The Great Benin Empire was an empire kingdom in West Africa known for its great wealth, intricately planned cities, and beautiful bronze sculptures. It was one of the oldest and most highly developed empires in West Africa from the 13th century until the end of the 19th century. It attracted visitors from far away lands who came to trade and also marvel at its great wall. This story is told from the point of view of Osasu, a young Edo boy who lived in the Benin empire and enjoys the comfort and protection of the Great Wall of Benin that was built by his ancestors. Follow young Osasu, as he navigates life at the height of the ancient Benin civilization, the arrival of strange visitors, and the fall of the Great Benin Empire. A must-read for every child and teen interested in untold histories. (Note: This can be emphasized and highlighted) Apart from the entertainment value, readers will benefit from exploring important nuggets of African history and culture as they immerse themselves in this beautiful African story.
A description of the history and culture of the people living in West Africa includes information about their economy, language, arts, political system, customs, and religion
The Benin Bronzes are among the British Museum’s most prized possessions. Celebrated for their great beauty, they embody the history, myth and artistry of the ancient Kingdom of Benin, once West Africa’s most powerful, and today part of Nigeria. But despite the Bronzes’ renown, little has been written about the brutal imperial violence with which they were plundered. Paddy Docherty’s searing new history tells that story: the 1897 British invasion of Benin. Armed with shocking details discovered in the archives, Blood and Bronze sets this assault in its late Victorian context. As British power faced new commercial and strategic pressures elsewhere, it ruthlessly expanded in West Africa. Revealing both the extent of African resistance and previously concealed British outrages, this is a definitive account of the destruction of Benin. Laying bare the Empire’s true motives and violent means, including the official coverup of grotesque sexual crimes, Docherty demolishes any moral argument for Britain retaining the Bronzes, making a passionate case for their immediate repatriation to Nigeria.
A Prospect Best Book of 2021 ‘A fascinating and timely book.’ William Boyd ‘Gripping…a must read.’ FT ‘Compelling…humane, reasonable, and ultimately optimistic.’ Evening Standard ‘[A] valuable guide to a complex narrative.’ The Times In 1897, Britain sent a punitive expedition to the Kingdom of Benin, in what is today Nigeria, in retaliation for the killing of seven British officials and traders. British soldiers and sailors captured Benin, exiled its king and annexed the territory. They also made off with some of Africa’s greatest works of art. The ‘Benin Bronzes’ are now amongst the most admired and valuable artworks in the world. But seeing them in the British Museum today is, in the words of one Benin City artist, like ‘visiting relatives behind bars’. In a time of huge controversy about the legacy of empire, racial justice and the future of museums, what does the future hold for the Bronzes?
Originally published in 1967 this volume presents studies of 10 West African kingdoms which have played an important part in the economic, political and cultural life of the region. Ranging geographically from the kingdom of Benin in southern Nigeria to the Wolof kingdom of Kayor in Senegal, they inlcude the Oyo Yoruba, Dahomey, Hausa, Maradi, Kom in West Cameroon, the Mossi, Ashanti and Gonja and the Mende chiefdoms of Sierra Leone. Each outlines the historical origins and development of the kingdom and analyses its organization in the nineteenth century. It includes accounts of the economic basis and resources of the state and the significance of tribute and trade, of the social categories among its population, the administrarive machinery and communnications, the judicial and military organization and external relations. It also considers the importance of the ideology and rituals of kingship.
The death of Karl Polanyi in 1964, at seventy-seven, curtailed a productive life in the fields economic history and economic anthropology. Some of his students-impressed with his erudition and disregard for the ordinary-described him as "otherworldly". He was founder of the Galilei Society in Budapest, the cradle of the liberal revolutions in Hungary in the first decades of the 20th. century. In the first World War, he was a cavalry officer and after that war he went to Vienna. There he became a columnist and commentator for the Oesterreichische Volkswirt, in charge of analysis of international affairs. For years he read daily The Times, Le Temps, the Frankfurter Zeitung, all the Vienna papers and those from Budapest and others as they were relevant. He emigrated to England where he became a tutor for Oxford University and the University of London and wrote re-analysis of English economic history: The Great Transformation. After World War II, Polanyi came to Columbia University to teach economic history. His courses were always popular and well attended. During his last years at Columbia, and during his early years of retirement, Polanyi was joined by Conrad Arensberg in heading a large interdisciplinary project for the comparative study of economic systems. The volume that resulted was Trade and Market in the Early Empires, a landmark in economic anthropology and economic history. Polanyi's interest in Dahomey stems from one of his students who had contributed two papers on Dahomey to Trade and Market. Polanyi grew interested and, with characteristic thoroughness, read the literature on that West African kingdom. The present book resulted from these last years of productive scholarship. Dahomey and the Slave Trade was prepared for the press by his widow, Ilona Duczynska Polanyi. Foreword vii This book is of vital importance to anthropology for several reasons, the most compelling being that the concerns of history and of anthropology are overlapped in it. Besides making available the economic history of one of the great West African kingdoms, it sets forth some new theory for economic anthropology-particularly Part III, in which Polanyi makes sense of the intricacies of trade between a people with a fully monetized economy, and one without, and those passages in which he adds "house-holding" as a concept to his ideas about the principles of economic integration. Polanyi's position in economic anthropology-not to mention the status he achieved as economic historian, translator of Hungarian literature, man of action, and inspiring teacher-is secure. He has enabled anthropologists to focus their studies of economy on processes of allocation rather than on processes of production, thereby bringing the studies into line with economic theory without merely "applying" economic theory to systems it was not designed to explain. The "release" that resulted from this great stride forward can be compared, for economic anthropology and studies in comparative economics, with the importance of the discovery in the late nineteenth century of the price mechanism itself. The more we know about the workings of other, and strange, economies, the more we can know of our own. Polanyi's work will stand as a major source of comparative insight-the core of anthropological purpose.