Studies in Italian Manuscript Illumination

Studies in Italian Manuscript Illumination

Author: Jonathan James Graham Alexander

Publisher:

Published: 2002

Total Pages: 448

ISBN-13:

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A comprehensive selection of Professor Alexander's papers that consider Italian manuscript illumination through the medieval and Renaissance periods. The volume includes a new essay on marginal illustrations as well as older papers which discuss some of the most celebrated works of the period, and have been revised and updated here. Accompanied by a comprehensive index and new introduction.


The Painted Book in Renaissance Italy

The Painted Book in Renaissance Italy

Author: Jonathan James Graham Alexander

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9780300203981

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"Hand-painted illumination enlivened the burgeoning culture of the book in the Italian Renaissance, spanning the momentous shift from manuscript production to print. J. J. G. Alexander describes key illuminated manuscripts and printed books from the period and explores the social and material worlds in which they were produced. Renaissance humanism encouraged wealthy members of the laity to join the clergy as readers and book collectors. Illuminators responded to patrons' developing interest in classical motifs, and celebrated artists such as Mantegna and Perugino occasionally worked as illuminators. Italian illuminated books found patronage across Europe, their dispersion hastened by the French invasion of Italy at the end of the 15th century.--


The Burke Collection of Italian Manuscript Paintings

The Burke Collection of Italian Manuscript Paintings

Author: Sandra Hindman

Publisher: Paul Holberton publishing

Published: 2021

Total Pages: 0

ISBN-13: 9781912168200

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The outstanding Burke Collection of Italian miniatures, which is housed in Special Collections in the the Stanford University Libraries, has been built over more than twenty years and includes manuscript leaves, cuttings, and codices by many of the greatest Italian artists of the medieval and Renaissance periods. Works in the collection range in date from the 12th through the 16th centuries, and in them we see masterfully painted initials, borders, and miniatures that enhance our appreciation of the great skill that John Ruskin called ?writing made beautiful.?00Comprised of over 40 miniatures from 35 different artists representing 13 different regions of Italy, the collection is characterized by its astonishingly high quality. It includes works produced by the most renowned Italian illuminators, who are often also documented as painters. Artists from Florence and Siena are certainly the best represented in the Burke collection. These include masterpieces by Don Simone Camaldolese and Lorenzo Monaco of Florence, and Giovanni di Paolo and Pellegrino di Mariano of Siena. The collection equally underlines the range of styles achieved by Italian illuminators active in Emilia-Romana, where great interpreters of Giotto were active, such as Neri da Rimini, Tommaso da Modena, and Nicolò di Giacomo, as well as masterpieces of the Venetian school, such as works by Cristoforo Cortese and the Master of the Murano Gradual. Lombardy is represented by one of the notable specialists of late Gothic painting, the Olivetan Master. Among the many highlights, there is the incomparable and world-class Crucifixion of the Master of Saint Francis of Assisi.


Painting and Illumination in Early Renaissance Florence, 1300-1450

Painting and Illumination in Early Renaissance Florence, 1300-1450

Author: Laurence B. Kanter

Publisher: Metropolitan Museum of Art

Published: 1994

Total Pages: 406

ISBN-13: 0870997254

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. By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons - the result of the author's recent archival research in Florence.


Toward a Global Middle Ages

Toward a Global Middle Ages

Author: Bryan C. Keene

Publisher: Getty Publications

Published: 2019-09-03

Total Pages: 300

ISBN-13: 160606598X

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This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.


Introduction to Manuscript Studies

Introduction to Manuscript Studies

Author: Raymond Clemens

Publisher:

Published: 2007

Total Pages: 328

ISBN-13:

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"This book provides an orientation to the field of medieval manuscript studies. It will be of help to students in history, art history, literature, and religious studies who are encountering medieval manuscripts for the first time, while also appealing to advanced scholars and general readers interested in the history of the book before the age of print. Every chapter in this guidebook features numerous color plates that exemplify each aspect described in the text and are drawn primarily from the collections of the Newberry Library in Chicago and the Parker Library of Corpus Christi College, Cambridge."--Book jacket.


The Painted Page

The Painted Page

Author: Royal Academy of Arts (Great Britain)

Publisher: Prestel Publishing

Published: 1994

Total Pages: 284

ISBN-13:

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Catalogue to accompany an exhibition to be held at the Royal Academy of Arts, London, 27 October 1994-22 January 1995 and afterwards in New York


Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts

Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts

Author: Thomas Kren

Publisher: Getty Publications

Published: 1997-11-13

Total Pages: 130

ISBN-13: 0892364467

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The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.


Painting the Page in the Age of Print

Painting the Page in the Age of Print

Author: Jeffrey F. Hamburger

Publisher: PIMS

Published: 2018

Total Pages: 0

ISBN-13: 9780888442086

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"The history of the book in the fifteenth century is especially associated in German-speaking countries with Gutenberg's invention of printing with movable type. Over a century of scholarship has tended, often in rather gratuitous fashion, to dismiss the majority of illuminated manuscripts produced in central Europe between around 1400 and the Reformation as mediocre manifestations of a culture in decline. This book--originally published in German to accompany a series of exhibitions in Germany, Austria, and Switzerland from 2015 to 2017--was written to challenge these prejudices and the weight of tradition which they represent. It contains four wide-ranging art historical essays which for the first time give an overview of fifteenth-century illumination in Central Europe."--