Kyoko’s intense audition finally wins over the producer and secures her role of Momiji, but she’s hardly in the mood to celebrate. Moko hasn’t been cast as Chidori, and Kyoko’s cherished dreams of playing opposite her BFF have been dashed. Her internal conflict will have to wait though, because her opponent in the Momiji trials has another nasty trick up her sleeve. Will Kimi’s devious scheming cost Kyoko more than just a coveted role?! -- VIZ Media
Kyoko knows she's not plain and uninteresting, no matter what Sho says. With the help of a little makeover, Kyoko's ready to exact her revenge. But first she needs to land an audition, and she sets her sights on the agency where Sho's lead rival works. Her persistence pays off, but her broken heart turns out to be a disadvantage. Kyoko has lost the will to love anybody, let alone fans she's never met. Can the agency see past this problem to Kyoko's true star potential? -- VIZ Media
Beethoven wrote 32 sonatas for piano. The final installment, Volume 4, edited by Stewart Gordon, contains Sonatas 25-32, written between 1809 and 1822 and published shortly thereafter. Of the eight sonatas in this volume, autographs exist in whole or in part for all but Op. 106, missing since World War II. This edition is based on the existing autographs and the first editions. Dr. Gordon discusses a variety of topics including Beethoven's life; the pianos of his time and their limitations; Beethoven's use of articulation, ornamentation, tempi; and the age-old challenge of attempting to determine the definitive interpretation of Beethoven's music. Valuable performance recommendations, helpful fingering suggestions and ornament realizations are offered in this comprehensive critical body of Beethoven's sonatas. Where performance options are open to interpretation, other editors' conclusions are noted, enabling students and teachers to make informed performance decisions. Titles: * Op. 79 ("Sonatine") * Op. 81a * Op. 90 * Op. 101 * Op. 106 ("Hammer-Klavier") * Op. 109 * Op. 110 * Op. 111
When Kyoko’s heart is broken, she decides that revenge is a dish best served in the spotlight! Kyoko Mogami followed her true love Sho to Tokyo to support him while he made it big as an idol. But he’s casting her out now that he’s famous enough! Kyoko won’t suffer in silence—she’s going to get her sweet revenge by beating Sho in show biz! Kyoko desperately wants to be cast in a new samurai drama so she can work opposite her best friend in the entire world, Kanae "Moko" Kotonami. But the producer in charge of the acting test kicks Kyoko out without even letting her perform! Kyoko’s temporary manager, Yoshiro, isn’t worried, though. He knows a little adversity isn’t enough to stand in the way of Kyoko’s dreams. Still, her competition isn’t known for playing fair, and Kyoko’s professionalism is getting blasted away by waves of doubt and grudge demons. Her only chance to stay in the running is to channel her dark emotions into her acting, but how can she hope to control feelings about her special weakness, Ren Tsuruga?!
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
The piano works of Dmitri Shostakovich (1906–1975) are among the most treasured musical compositions of the 20th century. In this volume, pianist and Russian music scholar Sofia Moshevich provides detailed interpretive analyses of the ten major piano solo works by Shostakovich, carefully noting important stylistic details and specific ways to overcome the numerous musical and technical challenges presented by the music. Each piece is introduced with a brief historic and structural description, followed by an examination of such interpretive aspects as tempo, phrasing, dynamics, voice balance, pedaling, and fingering. This book will be an invaluable resource for students, pedagogues, and performers of Shostakovich's piano solos.
