Hotel Goodbye Cinder Beginning with a foreword that draws attention to the Finnish word sisu, this publication carries an important message about grief. It features two short stories that will be a part of a future collection called The Bendiness of Rivers. This work is precursory to that collection. Norma West, a grieving thirty-year-old woman, finds herself in 2020 in a Toronto hotel room during the coronavirus pandemic in a no-way-out type of situation. It has cost her more than losing her shoes. She feels duped by death. Through the stories, “Hotel Goodbye” and “Cinder,” Garie McIntosh takes us on a journey of grief, memories and restoration that leads us to finding out what grief has to do with love. Grief can be that emotion that helps you face reality and say goodbye, especially when it is necessary. That process can also ground you.
The fourth novel in Cherryh’s Foreigner space opera series, a groundbreaking tale of first contact and its consequences… Over three years have passed since the reappearance of the starship Phoenix, which two centuries before left an isolated colony of humans on the world of the volatile atevi. Since that time, humans have lived in exile on the island of Mospheira; but the unexpected return of the Phoenix has shattered the fragile political balance of these two nearly incompatible races. For the captains of the Phoenix offer the atevi something the Mospheiran humans never could—access to the stars. For three breakneck years the atevi labor to build a space shuttle which will bear their representatives to the Phoenix, to strengthen connections with their new human allies and retain their bid for control of their world. But as soon as the shuttle proves spaceworthy, the captains of the Phoenix suddenly recall their planetary delegates, breaking diplomatic contact and initiating a vicious bid for political dominance. But the powerful head of the atevi's Western Association is not to be outmaneuvered, and he sends his own diplomat, or paidhi, Bren Cameron, into space to negotiate. Thrust into a political maelstrom with almost no preparation, can Bren gain control of the station and political supremacy for the atevi without sparking a three-sided interspecies war? The long-running Foreigner series can also be enjoyed by more casual genre readers in sub-trilogy installments. Precursor is the 4th Foreigner novel. It is also the 1st book in the second subtrilogy.
The American short story has always been characterized by exciting aesthetic innovations and an immense range of topics. This handbook offers students and researchers a comprehensive introduction to the multifaceted genre with a special focus on recent developments due to the rise of new media. Part I provides systematic overviews of significant contexts ranging from historical-political backgrounds, short story theories developed by writers, print and digital culture, to current theoretical approaches and canon formation. Part II consists of 35 paired readings of representative short stories by eminent authors, charting major steps in the evolution of the American short story from its beginnings as an art form in the early nineteenth century up to the digital age. The handbook examines historically, methodologically, and theoretically the coming together of the enduring narrative practice of compression and concision in American literature. It offers fresh and original readings relevant to studying the American short story and shows how the genre performs American culture.
A shadow, in its most literal sense, is the projection of a silhouette against a surface and the obstruction of direct light from hitting that surface. For writers and artists, the shadows cast by their precursors can be either a welcome influence, one consciously evoked in textual production via homage or bricolage, or can manifest as an intrusive, haunting, prohibitive presence, one which threatens to engulf the successor. Many writers and artists are affected by an anxious and ambiguous relationship with their precursors, while others are energised by this relationship. The role that intertextuality plays in creative production invites interrogation, and this publication explores a range of conscious and unconscious influences informing relations between texts and contexts, between predecessors and successors. The chapters revolve around intertextual influence, ranging from conscious imitation and intentional allusion to Julia Kristeva’s idea of intertextuality. Do all texts contain references to and even quotations from other texts? Do such references help shape how we read? This multidisciplinary work includes chapters on the long shadows cast by Shakespeare, Dante, Scott, Virgil and Ovid, the shadows of colonial precursors on postcolonial successors, the shadows cast over Kipling and Murdoch, and chapters on other writers, dramatists and filmmakers and their relationships with precursor figures. With its focus on intertextual relationships, this book contributes to the thriving fields of adaptation studies and studies of intertextuality.
Deleuze’s and Guattari’s philosophy in the field of artistic research Gilles Deleuze’s intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze’s subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze’s concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama on the intersection between music, art, philosophy, and scholarship. The forty-eight chapters in this publication present a kaleidoscopic view of different fields of knowledge and artistic practices, exposing for the first time the diversity and richness of a world situated between artistic research and the philosophy of Gilles Deleuze and Félix Guattari. Within different understandings of artistic research, the authors—composers, architects, performers, philosophers, sculptors, film-makers, painters, writers, and activists—map practices and invent concepts, contributing to a creative expansion of horizons, materials, and methodologies. Contributors VOLUME 1: Paulo de Assis, Arno Böhler, Edward Campbell, Diego Castro-Magas, Pascale Criton, Zornitsa Dimitrova, Lois Fitch, Mike Fletcher, Paolo Galli, Lindsay Gianoukas, Keir GoGwilt, Oleg Lebedev, Jimmie LeBlanc, Nicolas Marty, Frédéric Mathevet, Vincent Meelberg, Catarina Pombo Nabais, Tero Nauha, Gabriel Paiuk, Martin Scherzinger, Einar Torfi Einarsson, Steve Tromans, Toshiya Ueno, Susanne Valerie, Audronė Žukauskaitė VOLUME 2: Éric Alliez, Manola Antonioli, Jūratė Baranova, Zsuzsa Baross, Anna Barseghian, Ian Buchanan, Elena del Río, Luis de Miranda, Lucia D’Errico, Lilija Duoblienė, Adreis Echzehn, Jae Emerling, Verina Gfader, Ronny Hardliz, Rahma Khazam, Stefan Kristensen, Erin Manning, John Miers, Elfie Miklautz, Marc Ngui, Andreia Oliveira, Federica Pallaver, Andrej Radman, Felix Rebolledo, Anne Sauvagnargues, Janae Sholtz, Mhairi Vari, Mick Wilson, Elisabet Yanagisawa
The intersection of science, myth, and popular culture is explored through the story of T. Rex, from the nineteenth-century discovery of his fossil remains to his glorification in popular culture.
One of the greatest of seers, an apex personality in the history of mankind who ascended to the crest of the universal forces to eliminate the poignancy of human ignorance on earth. He made a God’s Labour with great adventure to free man from the shackles of the iron rules of imposed destiny. He had to make a supreme sacrifice to change the destiny of mankind by rendering his own earthly body as a base for the descent of the highest Truth, Power, Light, Force and Consciousness onto the earth for a luminous future of mankind. He fulfilled his ultimate dream of liberating humanity from the vicious circle of ignorance and inconscience. The Saviour of mankind is none other than Sri Aurobindo, who has achieved all for humanity and charted the pathway for humanity to a delightful, glorious New World and New divine Race.... In the upheaval of humanity’s evolutionary journey, Sri Aurobindo has explored and prepared a path for mankind leading to a world of Beauty and Love. We must follow that path to find that divine life where there would be no disease, decay, death, or destruction. Life would no longer be a confusion and chaos, a struggle for basic survival; there would be no quarrels, fighting, competition; there would be no war, accidents, calamities; there would be no more selfishness, ego-eccentric attitudes, ingratitude, inhumanity, cruelty, poverty, suffering or pain; there would be no medical emergencies, heinous killing and murder, barbarism, vandalism....
