Shakespeare, Malone and the Problems of Chronology

Shakespeare, Malone and the Problems of Chronology

Author: Tiffany Stern

Publisher: Cambridge University Press

Published: 2023-04-30

Total Pages: 154

ISBN-13: 1009224689

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In 1778 Edmond Malone published his first contribution to Shakespeare scholarship, An Attempt to Ascertain the Order in which the Plays Attributed to Shakspeare were Written. He revised and republished it in 1790 and began a further revision of it which was printed posthumously in 1821. This Element will be on the three versions of Malone's Attempt and the way they created, shaped, focused, directed, and misdirected, our idea of the chronology and sequence of Shakespeare's plays. By showing Malone's impressive, fallible choices, adopted or adapted by later editors, it reveals how current Shakespeare editions are, in good and bad ways, Malonian at heart.


Four Shakespearean Period Pieces

Four Shakespearean Period Pieces

Author: Margreta de Grazia

Publisher: University of Chicago Press

Published: 2021-05-14

Total Pages: 259

ISBN-13: 022678522X

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"Margreta de Grazia continues to change the course of Shakespeare studies in this book, where she focuses on four key terms: anachronism, chronology, periods, and the grand secular narrative. These 'unassailable' terms, once considered the bedrock of what we 'know' and how we study Shakespeare, are now under debate in our particular moment in the study of the past"--


Shakespeare in Print

Shakespeare in Print

Author: Andrew Murphy

Publisher: Cambridge University Press

Published: 2003-11-13

Total Pages: 519

ISBN-13: 1139439464

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Shakespeare in Print is a comprehensive 2003 account of Shakespeare publishing and an indispensable research resource. Andrew Murphy sets out the history of the Shakespeare text from the Renaissance through to the twenty-first century, from the twin perspectives of editing and publishing history. Murphy tackles issues of editorial and textual theory in an accessible and engaging manner. He draws on a wide range of archival materials and attends to topics little explored by previous scholars, such as the importance of Scottish and Irish editions in the eighteenth century, the rise of the educational edition and the history and significance of mass-market editions. The extensive appendix is an invaluable reference tool which provides full publishing details of all single-text Shakespeare editions up to 1709 and all collected editions up to 1821. The listing also provides details of a selected range of major editions beyond these dates to the present day.


Shakespeare and Lost Plays

Shakespeare and Lost Plays

Author: David McInnis

Publisher: Cambridge University Press

Published: 2021-03-25

Total Pages: 239

ISBN-13: 1108843263

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Explores Shakespeare's plays in their most immediate context: the hundreds of plays known to original audiences, but lost to us.


On the Date, Sources and Design of Shakespeare's The Tempest

On the Date, Sources and Design of Shakespeare's The Tempest

Author: Roger A. Stritmatter

Publisher: McFarland

Published: 2013-08-24

Total Pages: 273

ISBN-13: 1476603707

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This book challenges a longstanding and deeply ingrained belief in Shakespearean studies that The Tempest--long supposed to be Shakespeare's last play--was not written until 1611. In the course of investigating this proposition, which has not received the critical inquiry it deserves, a number of subsidiary and closely related interpretative puzzles come sharply into focus. These include the play's sources of New World imagery; its festival symbolism and structure; its relationship to William Strachey's True Reportory account of the 1609 Bermuda wreck of the Sea Venture (not published until 1625)--and the tangled history of how and why scholars have for so long misunderstood these matters. Publication of some preliminary elements of the authors' arguments in leading Shakespearean journals (starting in 2007) ignited a controversy that became part of the critical history. This book presents the case in full for the first time.


Shakespeare's Lives

Shakespeare's Lives

Author: Samuel Schoenbaum

Publisher: Oxford University Press

Published: 1991

Total Pages: 658

ISBN-13: 0198186185

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This volume presents a study of the changing images and differing ways that the life of English poet and playwright William Shakespeare (1564-1616) has been interpreted throughout history. The author takes readers on a tour of the countless myths and legends which have arisen to explain the great dramatist's life and work, bringing the story right up to 1989. He reconstructs as much of the elusive author's life as possible, considering his family history, his economic standing, and his reputation with his peers; the Shakespeare who emerges may not always be the familiar one.


Shakespeare Without a Life

Shakespeare Without a Life

Author: Margreta de Grazia

Publisher: Oxford University Press

Published: 2023-03-28

Total Pages: 193

ISBN-13: 0192540653

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A fascinating account of how Shakespeare's works were understood and valued by readers and writers from the seventeenth to the nineteenth century, before Shakespeare's biography came to dominate readings of his plays and poetry. For almost two centuries after his death, Shakespeare had no biography. The makings of one were not available. No chronology had been devised by which to coordinate the events in his life with the writing of his works. Nor was there an archive of primary materials on which to base a life. And the only work by Shakespeare written in the first person, the Sonnets, had yet to be critically edited and incorporated into the canon. Without a biography, how could Shakespeare have been valued and understood? In Shakespeare without a Life, Margreta de Grazia looks at aspects of Shakespeare's reception between 1600 and 1800 that have been all but lost to the now still prevailing biographical impulse. It recovers the anecdote as a form of literary criticism, retrieves the ancient category of genre as the canon's organizing rubric, demonstrates how the quest for authentic documents invalidated other forms of literary record, and reveals how the desire to forge connections between Shakespeare's life and the Sonnets occluded his self-presentation as the 'deceasèd I' of a posthumous poet.


Shakespeare and the Idea of Apocrypha

Shakespeare and the Idea of Apocrypha

Author: Peter Kirwan

Publisher: Cambridge University Press

Published: 2015-04-16

Total Pages: 271

ISBN-13: 1316300536

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In addition to the thirty-six plays of the First Folio, some eighty plays have been attributed in whole or part to William Shakespeare, yet most are rarely read, performed or discussed. This book, the first to confront the implications of the 'Shakespeare Apocrypha', asks how and why these plays have historically been excluded from the canon. Innovatively combining approaches from book history, theatre history, attribution studies and canon theory, Peter Kirwan unveils the historical assumptions and principles that shaped the construction of the Shakespeare canon. Case studies treat plays such as Sir Thomas More, Edward III, Arden of Faversham, Mucedorus, Double Falsehood and A Yorkshire Tragedy, showing how the plays' contested 'Shakespearean' status has shaped their fortunes. Kirwan's book rethinks the impact of authorial canons on the treatment of anonymous and disputed plays.


The Book in History, the Book as History

The Book in History, the Book as History

Author: Heidi Brayman

Publisher: Yale University Press

Published: 2016-01-01

Total Pages: 421

ISBN-13: 0300223161

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The essays in this collection reach beyond book history to address fundamental questions about historicism with a broad range of issues such as gender and sexuality, religion, political theory, economic history, adaptation and appropriation, and quantitative analysis and digital humanities.


Writing the History of the British Stage

Writing the History of the British Stage

Author: Richard Schoch

Publisher: Cambridge University Press

Published: 2016-09-12

Total Pages: 407

ISBN-13: 1316739031

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This is the first book on British theatre historiography. It traces the practice of theatre history from its origins in the Restoration to its emergence as an academic discipline in the early twentieth century. In this compelling revisionist study, Richard Schoch reclaims the deep history of British theatre history, valorizing the usually overlooked scholarship undertaken by antiquarians, booksellers, bibliographers, journalists and theatrical insiders, none of whom considered themselves to be professional historians. Drawing together deep archival research, close readings of historical texts from the seventeenth, eighteenth and nineteenth centuries, and an awareness of contemporary debates about disciplinary practice, Schoch overturns received interpretations of British theatre historiography and shows that the practice - and the diverse practitioners - of theatre history were far more complicated and far more sophisticated than we had realised. His book is a landmark contribution to how theatre historians today can understand their own history.