The Crucible by Robert Ward
Author: Charles Richard Meek
Publisher:
Published: 1970
Total Pages: 408
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Charles Richard Meek
Publisher:
Published: 1970
Total Pages: 408
ISBN-13:
DOWNLOAD EBOOKAuthor: Robert Paul Kolt
Publisher: Scarecrow Press
Published: 2008-12-12
Total Pages: 266
ISBN-13: 1461707137
DOWNLOAD EBOOKIn Robert Ward's The Crucible: Creating an American Musical Nationalism, Robert Paul Kolt explores the life of the American composer Robert Ward through an examination of his most popular and enduring work, The Crucible. Focusing on the musical-linguistic relationships within the opera, Kolt demonstrates Ward's unique synthesis of text and music, one that lends itself to the perception of American musical nationalism. This book contains the most thorough and in-depth biography of Ward yet in print. Based on interviews with the composer, Kolt presents new information about Ward's life and career, focusing on his opera and examining the formation and construction of The Crucible's libretto and score, in turn offering new insights into the process of composing an opera. Kolt observes how the libretto's linguistic aspects helped Ward formulate the opera's melodic and rhythmic musical material. A detailed and unique analysis of the opera, particularly the musical and linguistic techniques Ward employed, demonstrates how these techniques lend themselves to the opera's reception as a work of American musical nationalism. The book also provides yet unpublished information on Arthur Miller's play, examining how it came to be written and soon after became the basis for Ward's work. Several appendixes provide a fuller picture, including a deleted scene from Miller's play and Ward's version of the scene, a chronological overview of the Salem Witchcraft Trials, and illustrations and photo reproductions from Ward's manuscript.
Author: Charles Patrick Woliver
Publisher:
Published: 1986
Total Pages: 210
ISBN-13:
DOWNLOAD EBOOKAuthor: Ryan F Burns
Publisher:
Published: 2016
Total Pages:
ISBN-13:
DOWNLOAD EBOOKABSTRACT Robert Ward’s The Crucible: Politics and Personal Relationships in an Operatic Adaptation Ryan Francis Burns, DMA University of Connecticut, 2017 American composer, Robert Eugene Ward (1917-2013), made a significant contribution to the world of musical composition. His most enduring legacy is likely to remain his award-winning operatic adaptation of Arthur Miller’s The Crucible, which premiered in 1961 by the New York City Opera. In politics, the personal can often be secondary, but for Ward’s opera, with political content at its very core, it is essential. By analyzing John Proctor’s relationship with his wife, Elizabeth, and his former mistress, Abigail Williams, one is able to better understand how the witchcraft hysteria took hold of a small New England town in 1692. This dissertation will begin by offering a brief survey of the life and works of Robert Ward, as well as a summary of the historical events that made Salem notorious in 1692, and of Arthur Miller’s play. The discussion will then proceed to a consideration of the issues surrounding opera on political themes, analyzing The Crucible alongside such well-known operas as Mozart’s Le nozze di Figaro, Beethoven’s Fidelio, Meyerbeer’s Les Huguenots, and Adams’ Nixon in China. This historical background and critical framework will provide the foundation for a detailed analysis of the important relationships in Ward’s opera, and how these are to be evaluated in relation to its broader political themes. Finally, a discussion as to how such an approach might be applied to other operas with political subject matter will be offered.
Author: Robert Paul Kolt
Publisher:
Published: 2005
Total Pages: 500
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Petroski
Publisher:
Published: 2012
Total Pages:
ISBN-13:
DOWNLOAD EBOOK[The thesis for the Master of Music degree in Opera consists of a major role in one full opera production in the first or second year. My major role in one full opera production was "John Proctor" performed in "The Crucible" on November 5th and 7th, 2011.].
Author: Kenneth Kreitner
Publisher: Greenwood
Published: 1988-11-18
Total Pages: 200
ISBN-13:
DOWNLOAD EBOOKA prolific American master whose work is rooted in the tonal tradition of nineteenth-century Romanticism, Robert Ward has had a long, varied, and successful musical career. Ward is noted for his keyboard and chamber music, songs and choral works, orchestral compositions, and operas, especially his musical rendering of The Crucible, which has become an established feature of the contemporary operatic repertoire. In this latest volume in the Bio-Bibliographies in Music series, Kenneth Kreitner presents a comprehensive bibliographic guide that includes the composer's complete works, recordings of his music, and relevant critical literature. In the introductory biographical section, Kreitner discusses Ward's life and career and examines the influence that have shaped his musical style. The complete list of works is arranged chronologically and supplies basic bibliographic data such as information on premieres and other selected performances. A discography offers data on commercially-produced recordings and an annotated bibliography lists writings by and about Ward and his music. The different sections are fully cross-referenced, and several indexes are provided. An important tool for scholars engaged in research on contemporary classical music, this volume will also be of interest to reference librarians and performing organizations.
Author: Klaus Heizmann
Publisher: Schott Music
Published: 2019-02-08
Total Pages: 68
ISBN-13: 3795716241
DOWNLOAD EBOOKWhat choral conductor or soloist has not looked around for new ideas for warming up the voice? Here are 200 suggestions all at once! And these creative exercises do more than just warm up the voice: they help to relax the body, train the ear and develop an awareness of dynamics and rhythm. "Klaus Heizmann's collection is a wonderful new resource of ideas and techniques: practical, varied, challenging, relaxing and stimulating. I am always looking for new ideas, as I like to use a different set of warm-ups at every rehearsal with my choirs, and I tend to choose specific exercises to suit the repertoire for the day. This collection gives us 200 excellent "tools-of-the-trade"; they are clearly labeled, intelligently set out, well-designed and extremely useful." (Simon Carrington, Director of Choral Activities, New England Conservatory since 2001; Director of Choral Activities, The University of Kansas 1994-2001; Founder and co-director of the King's Singers 1968-1993)
Author: Ember Estelle Lanuti
Publisher:
Published: 2012
Total Pages:
ISBN-13:
DOWNLOAD EBOOK[The thesis for the Master of Music degree in Opera consists of a major role in one full opera production in the first or second year. My major role in one full opera production was "Abigail Williams" performed in "The Crucible" on November 10th and 12th, 2011.].
Author: James J. Martine
Publisher: Macmillan Reference USA
Published: 1993
Total Pages: 152
ISBN-13:
DOWNLOAD EBOOK"The 1953 premiere of The Crucible confirmed Arthur Miller's reputation as one of America's most important and serious playwrights as it underscored the earlier success of Miller's Pulitzer Prize winning drama, Death of a Salesman. While dealing with the 1692 witch trials in Salem, Massachusetts, The Crucible reveals Miller's concern with issues of individual conscience and guilt by association - issues that were manifest in the social and political problems of his own time. The drama is both a historical play of 17th-century colonial America and a parable about the communist witch-hunts in the United States of the 1950s. Miller uses the moral absolutism of Puritan Salem to parallel the infamous congressional hearings led by Senator Joseph McCarthy. The events which frame Miller's tragic drama are separated by some two hundred and sixty years, but are joined by circumstances where elements of disparate societies seek only evidence of guilt and ignore or suppress all evidence to suggest otherwise. With universal themes that transcend time and place, including national borders, The Crucible remains one of the most often produced American plays worldwide." "In The Crucible: Politics, Property, and Pretense, James J. Martine extends his analysis beyond the standard critical appraisals that compare the drama's setting only to the time in which it was written - the McCarthy era. Martine examines in detail Miller's historical sources and the ways in which he adapted this material to his contemporary audience. Martine suggests the play should be "read" within a variety of contexts, that is, as a product of and reaction to the McCarthy era, as a milestone in the development of Miller's work, as an exemplar of the genre of tragedy, as part of the tradition of American theatre, and as a basis for later adaptations. in his discussion, Martine considers both the written text and the play as public performance. He examines the play's settings, props, and exits and entrances, and draws attention to the various ways in which Miller built these directions about the play's performance into the written text. Martine argues convincingly that The Crucible should not be approached as a monochromatic written text as it often has been, but as a multifaceted performance text. His study includes photographs of a contemporary staged production, in addition to commentary on Robert Ward's Pulitzer prize-winning opera based on Miller's drama. Martine's multi-leveled exploration enables the reader to understand and thus appreciate The Crucible and Arthur Miller more fully."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved