DigiCat Publishing presents to you this special edition of "Requiem for a Nun" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
A work of great rage, sorrow, and love, Michael Salcman’s majestic A Prague Spring tells an almost unbearable story that needs to be told over and over and never forgotten. Beginning with coldly matter-of-fact poems of family members lost to and escaping the Shoah, Salcman documents how his parents survived and met, and how he got along in Brooklyn, the glorious borough of his childhood, baseball’s Dodgers, and the Brooklyn Bridge. Finally, he doubles back to visit the country of his birth. And in a series of stunning poems, a prose piece, and a final poem to his cousin Magda, Salcman ties together past and present, and gives us one more glimpse into the soul of a survivor, two really, his older cousin, and himself. —Robert Cooperman, author of In the Colorado Gold Fever Mountains, winner of the Colorado Book Award for Poetry A Prague Spring is a beautiful blend of the lyric imagination with historical and autobiographical facts. In this book, ignorance, cruelty, and murder lose. Art, and the truth, wins. —Thomas Lux, Bourne Chair in Poetry at the Georgia Institute of Technology, winner of the Kingsley Tufts Award and author of God Particles A Prague Spring is a near-epic book of history poems, interweaving the story of Prague with the Holocaust, family deaths and survivals, a book that stuns the reader with the enormities and sorrows of Time. Salcman uses the compression of narrative, meditative and lyric poetry to “bring you looted treasures: History’s twisted snakes.” Here we find a Holocaust survivor who is “a stick leaning on a stick, / an insect on a branch” as well as the backwards-running Jewish clock of Prague (“What city tells time like Prague?”) counterpoised with Salcman’s Brooklyn: “sweet / borough of my youth, heart and lung / of life.” Kafka and Salcman's ancestors haunt the Czech capital where “a pile of dust once pushed a cart of salt and spices / on a medieval street.” The poems revisit totalitarian defenestrations, slaughters and repressions as they recount, wonder and pray, all the time knowing “the brain is a savage beast, it eats when and what / no other organ eats….” At once autobiography, history, testimonial and memorial, A Prague Spring is a revolutionary collection of important and necessary poems, confidently written and—especially with Salcman’s tonal skills—always absorbing; it is further deepened by how perfectly Lynn Silverman’s dark photographs of Prague capture that ancient city’s shadows and ghosts. —Dick Allen, Connecticut State Poet Laureate (2010-2015) and author of This Shadowy Place, Present Vanishing, and Ode to the Cold War: Poems New and Selected
In 1823, President James Monroe announced that the Western Hemisphere was closed to any future European colonization and that the United States would protect the Americas as a space destined for democracy. Over the next century, these ideas—which came to be known as the Monroe Doctrine—provided the framework through which Americans understood and articulated their military and diplomatic role in the world. Hemispheric Imaginings demonstrates that North Americans conceived and developed the Monroe Doctrine in relation to transatlantic literary narratives. Gretchen Murphy argues that fiction and journalism were crucial to popularizing and making sense of the Doctrine’s contradictions, including the fact that it both drove and concealed U.S. imperialism. Presenting fiction and popular journalism as key arenas in which such inconsistencies were challenged or obscured, Murphy highlights the major role writers played in shaping conceptions of the U.S. empire. Murphy juxtaposes close readings of novels with analyses of nonfiction texts. From uncovering the literary inspirations for the Monroe Doctrine itself to tracing visions of hemispheric unity and transatlantic separation in novels by Lydia Maria Child, Nathaniel Hawthorne, María Amparo Ruiz de Burton, Lew Wallace, and Richard Harding Davis, she reveals the Doctrine’s forgotten cultural history. In making a vital contribution to the effort to move American Studies beyond its limited focus on the United States, Murphy questions recent proposals to reframe the discipline in hemispheric terms. She warns that to do so risks replicating the Monroe Doctrine’s proprietary claim to isolate the Americas from the rest of the world.
Edited by the author's grandson, the novelist Matthew Yorke, and with an Introduction by John Updike, this book is an excellent selection of Henry Green's uncollected writings. It includes a number of outstanding stories never previously published, written during the '20s and '30s ("Bees", "Saturday", "Excursion", and the remarkable "Mood" among them). It contains a highly entertaining account of Green's service in the London Fire Brigade during the War; a short play written in the 1950s; and a selection of his journalism, including revelatory articles about the craft of writing, a marvellous evocation of Venice, a description of falling in love, reviews which illuminate his literary enthusiasm and the entertaining interview with Terry Southern for the Paris Review. It is rounded off with a biographical memoir by Green's son, Sebastian Yorke. Fascinating and invaluable as an introduction to Green, Surviving casts new light on his work and illustrates the many facets of this exceptional writer, one of the two most important English novelists of his time.
A classic Faulkner novel which explores the lives of a family of characters in the South. An aging black who has long refused to adopt the black's traditionally servile attitude is wrongfully accused of murdering a white man.
Hailed by reviewers upon its publication more than thirty years ago, The Novels of William Faulkner remains the preeminent interpretation of Faulkner in the formalist critical tradition while it inspires Faulknerians of all methodologies. Part One contains detailed analyses of every novel from Soldiers’ Pay to The Reivers, with particular emphasis on elucidation of character, theme, and structural technique. Part Two discusses interrelated patterns and preoccupations in Faulkner’s writing generally. Insightful and well-reasoned, Olga W. Vickery’s work continues to be of enormous benefit to readers and scholars.
A Lost Lady is a novel by American author Willa Cather, first published in 1923. It centers on Marian Forrester, her husband Captain Daniel Forrester, and their lives in the small western town of Sweet Water, along the Transcontinental Railroad. However, it is mostly told from the perspective of a young man named Niel Herbert, as he observes the decline of both Marian and the West itself, as it shifts from a place of pioneering spirit to one of corporate exploitation. Exploring themes of social class, money, and the march of progress, A Lost Lady was praised for its vivid use of symbolism and setting, and is considered to be a major influence on the works of F. Scott Fitzgerald. It has been adapted to film twice, with a film adaptation being released in 1924, followed by a looser adaptation in 1934, starring Barbara Stanwyck. A Lost Lady begins in the small railroad town of Sweet Water, on the undeveloped Western plains. The most prominent family in the town is the Forresters, and Marian Forrester is known for her hospitality and kindness. The railroad executives frequently stop by her house and enjoy the food and comfort she offers while there on business. A young boy, Niel Herbert, frequently plays on the Forrester estate with his friend. One day, an older boy named Ivy Peters arrives, and shoots a woodpecker out of a tree. He then blinds the bird and laughs as it flies around helplessly. Niel pities the bird and tries to climb the tree to put it out of its misery, but while climbing he slips, and breaks his arm in the fall, as well as knocking himself unconscious. Ivy takes him to the Forrester house where Marian looks after him. When Niel wakes up, he's amazed by the nice house and how sweet Marian smells. He doesn't't see her much after that, but several years later he and his uncle, Judge Pommeroy, are invited to the Forrester house for dinner. There he meets Ellinger, who he will later learn is Mrs. Forrester's lover, and Constance, a young girl his age.
This is the second volume of Faulkner’s trilogy about the Snopes family, his symbol for the grasping, destructive element in the post-bellum South. Like its predecessor The Hamlet, and its successor The Mansion, The Town is completely self-contained, but it gains resonance from being read with the other two. The story of Flem Snopes’ ruthless struggle to take over the town of Jefferson, Mississippi, the book is rich in typically Faulknerian episodes of humor and of profundity.
