“This book will reward scholars across a number of disciplines: literary studies, trauma studies, psychoanalysis and psychology, and philosophy.” —Choice This book argues that Freud’s mapping of trauma as a scene is central to both his clinical interpretation of his patients’ symptoms and his construction of successive theoretical models and concepts to explain the power of such scenes in his patients’ lives. This attention to the scenic form of trauma and its power in determining symptoms leads to Freud’s break from the neurological model of trauma he inherited from Charcot. It also helps to explain the affinity that Freud, and many since him, have felt between psychoanalysis and literature—and artistic production more generally—and the privileged role of literature at certain turning points in the development of his thought. It is Freud’s scenography of trauma and fantasy that speaks to the student of literature and painting.
Paul Reynolds, a photographer who creates fake photos for tabloid magazines, wakes up with no idea where he is or how he got there. He can t even recall his name. A strange man lurks nearby, breathing heavily and slowly flipping through a book. Paul hears the man s breath, but he cannot see him. He realizes with mounting panic that his eyes no longer function. He remembers racing down a desolate West Texas highway. He remembers a cop who pulled him over for speeding. He remembers a shotgun-brandishing cook chasing him out of a diner. And he remembers a life abandoned, but he cannot put together the jigsaw puzzle that brought him where he is: blind, wanted by the law, and in the company of this invisible stranger. In the backcountry town of Armbister, Texas, where temperatures hover around a hellish 110 degrees, Paul s memory, intangible as a heat mirage, lies just beyond his reach, and God may be a coyote.
In 1897 four London society ladies with varying mental illnesses are cured by strange, individual methods at a secluded institute, finding both love and fulfilment along the way.
All Chloe Baxter wants for her birthday is one kiss from hottie Riley Connelly. She gets that and more. That one kiss leads to the most amazing one-night stand of her life. Sex with Riley is beyond spectacular. But when morning comes, she's resigned to returning to real life. Except that for Chloe, real life has gotten complicated. Her big job promotion has landed her in the middle of Riley's undercover investigation. Worse, he wants her to spy on her employers. Can she betray the people she cares about for a man she can't keep her hands off? And if survival means choosing between her head and her heart, Chloe's not sure which one will hurt worse if she loses it….
Augustine's Confessions is a text that seduces. But how often do its readers respond in kind? Here three scholars who share a longstanding fascination with sexuality and Christian discourse attempt to do just that. Where prior interpreters have been inclined either to defend or to criticize Augustine's views, Virginia Burrus, Mark Jordan, and Karmen MacKendrick set out both to seduce and to be seduced by his text. Often ambivalent but always passionately engaged, their readings of the Confessions center on four sets of intertwined themes--secrecy and confession, asceticism and eroticism, constraint and freedom, and time and eternity. Rather than expose Augustine's sexual history, they explore how the Confessions conjoins the erotic with the hidden, the imaginary, and the fictional. Rather than bemoan the repressiveness of his text, they uncover the complex relationship between seductive flesh and persuasive words that pervades all of its books. Rather than struggle to escape the control of the author, they embrace the painful pleasure of willed submission that lies at the erotic heart not only of the Confessions but also of Augustine's broader understanding of sin and salvation. Rather than mourn the fateful otherworldliness of his theological vision, they plumb the bottomless depths of beauty that Augustine discovers within creation, thereby extending desire precisely by refusing satisfaction. In unfolding their readings, the authors draw upon other works in Augustine's corpus while building on prior Augustinian scholarship in their own overlapping fields of history, theology, and philosophy. They also press well beyond the conventional boundaries of scholarly disciplines, conversing with such wide-ranging theorists of eroticism as Barthes, Baudrillard, Klossowski, Foucault, and Harpham. In the end, they offer not only a fresh interpretation of Augustine's famous work but also a multivocal literary-philosophical meditation on the seductive elusiveness of desire, bodies, language, and God.
In this pioneering study, Robin Lydenberg focuses upon the stylistic accomplishments of this controversial and experimental writer. In doing so, she skillfully demonstrates that the ideas we now recognize as characteristic of post-structuralism and deconstruction were being developed independently by Burroughs long ago.
An irresistible but forbidden temptation… Betrayed by his fiancée, self-made billionaire Chance Castillo plans to sue his ex for her share of their million-dollar wedding. His unexpected attraction to his beautiful, brilliant new attorney sure takes his mind off his troubles. But Ngozi Johns has an ironclad rule: she never dates a client. Ngozi got where she is by following her own guidelines. Until one hot, steamy night with the gorgeous Dominican changes everything.
When it comes to competitive cooking, Max Lunden is no stranger to winning...though he's never been great at working with a team. A master chef-and major hunk-he's traveled the world, picking up new cooking techniques as well as beautiful women. But when the prodigal chef returns home to his family's Greenwich Village restaurant, he discovers one too many cooks in the kitchen-and she's every bit as passionate as he is... Juliet Cavanaugh used to have a crush on Max when she was just a teenager, hanging out at Lunden & Sons Tavern, hoping to catch a glimpse of the owner's oldest, and hottest, son. Now a chef herself-competing in the biggest culinary contest in the country-Juliet will be cooking side by side with the one man she's always admired...and desired. But despite their simmering attraction, Juliet is determined to keep her cool-no matter how hot it gets...
What happens when you’ve built a great website or app, but no one seems to care? How do you get people to stick around long enough to see how your service might be of value? In Seductive Interaction Design, speaker and author Stephen P. Anderson takes a fresh approach to designing sites and interactions based on the stages of seduction. This beautifully designed book examines what motivates people to act. Topics include: AESTHETICS, BEAUTY, AND BEHAVIOR: Why do striking visuals grab our attention? And how do emotions affect judgment and behavior? PLAYFUL SEDUCTION: How do you create playful engagements during the moment? Why are serendipity, arousal, rewards, and other delights critical to a good experience? THE SUBTLE ART OF SEDUCTION: How do you put people at ease through clear and suggestive language? What are some subtle ways to influence behavior and get people to move from intent to action? THE GAME OF SEDUCTION: How do you continue motivating people long after the first encounter? Are there lessons to be gained from learning theories or game design? Principles from psychology are found throughout the book, along with dozens of examples showing how these techniques have been applied with great success. In addition, each section includes interviews with influential web and interaction designers.
