It all began with trying to fly. After jumping off the roof of his house in the middle of the night, Daniel Kim wakes up far from Neverland, his reprieve from the real world. Thrust into a mental health hospital and then into a brand-new high school, he struggles to hold on to reality while haunted by both his very-present past and his never-present parents. But when he joins Cranbrook Preparatory’s cross-country team, he starts to feel like he’s walking on his own two feet once again. He meets Jiwon Yoon—another cross-country runner, who may be the first person to join Daniel in his Neverland daydreams. Or maybe Jiwon is the one who will finally break Daniel free. Content warning: Emotional trauma, attempted suicide, mental illness.
In The Boy at the Window, Scott Morgan and Vallie Taylor are two young, gay men who decide they want nothing more than to adopt a child. They contact Happy Home Adoption Services in Albuquerque, New Mexico, to find out what their chances might be to adopt. They are investigated, finding out they do qualify. Prepared to adopt a newborn or toddler of any race, they find a fourteen-year-old gay teenager, Nicholas, desperately needs a home. They take the time to get to know him and decide to make him their new son. Nicholas is elusive, never smiling and does not make eye contact, but he agrees to be adopted. Nicholas starts high school and begins having trouble with a bully. Scott, Vallie, and the rest of their family do what they can to help. Nicholas goes through a frightening experience, which helps him finally realize what a real family is and how much his new family really loves him.
Liam James, boy next door and total douchebag, is my brother’s best friend. I can’t stand him. Well, that’s not strictly true, at night I see a side of him that no one else does. Every night Liam becomes my safe haven, my protector, the one to chase the demons of my abusive childhood away and hold all the broken pieces of me together. He’s cocky, he’s arrogant, and he’s also some sort of playboy in training. With his ‘hit it and quit it’ mentality, he’s the last person you’d want to fall in love with. I only wish someone had told my heart that… The international bestselling novel, and finalist of the Goodreads choice awards YA fiction 2012.
As sixty-eight year old Peter Abeles confronts his ambivalence over his mother’s recent death, he laces together his childhood memories of the prewar Austrian aristocracy his Jewish family belonged to, the rising tide of hate that engulfed them and their decision to flee, and the story of his life in America. In trying to come to terms with his personal history and family, Abeles looks beyond the immediate horrors of the Holocaust and the Diaspora to some of the more subtle effects on the reconstructed lives that followed. He gives a hard, honest account of his upbringing by a cold, demanding father and an embittered, materialistic mother...but he frames that account in forgiveness and redemption, imagining his dead mother as she receives a treasure box of Sefirot, the ten Hebrew words that allow an individual to know Kabbalah, or wisdom. Peter Abeles and Tom Hicks have produced an intelligent and edifying memoir that has much to say about exile and immigration, about class, money, love and forgiveness. In Otto, the Boy at the Window, they offer readers some hard-earned shreds of Kabbalah. Praise for Otto, the Boy at the Window: “This unforgettable book opens with the death of Abeles’ mother in Long Island when he was 68, which prompts him to reflect on his Viennese childhood in the 1930s. His mother was strict and possessive, and his father was unyielding. The father owned a thriving wholesale shoe business, and the family had servants and tutors. Abeles relives the Anschluss of March 12, 1938, when the Nazis took control of Austria, and he remembers mobs of Nazi sympathizers destroying synagogues and Jewish-owned properties during Kristallnacht in November of that year. In November 1939, the family sailed from Rotterdam to New York with only $10 left from their fortune. They went to Chicago, where two sponsoring families met them. Abeles recounts his subsequent service in the U.S. Air Force, his success in the business world, and his love of family life in this story of reconciliation and forgiveness, which is told with grace and insight.”
As a preteen Black male growing up in Mount Vernon, New York, there were a series of moments, incidents and wounds that caused me to retreat inward in despair and escape into a world of imagination. For five years I protected my family secrets from authority figures, affluent Whites and middle class Blacks while attending an unforgiving gifted-track magnet school program that itself was embroiled in suburban drama. It was my imagination that shielded me from the slights of others, that enabled my survival and academic success. It took everything I had to get myself into college and out to Pittsburgh, but more was in store before I could finally begin to break from my past. "Boy @ The Window" is a coming-of-age story about the universal search for understanding on how any one of us becomes the person they are despite-or because of-the odds. It's a memoir intertwined with my own search for redemption, trust, love, success-for a life worth living. "Boy @ The Window" is about one of the most important lessons of all: what it takes to overcome inhumanity in order to become whole and human again.
There was a story that Mama read to Jiro: Once, in old Japan, a young woodcutter lived alone in a little cottage. One winter day he found a crane struggling in a snare and set it free. When Jiro looks out the window into Mr. Ozu’s garden, he sees a crane and remembers that story. Much like the crane, the legend comes to life—and, suddenly, Jiro finds himself in a world woven between dream and reality. Which is which? Allen Say creates a tale about many things at once: the power of story, the allure of the imagined, and the gossamer line between truth and fantasy. For who among us hasn’t imagined ourselves in our own favorite fairy tale?
Jessica and Owen Nobles are heartbroken over the loss of their son, Jacob. Jessica has taken his death especially hard, spending the past three years sedated and under the care of a psychiatrist. Desperate to save his wife, Owen moves the couple to Florida, hoping a change in scenery will remind her how to live again. When Jessica begins to see a small boy in the upstairs window of the abandoned home next door, she goes to investigate, only to find the house empty. Afraid that she may be seeing things, Jess does an internet search on the home's address. What she finds is an image of the boy from the window-a boy that's been missing more than thirteen years. Reluctant to tell her husband, Jessica sets out to find what information she can on the child's disappearance. Yet, someone is going to great lengths to stop her.To make matters worse, bodies begin dropping around her like flies. And she's the prime suspect in the killings. If Jessica doesn't back off now, she risks losing more than just her mind...she could very well lose her life.
After his mother finally convinces the principal of Greenfield Junior High to admit him, twelve-year-old Sam arrives for his first day of school, along with his imaginary friend Winston Churchill, who encourages him to persevere with his cerebral palsy.
