Quartet No. 2 in G Minor, Op. 45
Author: Gabriel Faure
Publisher: Warner Bros. Publications
Published: 1985-03-01
Total Pages: 132
ISBN-13: 9780769273198
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Author: Gabriel Faure
Publisher: Warner Bros. Publications
Published: 1985-03-01
Total Pages: 132
ISBN-13: 9780769273198
DOWNLOAD EBOOKFor piano quartet.
Author: Gabriel Fauré
Publisher:
Published: 1950
Total Pages: 138
ISBN-13:
DOWNLOAD EBOOKAuthor: Gabriel Fauré
Publisher:
Published: 1950
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Gabriel Faure
Publisher:
Published: 1950
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Gabriel Fauré
Publisher:
Published: 1950
Total Pages: 100
ISBN-13:
DOWNLOAD EBOOKAuthor: Alberto Bachmann
Publisher:
Published: 1925
Total Pages: 508
ISBN-13:
DOWNLOAD EBOOKAuthor: Gabriel Fauré
Publisher: Courier Corporation
Published: 1995-01-01
Total Pages: 259
ISBN-13: 0486286061
DOWNLOAD EBOOKAuthoritative editions of 3 great chamber works: Piano Quartet No. 1 in C Minor, Op. 15; Piano Quartet No. 2 in G Minor, Op. 45; and Piano Quintet No. 1 in D Minor, Op. 89.
Author: Nat Brandt
Publisher: iUniverse
Published: 2000-07-26
Total Pages: 310
ISBN-13: 0595010113
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Author: David Lee Brodbeck
Publisher: U of Nebraska Press
Published: 1998-12-01
Total Pages: 268
ISBN-13: 9780803212879
DOWNLOAD EBOOKThe eight essays in Brahms Studies 2 provide a rich sampling of contemporary Brahms research. In his examination of editions of Brahms?s music, George Bozarth questions the popular notion that most of the composer?s music already exists in reliable critical editions. Daniel Beller-McKenna reconsiders the younger Brahms?s involvement in musical politics at midcentury. The cantata Rinaldo is the centerpiece of Carol Hess?s consideration of Brahms?s music as autobiographical statement. Heather Platt?s exploration of the twentieth-century reception of Brahms?s Lieder reveals that advocates of Hugo Wolf?s aesthetics have shaped the discourse concerning the composer?s songs and calls for an approach more clearly based on Brahms?s aesthetics. In his examination of the rise of the ?great symphony? as a critical category that carried with it a nearly impossible standard to meet, Walter Frisch provides a rich context in which to understand Brahms?s well-known early struggle with the genre. Kenneth Hull suggests that Brahms used ironic allusions to Bach and Beethoven in the tragic Fourth Symphony in order to subvert the enduring assumption that a minor-key symphony will end triumphantly in the major mode. Peter H. Smith examines Brahms?s late style by concentrating on Neapolitan tonal relations in the Clarinet Sonata in F Minor. Finally, David Brodbeck delineates the complex evolution of Brahms?s reception of Mendels-sohn?s music.
Author: David Hurwitz
Publisher: Rowman & Littlefield
Published: 2020-01-07
Total Pages: 205
ISBN-13: 1538134934
DOWNLOAD EBOOKThe greatest musical prodigy since Mozart (some would say he was even greater), Felix Mendelssohn (1809–1847) excelled in everything he did, musical or otherwise, and during his brief life became Europe’s most respected and beloved composer. Yet no musician suffered more drastic swings in his posthumous reputation, and as a result Mendelssohn’s music was obscured by a host of extra-musical factors: changes in taste, the rise of nationalism, anti-Semitism, and contempt for Victorian culture. This “owner’s manual” offers a guide to Mendelssohn’s musical output, major and minor, providing points of entry into a large body of work, much of which remains far too little known. There’s much more to Mendelssohn than the “Italian” Symphony and the “Midsummer Night’s Dream” Overture, and a whole creative world of vivid, expressive, and fantastical music is ready for exploration.