Nonsense Songs

Nonsense Songs

Author: Liza Lehmann

Publisher: Nabu Press

Published: 2014-02

Total Pages: 84

ISBN-13: 9781295681327

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Nonsense Songs: (the Songs That Came Out Wrong) From Alice In Wonderland; A Song-cycle For Soprano, Contralto, Tenor And Bass Liza Lehmann, Lewis Carroll Chappell & co., ltd., 1908 Literary Criticism; European; English, Irish, Scottish, Welsh; Literary Criticism / European / English, Irish, Scottish, Welsh; Music / Genres & Styles / Children's; Part songs; Songs


The Life of Liza Lehmann

The Life of Liza Lehmann

Author: Liza Lehmann

Publisher: London : T. F. Unwin

Published: 1919

Total Pages: 280

ISBN-13:

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Autobiography of the composer and pianist, also author of Practical Hints for students of singing


The Sound of Nonsense

The Sound of Nonsense

Author: Richard Elliott

Publisher: Bloomsbury Publishing USA

Published: 2017-12-28

Total Pages: 153

ISBN-13: 1501324551

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In The Sound of Nonsense, Richard Elliott highlights the importance of sound in understanding the 'nonsense' of writers such as Lewis Carroll, Edward Lear, James Joyce and Mervyn Peake, before connecting this noisy writing to works which engage more directly with sound, including sound poetry, experimental music and pop. By emphasising sonic factors, Elliott makes new and fascinating connections between a wide range of artistic examples to ultimately build a case for the importance of sound in creating, maintaining and disrupting meaning.