Studies in English Pre-Romanesque and Romanesque Architecture

Studies in English Pre-Romanesque and Romanesque Architecture

Author: Richard Gem

Publisher:

Published: 2003

Total Pages: 440

ISBN-13:

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This volume completes the publication of a collection of Richard Gem's archaeological and architectural assessments of English ecclesiastical architecture between the 7th and 12th centuries. Volume II, which has been published and must be bought separately despite the continued pagination and chapter numbers, focuses on the Romanesque period and includes such buildings as Westminster Abbey's Romanesque phase, Canterbury, St Paul's Cathedral, Chichester and Winchester Cathedrals, Lincoln Minster, Knights Templar churches, and others. Volume I focuses on Anglo-Saxon and Pre-Romanesque styles and buildings. The introduction and chapter list are published in Volume I. Volume II Contents: England and the Resistance to Romanesque Architecture; The Romanesque Rebuilding of Westminster Abbey; The Significance of the 11th-Century Rebuilding of Christ Church and St Augustine's, Canterbury, in the Development of Romanesque Architecture; Canterbury and the Cushion Capital: a Commentary on Passages from Goscelin's de miraculis sancti Augustini; The Romanesque Architecture of Old St Paul's Cathedral and its Late 11th-Century Context; Chichester Cathedral: When was the Romanesque Church Begun; The Romanesque Cathedral of Winchester: Patron and Design in the 11th Century; The First Romanesque Cathedral of Old Salisbury; Bishop Wulfstan II and the Romanesque Cathedral Church of Worcester; The Bishop's Chapel at Hereford: the Roles of Patron and Craftsman; Lincoln Minster: Ecclesia Pulchra, Ecclesia Fortis; Romanesque Architecture in Chester c. 1075 to 1117; The English Parish Church in the 11th and 12th Centuries: a 'Great Rebuilding': The Early Romanesque Tower of Sompting Church, Sussex; An Early Church of the Knights Templars at Shipley, Sussex; The Church of St Michael and St Mary, Melbourne, Derbyshire; Additional Notes; Index.


The Norman Conquest in English History

The Norman Conquest in English History

Author: George Garnett

Publisher: Oxford University Press, USA

Published: 2021-01-21

Total Pages: 491

ISBN-13: 0198726163

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At a time when the Battle of Hastings and Magna Carta have become common currency in political debate, this study of the role played by the Norman Conquest in English history between the eleventh and the seventeenth centuries is both timely and relevant.


The Archaeology of the 11th Century

The Archaeology of the 11th Century

Author: Dawn M Hadley

Publisher: Taylor & Francis

Published: 2017-02-10

Total Pages: 343

ISBN-13: 1315312921

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The Archaeology of the 11th Century explores this formative period of English history and in particular the impact of the Conquest of England by the Normans. The volume examines how the Normans contributed to local culture, religion and society through a range of topics including food culture, funerary practices, the development of castles and their impact, and how both urban and rural life evolved during the eleventh century. Through its nuanced approach to the complex relationships and regional identities which characterized the period, this collection stimulates renewed debate and challenges some of the long-standing myths surrounding the Conquest.


Liturgy, Architecture, and Sacred Places in Anglo-Saxon England

Liturgy, Architecture, and Sacred Places in Anglo-Saxon England

Author: Helen Gittos

Publisher: Oxford University Press

Published: 2013-02-07

Total Pages: 372

ISBN-13: 0199270902

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One of the first studies to consider how church rituals were performed in Anglo-Saxon England. Brings together evidence from written, archaeological, and architectural sources. It will be of particular interest to architectural specialists keen to know more about liturgy, and church historians who would like to learn more about architecture.


Art in England

Art in England

Author: Sara N. James

Publisher: Oxbow Books

Published: 2016-10-31

Total Pages: 1058

ISBN-13: 1785702246

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Art in England fills a void in the scholarship of both English and medieval art by offering the first single volume overview of artistic movements in Medieval and Early Renaissance England. Grounded in history and using the chronology of the reign of monarchs as a structure, it is contextual and comprehensive, revealing unobserved threads of continuity, patterns of intention and unique qualities that run through English art of the medieval millennium. By placing the English movement in a European context, this book brings to light many ingenious innovations that focused studies tend not to recognize and offers a fresh look at the movement as a whole. The media studied include architecture and related sculpture, both ecclesiastical and secular; tomb monuments; murals, panel paintings, altarpieces, and portraits; manuscript illuminations; textiles; and art by English artists and by foreign artists commissioned by English patrons.


The Culture of Medieval English Monasticism

The Culture of Medieval English Monasticism

Author: James G. Clark

Publisher: Boydell Press

Published: 2007

Total Pages: 366

ISBN-13: 9781843833215

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Examinations of the culture - artistic, material, musical - of English monasteries in the six centuries between the Conquest and the Dissolution. The cultural remains of England's abbeys and priories have always attracted scholarly attention but too often they have been studied in isolation, appreciated only for their artistic, codicological or intellectual features and notfor the insights they offer into the patterns of life and thought - the underlying norms, values and mentalité - of the communities of men and women which made them. Indeed, the distinguished monastic historian David Knowles doubted there would ever be sufficient evidence to recover "the mentality of the ordinary cloister monk". These twelve essays challenge this view. They exploit newly catalogued and newly discovered evidence - manuscript books, wall paintings, and even the traces of original monastic music - to recover the cultural dynamics of a cross-section of male and female communities. It is often claimed that over time the cultural traditions of the monasteries were suffocated by secular trends but here it is suggested that many houses remained a major cultural force even on the verge of the Reformation. James G. Clark is Professor of History at the University of Exeter. Contributors: DAVID BELL, ROGER BOWERS, JAMES CLARK, BARRIE COLLETT, MARY ERLER, G. R. EVANS, MIRIAM GILL, JOAN GREATREX, JULIAN HASELDINE, J. D. NORTH, ALAN PIPER, AND R. M. THOMSON.


Romanesque Patrons and Processes

Romanesque Patrons and Processes

Author: Jordi Camps

Publisher: Routledge

Published: 2018-03-09

Total Pages: 656

ISBN-13: 1351105582

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The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d’Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular focus on questions of patronage, design and instrumentality. No previous studies of patterns of artistic production during the Romanesque period rival the breadth of coverage encompassed by this volume – both in terms of geographical origin and media, and in terms of historical approach. Topics range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons – a serious theme in a collection that opens with ‘Function, condition and process in eleventh-century Anglo-Norman church architecture’ and ends with a consideration of ‘The death of the patron’.


Peterborough and the Soke

Peterborough and the Soke

Author: Ron Baxter

Publisher: Routledge

Published: 2019-07-03

Total Pages: 444

ISBN-13: 0429509308

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The British Archaeological Association Conference held at Peterborough in 2015 provided a welcome opportunity for a new analysis of the cathedral’s architecture, sculpture and artistic production, and a reassessment of the relationship between the former abbey, the city and its institutions, and the Soke over which it held sway. This ambitious volume casts new light on the Roman occupation of the Nene valley, and the rich Anglo-Saxon sculptural and manuscript context that preceded the construction of the present cathedral, as well as exploring the vital Romanesque tradition of the Soke and the essential contribution of the Barnack quarries. But inevitably the most exciting new disclosures concern the church: its high-quality building campaigns during the 12th to 16th centuries, its abbots’ tombs and the reconstruction of the lost 14th-century High Altar screen from descriptions and loose fragments. Peterborough has attracted the attention of antiquarian scholars since its sacking by Cromwell’s men during the Civil War, and as its secrets are gradually revealed it continues to stimulate the historical imagination.


Romanesque and the Past

Romanesque and the Past

Author: John McNeill

Publisher: Taylor & Francis

Published: 2024-11-01

Total Pages: 631

ISBN-13: 1040279457

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The nineteen papers collected in this volume explore a notable phenomenon, that of retrospection in the art and architecture of Romanesque Europe. They arise from a conference organized by the British Archaeological Association in 2010, and reflect its interest in how and why the past manifested itself in the visual culture of the 11th and 12th centuries. This took many forms, from the casual re-use of ancient material to a specific desire to re-present or emulate earlier objects and buildings. Central to it is a concern for the revival of Roman and early medieval forms, spolia, selective quotation, archaism and the construction of histories. The individual essays presented here cover a wide range of topics and media: the significance of consecration ceremonies in the creation of architectural memory, the rise of pictorial concepts in 12th-century chronicles, the creation of history in the Paris of Hugh of St-Victor, and the appeal of the works of Bernward of Hildesheim and of Hrabanus Maurus in the centuries after their deaths. There are studies of buildings and the ideological purpose behind them at Tarragona, Ripoll, Cluny, Pannonhalma (Hungary), La Roccelletta (Calabria), and Old St Peter's, comparative studies of Trier, Villenauxe and Glastonbury, and of Bury St Edmunds, Rievaulx and Canterbury, and wide-ranging papers on the tantalizing evidence for an engagement with an overseas past in Ireland, an Anglo-Saxon past in England, and a Milanese past among the aisleless cruciform churches of Augustinian Europe. The volume concludes with an assessment of the very concept of Romanesque.