In 1944, having distinguished itself in the North Africa campaign, Rifleman Bowlby's battalion of Greenjackets was sent to Italy. But instead of being used in the specialised role for which it had been trained, most of the battalion's vehicles were taken away on arrival, and the riflemen were told that they were to be used as ordinary infantry. Stripped of its hard core of regulars, the battalion suffered one disastrous defeat after another until its hard-won reputation fell in tatters. 'Quite extraordinary realism in this worm's eye view ... The sweating, slogging, frightened infantryman in conditions of extreme stress and horror. It is a book to bring a shiver to the most grizzled veteran.' Sunday Times
'One of the great Second World War memoirs ... will be read as long as that war is remembered' John Keegan 'Extraordinary realism' SUNDAY TIMES 'A touch of the Somme and more than a hint of Wilfred Owen' TLS A classic of WWII, this is the vivid memoir of Private Bowlby, who came through the North Africa campaign only to have to battle in bitter fighting against a stubborn and skilled German defence in Italy. It is a truly authentic account of what it was like to fight your way through one of the most gruelling and dangerous campaigns of the Second World War, where so often the hunters became the hunted. A superb first-hand account of the the second world war.
This is Rifleman Bowlby's account of life in an infantry platoon in Italy in 1944. The battalion in which he served had been renowned throughout the 8th Army, but by the time it arrived in Italy it had been stripped of its core of regulars and its specialist role. Now used as heavy infantry, it lost its first battle, then its second, and the reputation that had taken three years to build fell apart in a few weeks. Only in its last battle, when it was smashed to pieces on the Gothic line, did the battalion regain its esteem.
In this brilliantly researched, deeply humane work of history, Michael Stephenson traces the paths that have led soldiers to their graves over the centuries, revealing a wealth of insight about the nature of combat, the differences among cultures, and the unchanging qualities of humanity itself. Behind every soldier’s death lies a story, a tale not just of the cold mathematics of the battlefield but of an individual human being who gave his life. What psychological and cultural pressures brought him to his fate? What lies—and truths—convinced him to march toward his death? Covering warfare from prehistory through the present day, The Last Full Measure tells these soldiers’ stories, ultimately capturing the experience of war as few books ever have. In these pages, we march into battle alongside the Greek phalanx and the medieval foot soldier. We hear gunpowder’s thunder in the slaughters of the Napoleonic era and the industrialized killing of the Civil War, and recoil at the modern, automated horrors of both World Wars. Finally, we witness the death of one tradition of “heroic” combat and the construction of another in the wars of the modern era, ranging from Vietnam to America’s latest involvements in Iraq and Afghanistan. In exploring these conflicts and others, Stephenson draws on numerous sources to delve deep into fascinating, period-specific detail—tracing, for instance, the true combat effectiveness of the musket, the utility of the cavalry charge, or the vulnerabilities of the World War II battle tank. Simultaneously, he examines larger themes and reveals surprising connections across both time and culture. What does the medieval knight have in common with the modern paratrooper? What did heroism and bravery mean to the Roman legionary, or to the World War I infantryman—and what is the true motivating power of such ideals? How do men use religion, friendship, or even nihilism to armor themselves against impending doom—and what do we as human beings make of the undeniable joy some among us take in the carnage? Combining commanding prose, impeccable research, and a true sensitivity to the combatant’s plight, The Last Full Measure is both a remarkably fresh journey through the annals of war and a powerful tribute to the proverbial unknown soldier.
This book offers a comparative analysis of British Army Unit War Diaries in the two World Wars, to reveal the role played by previously unnoticed technologies in shaping the archival records of war. Despite thriving scholarship on the history of war, the history of Operational Record Keeping in the British Army remains unexplored. Since World War I, the British Army has maintained daily records of its operations. These records, Unit War Diaries, are the first official draft of events on the battlefield. They are vital for the army’s operational effectiveness and fundamental to the histories of British conflict, yet the material history of their own production and development has been widely ignored. This book is the first to consider Unit War Diaries as mediated, material artefacts with their own history. Through a unique comparative analysis of the Unit War Diaries of the First and Second World Wars, this book uncovers the mediated processes involved in the practice of operational reporting and reveals how hidden technologies and ideologies have shaped the official record of warfare. Tracking the records into The National Archives in Kew, where they are now held, the book interrogates how they are re-presented and re-interpreted through the archive. It investigates how the individuals, institutions and technologies involved in the production and uses of unit diaries from battlefield to archive have influenced how modern war is understood and, more importantly, waged. This book will be of much interest to students of media and communication studies, military history, archive studies and British history.
Using original documents, the Allied Occupation of southern Italy, particularly Sicily and Naples, is illustrated by examining crime and unrest by Allied soldiers, deserters, rogue troops and Italian civilians from drunkenness, theft, rape, and murder to riots, demonstrations, black marketeering and prostitution.
On the eve of World War II, the British army was more an international police force than a combat ready fighting force. This book examines its transformation in a look at Great Britain's top commanders in the field.
Designed to fill an overlooked gap, this book, originally published in 1972, provides a single unified introduction to bibliographical sources of British military history. Moreover it includes guidance in a number of fields in which no similar source is available at all, giving information on how to obtain acess to special collections and private archives, and links military history, especially during peacetime, with the development of science and technology.
Winner of both the National Book Award and the National Book Critics Circle Award and named by the Modern Library one of the twentieth century's 100 Best Non-Fiction Books, Paul Fussell's The Great War and Modern Memory was universally acclaimed on publication in 1970. Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the modern era, and revolutionized how we see the world. This brilliant work illuminates the trauma and tragedy of modern warfare in fresh, revelatory ways. Exploring the work of Siegfried Sassoon, Robert Graves, Edmund Blunden, David Jones, Isaac Rosenberg, and Wilfred Owen, Fussell supplies contexts, both actual and literary, for those writers who--with conspicuous imaginative and artistic meaning--most effectively memorialized World War I as an historical experience. Dispensing with literary theory and elevated rhetoric, Fussell grounds literary texts in the mud and trenches of World War I and shows how these poems, diaries, novels, and letters reflected the massive changes--in every area, including language itself--brought about by the cataclysm of the Great War. For generations of readers, this work has represented and embodied a model of accessible scholarship, huge ambition, hard-minded research, and haunting detail. Restored and updated, this new edition includes an introduction by historian Jay Winter that takes into account the legacy and literary career of Paul Fussell, who died in May 2012.
