Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.
Drawing on the outstanding collection of the National Portrait Gallery, this volume celebrates the variety and complexity of portraiture The National Portrait Gallery holds the world's most extensive collection of portraits: a museum of people, a gallery of stories and ideas, and a home of artistic masterpieces. Icons and Identitiesdraws together icons from Shakespeare to Audrey Hepburn alongside less well-known sitters that provide insight into the representation of identity in portraits. It also includes some intriguing surprises to reflect the diversity of the National Portrait Gallery's collection and to introduce audiences around the world to exceptional portraits of many kinds. Icons and Identitiesshows how artists, working across mediums, have revealed the visually stimulating and intellectually vibrant tradition of portrait making. The book is structured around a series of key themes and each section includes a selection of works from a range of periods. Artists include: Peter Paul Rubens, Anthony van Dyck, Joshua Reynolds, Thomas Gainsborough, Andy Warhol, Marlene Dumas and Shirin Neshat.
"Marking the centenary of the ratification of the Nineteenth Amendment in 1920, Votes for Women celebrates past efforts while looking toward what actions we might take in the future to further support women's equality"--Introduction.
This richly illustrated book features an introduction by the National Portrait Gallery's chief curator and nearly 150 insightful entries on key self-portraits in the museum's collection. "Eye to I" provides readers with an overview of self-portraiture while revealing the intersections that exist between art, life, and self-representation. Drawing primarily from the museum's collection, "Eye to I" explores how American artists have portrayed themselves since 1900. The book shows that while each individual's approach to self-portraiture arises under unique circumstances, all of their representations raise important questions about self-perception and self-reflection. Sometimes artists choose to reveal intimate details of their inner lives. Other times they use the genre to obfuscate their true selves or invent alter egos. Today, with the proliferation of selfies and the contemporary focus on identity, it is time to reassess the significance of the self-portrait. Exhibition: National Portrait Gallery, Washington D.C., USA (02.11.2018-18.28.2019).
Exploring what motivates artists to paint or photograph themselves, the author selects over 100 self-portraits from the National Portrait Gallery to examine the style, techniques and personalities of the sitters, including William Hogarth, Thomas Gainsborough, Angelica Kauffmann, and more.
The Collection of the National Portrait Gallery, London, embraces over 500 years of British history, more than 60,000 sitters and explores ideas of social change, power and influence. Arguably as powerful and influential as any individual are the heads of state and empire, whose portraits are among the most popular in the Gallery_s Collection. For the exhibition that accompanies this book, the portraits of kings, queens, statesmen and stateswomen featured will go on tour for the first time, providing international audiences with the opportunity to encounter these famous historical and contemporary personalities face to face. The publication traces major events in British history and examines the ways in which royal portraiture has reflected individual sitters_ personalities and wider social, cultural and historical change. Works are arranged chronologically in sections, each of which is prefaced by an introductory text and timeline providing context to the period in question. Particularly significant portraits from each period are ac companied by extended captions that provide key information on the sitter and the artist. Tudors to Windsors also considers how each dynasty has been perceived and interpreted subsequently, with reference to popular culture and contemporary sources. A number of features on topics such as Royal Favourites, Royal Weddings, Satire, Royals at War, and Royal Fashion and Jewellery provide insights into particular aspects of royal portraiture and trends within the genre. The publication includes a foreword by the Gallery_s Director, a fully illustrated introductory essay discussing royal patronage and key artists in royal portraiture, and an essay by David Cannadine on the historical role of the monarchy in Britain.
This catalogue includes such famous figures as David Garrick and Dr Samuel Johnson, Sarah Siddons and Emma Hamilton, and the work of such artists as Gainsborough, Reynolds and Romney. It has been compiled by one of the leading authorities on 18th-century English portraiture, John Ingamells.
