Poetry and Bondage

Poetry and Bondage

Author: Andrea Brady

Publisher: Cambridge University Press

Published: 2021-10-21

Total Pages: 437

ISBN-13: 1108997511

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Poetry and Bondage is a groundbreaking and comprehensive study of the history of poetic constraint. For millennia, poets have compared verse to bondage – chains, fetters, cells, or slavery. Tracing this metaphor from Ovid through the present, Andrea Brady reveals the contributions to poetics of people who are actually in bondage. How, the book asks, does our understanding of the lyric – and the political freedoms and forms of human being it is supposed to epitomise – change, if we listen to the voices of enslaved and imprisoned poets? Bringing canonical and contemporary poets into dialogue, from Thomas Wyatt to Rob Halpern, Emily Dickinson to M. NourbeSe Philip, and Phillis Wheatley to Lisa Robertson, the book also examines poetry that emerged from the plantation and the prison. This book is a major intervention in lyric studies and literary criticism, interrogating the whiteness of those disciplines and exploring the possibilities for committed poetry today.


Spirits in Bondage

Spirits in Bondage

Author: C. S. Lewis

Publisher: Cosimo, Inc.

Published: 2005-11-01

Total Pages: 89

ISBN-13: 1596053720

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@Published in 1919 when Lewis was only twenty, these early poems give an insight into the author's youthful agnosticism. The poems are written in various metrical forms, but are unified by a central idea, expressing his conviction that nature was malevolent and beauty the only true spirituality. Preface by Walter Hooper.@@


Voices Beyond Bondage

Voices Beyond Bondage

Author: Erika DeSimone

Publisher: NewSouth Books

Published: 2014-01-01

Total Pages: 352

ISBN-13: 1588382982

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Slaves in chains, toiling on master’s plantation. Beatings, bloodied whips. This is what many of us envision when we think of 19th century African Americans; source materials penned by those who suffered in bondage validate this picture. Yet slavery was not the only identity of 19th century African Americans. Whether they were freeborn, self-liberated, or born in the years after the Emancipation, African Americans had a rich cultural heritage all their own, a heritage largely subsumed in popular history and collective memory by the atrocity of slavery. The early 19th century birthed the nation’s first black-owned periodicals, the first media spaces to provide primary outlets for the empowerment of African American voices. For many, poetry became this empowerment. Almost every black-owned periodical featured an open call for poetry, and African Americans, both free and enslaved, responded by submitting droves of poems for publication. Yet until now, these poems -- and an entire literary movement -- have been lost to modern readers. The poems in Voices Beyond Bondage address the horrific and the mundane, the humorous and the ordinary and the extraordinary. Authors wrote about slavery, but also about love, morality, politics, perseverance, nature, and God. These poems evidence authors who were passionate, dedicated, vocal, and above all resolute in a bravery which was both weapon and shield against a world of prejudice and inequity. These authors wrote to be heard; more than 150 years later it is at last time for us to listen.


Genius in Bondage

Genius in Bondage

Author: Vincent Carretta

Publisher: University Press of Kentucky

Published: 2021-05-11

Total Pages: 419

ISBN-13: 0813183200

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Until fairly recently, critical studies and anthologies of African American literature generally began with the 1830s and 1840s. Yet there was an active and lively transatlantic black literary tradition as early as the 1760s. Genius in Bondage situates this literature in its own historical terms, rather than treating it as a sort of prologue to later African American writings. The contributors address the shifting meanings of race and gender during this period, explore how black identity was cultivated within a capitalist economy, discuss the impact of Christian religion and the Enlightenment on definitions of freedom and liberty, and identify ways in which black literature both engaged with and rebelled against Anglo-American culture.


Dymer

Dymer

Author: Clive Staples Lewis

Publisher:

Published: 1926

Total Pages: 130

ISBN-13:

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Spirits in Bondage: A Cycle of Lyrics

Spirits in Bondage: A Cycle of Lyrics

Author: C. S. Lewis

Publisher: DigiCat

Published: 2022-09-15

Total Pages: 85

ISBN-13:

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DigiCat Publishing presents to you this special edition of "Spirits in Bondage: A Cycle of Lyrics" by C. S. Lewis. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.


Lyrical Bondage

Lyrical Bondage

Author: Pauline Hightower

Publisher: Pauline Hightower

Published: 2017-03-30

Total Pages: 190

ISBN-13: 9780997383805

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"Lyrical Bondage is an erotic book of poetry steaming with sensuality, seduction, and temptation. The pages are saturated with lyrics that will evoke true emotions like love, hurt and desire. Lyrical Bondage is a stimulating and intense prose that will allow you to drift into a passionate escape. Dare to be enticed. The content of Lyrical Bondage is for mature audiences only"--Amazon.com.


Bdsm Poetry

Bdsm Poetry

Author: C. A. Bell

Publisher:

Published: 2015-11-12

Total Pages: 54

ISBN-13: 9781532769665

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BDSM is a collection of poetry containing f/f, anal play, femdom, bondage, shibari, and much more. It contains meaningful, intimate, and downright filthy poetry written in acrostic, ballad, cinquain, and free verse. Let BDSM take you on a journey into the taboo, and give the most erogenous part of your body - your brain - a treat.


Medical Bondage

Medical Bondage

Author: Deirdre Cooper Owens

Publisher: University of Georgia Press

Published: 2017-11-15

Total Pages: 182

ISBN-13: 0820351342

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The accomplishments of pioneering doctors such as John Peter Mettauer, James Marion Sims, and Nathan Bozeman are well documented. It is also no secret that these nineteenth-century gynecologists performed experimental caesarean sections, ovariotomies, and obstetric fistula repairs primarily on poor and powerless women. Medical Bondage breaks new ground by exploring how and why physicians denied these women their full humanity yet valued them as “medical superbodies” highly suited for medical experimentation. In Medical Bondage, Cooper Owens examines a wide range of scientific literature and less formal communications in which gynecologists created and disseminated medical fictions about their patients, such as their belief that black enslaved women could withstand pain better than white “ladies.” Even as they were advancing medicine, these doctors were legitimizing, for decades to come, groundless theories related to whiteness and blackness, men and women, and the inferiority of other races or nationalities. Medical Bondage moves between southern plantations and northern urban centers to reveal how nineteenth-century American ideas about race, health, and status influenced doctor-patient relationships in sites of healing like slave cabins, medical colleges, and hospitals. It also retells the story of black enslaved women and of Irish immigrant women from the perspective of these exploited groups and thus restores for us a picture of their lives.