Edward Dowden
Edward Dowden

Author: Edward Dowden

Publisher: Oxford University Press

Published: 2015

Total Pages: 235

ISBN-13: 0989082687

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This edition makes available the complete poetic works of a major Irish poet whose writings were influential at the turn of the twentieth century.

A Bookman's Catalogue Vol. 1 A-L
A Bookman's Catalogue Vol. 1 A-L

Author: T. Bose

Publisher: UBC Press

Published: 2011-11-01

Total Pages: 538

ISBN-13: 0774844833

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The Colbeck collection was formed over half a century ago by the Bournemouth bookseller Norman Colbeck. Focusing primarily on British essayists and poets of the nineteenth century from the Romantic Movement through the Edwardian era, the collection features nearly 500 authors and lists over 13,000 works. Entries are alphabetically arranged by author with copious notes on the condition and binding of each copy. Nine appendices provide listings of selected periodicals, series publications, anthologies, yearbooks, and topical works.

The Modern Poet
The Modern Poet

Author: Robert Crawford

Publisher: OUP Oxford

Published: 2001-08-09

Total Pages: 310

ISBN-13: 0191589322

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Addressed to all readers of poetry, this is a wide-ranging book about the poet's role throughout the last three centuries. It argues that a conception of the poets as both primitive and sophisticated emerged in the 1750s. Encouraged by the classroom when English literary works began to be studied in universities, this view continues to shape our own attitudes towards verse. Whether considering Ossian and the Romantics, Victorian scholar-gipsies, Modernist poetries of knowledge, or contemporary poetry in Britian, Ireland, and America, The Modern Poet shows how many successive generations of poets have needed to collaborate and to battle with academia.

An Imperishable Heritage: British Choral Music from Parry to Dyson
An Imperishable Heritage: British Choral Music from Parry to Dyson

Author: Stephen Town

Publisher: Routledge

Published: 2016-04-15

Total Pages: 354

ISBN-13: 1317181875

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The rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.

Shakespearean Tragedy
Shakespearean Tragedy

Author: A.C. Bradley

Publisher: Bloomsbury Publishing

Published: 2018-03-17

Total Pages: 496

ISBN-13: 113709253X

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A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures, Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakespearean thought and art. This centenary edition features a new Introduction by Robert Shaughnessy which places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself.

Yeats and Modern Poetry
Yeats and Modern Poetry

Author: Edna Longley

Publisher: Cambridge University Press

Published: 2013-11-11

Total Pages: 269

ISBN-13: 1107470021

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Scholars and critics commonly align W. B. Yeats with Ezra Pound, T. S. Eliot and the modernist movement at large. This incisive study from renowned poetry critic Edna Longley argues that Yeats' presence and influence in modern poetry have been sorely misunderstood. Longley disputes the value of modernist critical paradigms and suggests alternative perspectives for interpreting Yeats - perspectives based on his own criticism, and on how Ireland shaped both his criticism and his poetry. Close readings of particular poems focus on structure, demonstrating how radically Yeats' approach to poetic form differs from that of Pound and Eliot. Longley discusses other twentieth-century poets in relation to Yeats' insistence on tradition, and offers valuable insights into the work of Edward Thomas, Wallace Stevens, Wilfred Owen, Hugh MacDiarmid, W. H. Auden, Louis MacNeice, Geoffrey Hill, Philip Larkin and Ted Hughes. Her postscript addresses key issues in contemporary poetry by taking a fresh look at Yeats's enduring legacy.