestyles, impossibly glamorous escapes, and pet projects of North America's one percenters. From fiberglass Baobab tree houses in the foothills of the Rockies with machine-gun ports at every level, to a four-star open-air restaurant precariously balanced atop the leafy rainforests of the Amazon basin, longtime friends and mutual fans McCall and Letterman have created an Architectural Digest-style satire of the (obscenely) rich and famous. Featuring beautiful hand-painted illustrations in McCall's inimitable style and the brilliantly caustic wit of both authors, This Land takes you on a dizzying tour of vacation homes and resorts at once utterly ridiculous and eerily plausible.
Elliot Cohen has political x-ray vision that cuts right through the turgid bullshit of corporate media ca-ca. Buy several copies and hand them out on street corners: This book could save America.-GREG PALAST, author of Armed MadhouseThe Last Days of Democracy is a compelling and alarming last call to awaken the slumbering promise of our Constitution - or to watch our freedom slither away forever. Corporate media has enabled tyranny to prevail over the truth, because they value profits over patriotism. This book is a wake-up call to save us from the final descent into an Orwellian world from which we will not be able to return.-MARK KARLIN, Editor and Publisher of BuzzFlash.comHow can America survive in the information age without any information? For too long, and at far too great a cost to the country's way of life, America's mainstream media have grasped at higher profits by sinking to disgraceful lows in standards and performance....Cohen and Fraser reveal the caustically unprincipled impostors of our industry, the owners and managers they shill for - and the damage they have done. Read this book. Get mad as hell and let's make certain we don't take it any more.-ARTHUR KENT, SkyReporter.comIn this chilling account of an America in political and cultural decline, media critics Elliot D. Cohen and Bruce W. Fraser show how mainstream media corporations like CNN, Fox, and NBC (General Electric) together with giant telecoms like Comcast, Verizon, and AT&T have become administration pawns in a well-organized effort to hijack America. Cohen and Fraser show in blunt terms how incredible power, control, and wealth have been amassed in the hands of an elite few while the rest of us have been systematically manipulated, deceived, and divested of our freedom. Calling attention to the Project for the New American Century (PNAC), a carefully devised plan for international dominion launched by high officials in the Bush administration, this book tells the story of an America quietly being stripped of its democratic way of life on its way to becoming a full-blown authoritarian state.The authors detail how mainstream media have failed us in covering issues crucial to the survival of American democracy - the Bush administration's domestic spying program; the facts about the September 11 attacks; presidential election fraud; the events leading up to the Iraq war; and the selling out of Internet freedom, to name just some. They reveal how corporate media have systematically attempted to dumb down and distract us from reality with sex and violence; how government has used corporate media to shock and awe Americans into surrendering their constitutional rights in the name of the War on Terrorism; and how media personalities have been complicit in the mass deception.The final chapter points out important ways in which Americans can counter the erosion of democracy by relying less on mainstream media and more on independent news sources, through grassroots activism, peaceful assembly, and exercising their free speech, and by using critical thinking to expose the dangers we face.Elliot D. Cohen, Ph.D. (Port St. Lucie, FL), is the director of the Institute of Critical Thinking, the editor-in-chief of the International Journal of Applied Philosophy, ethics editor for Free Inquiry magazine, and the author or editor of many books in journalism, professional ethics, and philosophical counseling, including News Incorporated: Corporate Media Ownership and Its Threat to Democracy, Journalistic Ethics (with Deni Elliot), Philosophical Issues in Journalism, and What Would Aristotle Do? Self-Control through the Power of Reason.Bruce W. Fraser, Ph.D. (Vero Beach, FL), is founder and president of Americans for Moral Government, a political action committee devoted to the preservation and promotion of democratic values.
An exhaustive look at the final hours of the Confederacy’s most audacious general. May 1863. The Civil War was in its third spring, and Confederate Lt. Gen. Thomas Jonathan Jackson stood at the peak of his fame. He had risen from obscurity to become “Old Stonewall,” adored across the South and feared and respected throughout the North. On the night of May 2, however, just hours after Jackson executed the most audacious maneuver of his career and delivered a crushing blow against an unsuspecting Union army at Chancellorsville, disaster struck. The Last Days of Stonewall Jackson recounts the events of that fateful night—considered one of the most pivotal moments of the war—and the tense vigil that ensued as Jackson struggled with a foe even he could not defeat. From Guinea Station, where Jackson crosses the river to rest under the shade of the trees, the story follows Jackson’s funeral and burial, the strange story of his amputated arm, and the creation and restoration of the building where he died (now known as the Stonewall Jackson Shrine). This newly revised and expanded second edition features more than 50 pages of fresh material, including almost 200 illustrations, maps, and eye-catching photos. New appendices allow readers to walk in Jackson’s prewar footsteps through his adopted hometown of Lexington, Virginia; consider the ways Jackson’s memory has been preserved through monuments, memorials, and myths; and explore the misconceptions behind the Civil War’s great What-If: “What if Stonewall had survived his wounds?” With the engaging prose of master storytellers, Chris Mackowski and Kristopher D. White make The Last Days of Stonewall Jackson a must-read for Civil War novices and buffs alike.
LATE NIGHT BUMPERS /// Foreword by David Letterman -- Official 40th Anniversary Edition of the classic bumper photography seen before and after commercial on Late Night with David Letterman, photographed by Marc Karzen -- including anecdotes about shoots plus behind-the-scenes images all shot from 1982-1992. Hardcover 72 pages book size: 10" x 8.25" Printed in USA
Discover one of the greatest true crime stories in music history, as only James Patterson can tell it. With the Beatles, John Lennon surpasses his youthful dreams, achieving a level of superstardom that defies classification. “We were the best bloody band there was,” he says. “There was nobody to touch us.” Nobody except the original nowhere man, Mark David Chapman. Chapman once worshipped his idols from afar—but now harbors grudges against those, like Lennon, whom he feels betrayed him. He’s convinced Lennon has misled fans with his message of hope and peace. And Chapman’s not staying away any longer. By the summer of 1980, Lennon is recording new music for the first time in years, energized and ready for it to be “(Just Like) Starting Over.” He can’t wait to show the world what he will do. Neither can Chapman, who quits his security job and boards a flight to New York, a handgun and bullets stowed in his luggage. The greatest true-crime story in music history, as only James Patterson can tell it. Enriched by exclusive interviews with Lennon’s friends and associates, including Paul McCartney, The Last Days of John Lennon is the thrilling true story of two men who changed history: One whose indelible songs enliven our world to this day—and the other who ended the beautiful music with five pulls of a trigger.
