A story set in the Philippines featuring a very lazy giant who searches for a chair big enough to fit him and how the people twart his efforts to rule over them.
Constructed in 1297−1300 for King Edward I, the Coronation Chair ranks amongst the most remarkable and precious treasures to have survived from the Middle Ages. It incorporated in its seat a block of sandstone, which the king seized at Scone, following his victory over the Scots in 1296. For centuries, Scottish kings had been inaugurated on this symbolic ‘Stone of Scone’, to which a copious mythology had also become attached. Edward I presented the Chair, as a holy relic, to the Shrine of St Edward the Confessor in Westminster Abbey, and most English monarchs since the fourteenth century have been crowned in it, the last being HM Queen Elizabeth II, in 1953. The Chair and the Stone have had eventful histories: in addition to physical alterations, they suffered abuse in the eighteenth century, suffragettes attached a bomb to them in 1914, they were hidden underground during the Second World War, and both were damaged by the gang that sacrilegiously broke into Westminster Abbey and stole the Stone in 1950. It was recovered and restored to the Chair, but since 1996 the Stone has been exhibited on loan in Edinburgh Castle. Now somewhat battered through age, the Chair was once highly ornate, being embellished with gilding, painting and colored glass. Yet, despite its profound historical significance, until now it has never been the subject of detailed archaeological recording. Moreover, the remaining fragile decoration was in need of urgent conservation, which was carried out in 2010−12, accompanied by the first holistic study of the Chair and Stone. In 2013 the Chair was redisplayed to celebrate the Diamond Jubilee of the Coronation of HM The Queen. The latest investigations have revealed and documented the complex history of the Chair: it has been modified on several occasions, and the Stone has been reshaped and much altered since it left Scone. This volume assembles, for the first time, the complementary evidence derived from history, archaeology and conservation, and presents a factual account of the Coronation Chair and the Stone of Scone, not as separate artifacts, but as the entity that they have been for seven centuries. Their combined significance to the British Monarchy and State – and to the history and archaeology of the English and Scottish nations – is greater than the sum of their parts. Also published here for the first time is the second Coronation Chair, made for Queen Mary II in 1689. Finally, accounts are given of the various full-size replica chairs in Britain and Canada, along with a selection of the many models in metal and ceramic which have been made during the last two centuries.
Folk performances reflect the life-worlds of a vast section of subaltern communities in India. What is the philosophy that drives these performances, the vision that enables as well as enslaves these communities to present what they feel, think, imagine, and want to see? Can such performances challenge social hierarchies and ensure justice in a caste-ridden society? In Cultural Labour, the author studies bhuiyan puja (land worship), bidesia (theatre of migrant labourers), Reshma-Chuharmal (Dalit ballads), dugola (singing duels) from Bihar, and the songs and performances of Gaddar, who was associated with Jana Natya Mandali, Telangana: he examines various ways in which meanings and behaviour are engendered in communities through rituals, theatre, and enactments. Focusing on various motifs of landscape, materiality, and performance, the author looks at the relationship between culture and labour in its immediate contexts. Based on an extensive ethnography and the author’s own life experience as a member of such a community, the book offers a new conceptual framework to understand the politics and aesthetics of folk performance in the light of contemporary theories of theatre and performance studies.
To prolong the inevitable, a king attempts to preserve a painter’s life when he discovers, through his astrological chart, that their fates are suddenly intertwined. The monarch is forced to keep him alive for his own personal reasons. King Ouf is a powerful leader with a weakness for astrology, myths and superstition. During a reading, it is revealed that he is spiritually linked to a traveling painter named Lazuli. If any harm comes to Lazuli, the same fate will befall the king. Therefore, King Ouf declares that when he dies, his astrologer Siroco must also be killed. In an attempt at self-preservation, both men work tirelessly to keep Lazuli alive. Originally composed by Brookfield and Caryll, The Lucky Star was later revised by Helen Lenoir. It’s a witty comedy known for its intricate plot and memorable music. Following its debut, the opera ran for more than 140 performances at London’s Savoy Theatre. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Lucky Star is both modern and readable.
" One of you three will become the Dragon king's wife ! " said the king .Without even knowing it , this one sentence would change Charlotte's life forever . From a forgotten princess to the wife of the most feared king on earth . The dragon king , Damien PenDraco ! He was ruthless , he was cold-blooded, he was a pure dragon with a scary appearance and skin similar to a snake... Charlotte was the second daughter of the king . Her mother was one of the king's concubines . Her father lost his favor towards her mother and her . Although Charlotte was a princess , she was never treated as one. They often got bullied and mistreated by the queen and her daughters . When the marriage offer came from king Damien , the palace was in shock . King Damien used the marriage as an excuse so that he could get his hands on the land where the crystal of power could be found .The king couldn't refuse him . Neither of his daughters wanted to marry him . The marriage proposal was the only way Charlotte could be free .In exchange for her mother's divorce from her father and freedom, she started her journey to king Damien's castle . ' Everywhere is better than this hell! ' thought Charlotte .King Damien was exactly as described, a real dragon ." If you don't want to be my wife, you will work as a servant in my castle! "said Damien looking at Charlotte's rejection ." No problem ! " said Charlotte .When the king learns about Charlotte's immense knowledge of archeology , he offered her the freedom she longed for in exchange for her help in finding the crystal of power .The two of them agreed and started their journey in finding the crystal power but after finding it , king Damien refused to let her go . " You're mine ! "
Explore the evolution and influences of Stephen King's body of work over his nearly 50-year career, and discover how the themes of his writing reflect the changing times and events within his life. Timed with Stephen King's 75th birthday on September 21, 2022, Stephen King features archival photos and documents from King's personal collection alongside the stories behind how his novels, novellas, short stories, and adaptations came to be. With critically acclaimed titles that have also been turned into blockbuster sensations like It and Carrie, King's work has stood the test of time across decades. This history of the writer's struggles, triumphs, bestsellers, lesser-known stories, collaborations, and more makes the perfect addition to any Stephen King fan's collection. Celebrate the beloved King of Horror with this informational and entertaining look inside King's most iconic titles and the culture they have created.
The land of Azzaria has been at peace for many years but is now on the brink of war. Armies are being built. Tensions are rising across the land and in the four cities. A timely union may stave off any attacks for some time. But amidst these events, an underlying plan to dismantle all the peace treaties has been set in motion. Vaaden lives in the coastal city of Menanchrist. His mother died when he was young and he has no memory of his father. Raised by his two guardians, the palace cook and his wife, Vaaden enrolls into the knighthood program and to be apart of Menanchrist's army. As he progresses and trains with his mysterious mentor, Iren, he is faced with questions about what to do with his life. Leave everything and everyone behind to embark on a journey to magical, ancient ruins or remain home and become a knight for Menanchrist. Everything is going fine until he stumbles upon a secret that could change the course of an important treaty, a royal wedding, and a looming war. Cast out, he will have to rely on wit, magic, and friends to save the ones he loves and stop the corruption that could topple his beloved city.
Originally published in 1967, South Africa’s Rule of Violence is a record of aggression and violence against the black population of South Africa during the Apartheid era. The author, who was active in the political fight to end the apartheid system, collected many of these records from a 15-year period, and many are reproduced in the book. Mainly based on press reports, and illustrated with black and white press photos, the book brings to life the tragic cruelty of the Apartheid years and compares South African racism to that in Nazi Germany.