Once upon a time, Dinosaurs ruled the Earth.But the Mesozoic era - the Age of Reptiles - came to its cataclysmic end sixty-five million years ago.The Age of Monsters begins tonight.And the world of humankind will crumble. Some will call it Judgment. Some will attempt to fight. Others will simply run. Most will just try and survive. But no one will escape.In the mountains. In the oceans. In the cities and towns. Even up in space.Where were YOU when the world ended?
One year ago, the world ended.Resurrected monsters from the prehistoric past have rampaged across the globe.Now the world is theirs.Remaining humans have been driven high into the mountains, or back to the caves.But now gathered armies of gigantic rage-infected beasts threaten to stamp out the last survivors once and for all.Only one hope remains - a young woman, with a top-secret past, who stands between the human race and extinction.It is the anniversary of the Apocalypse, and humanity's most desperate struggle begins tonight...
It has often been claimed that "monsters"--supernatural creatures with bodies composed from multiple species--play a significant part in the thought and imagery of all people from all times. The Origins of Monsters advances an alternative view. Composite figurations are intriguingly rare and isolated in the art of the prehistoric era. Instead it was with the rise of cities, elites, and cosmopolitan trade networks that "monsters" became widespread features of visual production in the ancient world. Showing how these fantastic images originated and how they were transmitted, David Wengrow identifies patterns in the records of human image-making and embarks on a search for connections between mind and culture. Wengrow asks: Can cognitive science explain the potency of such images? Does evolutionary psychology hold a key to understanding the transmission of symbols? How is our making and perception of images influenced by institutions and technologies? Wengrow considers the work of art in the first age of mechanical reproduction, which he locates in the Middle East, where urban life began. Comparing the development and spread of fantastic imagery across a range of prehistoric and ancient societies, including Mesopotamia, Egypt, Greece, and China, he explores how the visual imagination has been shaped by a complex mixture of historical and universal factors. Examining the reasons behind the dissemination of monstrous imagery in ancient states and empires, The Origins of Monsters sheds light on the relationship between culture and cognition.
Kaiju Rising: Age of Monsters is a collection of stories focused on strange creatures in the vein of Pacific Rim, Godzilla, Cloverfield, and more. Opening with a foreword by Jeremy Robinson--author of Project Nemesis, the highest selling Kaiju novel in the United States since the old Godzilla books--the collection features work from New York Times bestsellers to indie darlings.
An exciting new picture book-perfect for the little monster in your life! Everybody knows monsters can be...well, MONSTERS. But did you know sometimes even monsters get scared? They can be sad, they can be kind, they can miss their mommies. Sometimes, they're just plain silly. And even monsters need to brush their teeth! A funny and family-friendly picture book by innovative author/illustrator A. J. Smith, who combines traditional storytelling with exciting interactive digital components.
Trick or treat? With nods to Tim Burton, Edward Gorey, and Neil Gaiman, this humorous picture book about a Victorian boy obsessed with monsters presents a dark and appealing world, created by debut author/illustrator Sam Streed. In the graveyard, between stone monuments for forgotten souls, lurks the Black Shuck. . . . Its one blood-red eye burns with an undying rage. After reading about the slimy Nixie, the angry Black Shuck, and the creepy Lantern Man in his beloved Book of Monsters, Alfred decides to invite the monsters to teatime with his crusty old aunty, who thinks monsters are an improper obsession for a respectable young boy.
Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.
Offers a guide to monsters of all shapes and sizes, including the minotaur and the kraken, with a review of their menacing homes, stories about them, and the damage they have wrought on humans both on land and by sea.
