Navy SEAL Commander Scotty Ferguson, who received the Medal of Honor in Vietnam, is sent covertly to the Flagship of the Sixth Fleet on the pretense of protecting the ship and admiral. His real orders are to be available to the President, on a moments notice, to enter Libya and locate an atomic bomb factory that has the capability to place the bomb inside a laptop computer. He is assisted by the lovely CIA agent Alexandra Thorton.
Hilariously satirizing Britain’s education system, a mystery at the Burleigh School involves the inept leadership of its headmaster, Edward Crumwallis, and the evil pupil he chooses as his next headboy—sneaky sycophant Hillary Frome.
In the early morning hours of October 1, 1965, a group calling itself the September 30th Movement kidnapped and executed six generals of the Indonesian army, including its highest commander. The group claimed that it was attempting to preempt a coup, but it was quickly defeated as the senior surviving general, Haji Mohammad Suharto, drove the movement’s partisans out of Jakarta. Riding the crest of mass violence, Suharto blamed the Communist Party of Indonesia for masterminding the movement and used the emergency as a pretext for gradually eroding President Sukarno’s powers and installing himself as a ruler. Imprisoning and killing hundreds of thousands of alleged communists over the next year, Suharto remade the events of October 1, 1965 into the central event of modern Indonesian history and the cornerstone of his thirty-two-year dictatorship. Despite its importance as a trigger for one of the twentieth century’s worst cases of mass violence, the September 30th Movement has remained shrouded in uncertainty. Who actually masterminded it? What did they hope to achieve? Why did they fail so miserably? And what was the movement’s connection to international Cold War politics? In Pretext for Mass Murder, John Roosa draws on a wealth of new primary source material to suggest a solution to the mystery behind the movement and the enabling myth of Suharto’s repressive regime. His book is a remarkable feat of historical investigation. Finalist, Social Sciences Book Award, the International Convention of Asian Scholars
A killing shocks the erotic film underworld in a mystery featuring Mike McCall, the political troubleshooter introduced in The Campus Murders. The film is called The Wild Nymph, and it may be the finest pornographic movie ever made. A relic of the 1950s, when erotic cinema was more artistic than smutty, it was filmed on a shoestring budget by the enigmatic genius Sol Dahlman. But 20 years later, the film has been forgotten and Dahlman has become a recluse. Finding him will be a deadly proposition. A Hollywood producer comes to the state capital in search of Dahlman, hoping to capitalize on pornography’s growing mainstream acceptance. He meets Mike McCall, the governor’s top troubleshooter, whose only interest in pornography is in keeping women’s lib protestors from picketing the theaters. When Dahlman is found dead, it falls to McCall to stop the bloodshed. Sex can be controversial, but murder is always taboo.
A collection of eloquent, sometimes hard-hitting essays by one of the South's most beloved writers covers forty years in Morris's career as a journalist and columnist. (Literature)
Mary-Jane Deeb holds a Ph.D. in International Relations from the School of Advanced International Studies at the Johns Hopkins University. She has taught at American University in Washington for almost a decade, and now holds the position of Arab world Area Specialist at the Library of Congress. In addition to her teaching career, Deeb has published three academic books and over sixty articles, book chapters and book reviews on Middle East politics. Between 1995 and 1998 she was the Editor-in-chief of The Middle East Journal and as such travelled widely in Europe, North Africa and the Middle East. She is fluent in French and Arabic and can read a number of other languages. Deeb brings her own personal knowledge of the Washington social scene to bear on the murder-mystery plot of Cocktails and Murder on the Potomac her first novel.
Secret agent Brad Fairfax is summoned by a mysterious voice to come to Cape Cod to claim the body of his ex-lover and best friend. On site he discovers that Ross was murdered, the first in a string of four corpses to show up. Victims and suspects have two points in common: they are all connected to a gay guesthouse for wealthy clients where anything is permitted, and most have some connection to Buddhism. Although Brad investigates on his own, his boss at the mysterious agency for which he works feels certain the murderer is implicated in an assassination plot against the Dalai Lama, who is to speak soon in New York's Central Park. The possibility of romance comes with the appearance of a young, blue-haired Buddhist. But Brad will have to learn the meaning of trust and to overcome his irrational bouts of jealousy before there can be any hope of a real connection.
Why does dust collect on the blades of a fan? Why should you wear support hose on a long airplane flight? Vogel ranges across physics, fluid mechanics, and chemistry to show how an enormous system of pumps and pipes works to keep the human body functioning. Anyone curious about the workings of the body will want to read this book. 64 line drawings.
New foreword by J.F.K. director Oliver Stone Reclaiming Parkland details the failed attempt of Academy Award-winning actor Tom Hanks and producer Gary Goetzman to make Vincent Bugliosi’s mammoth book about the Kennedy assassination, Reclaiming History, into a miniseries. It exposes the questionable origins of Reclaiming History in a dubious mock trial for cable television, in which Bugliosi played the role of an attorney prosecuting Lee Harvey Oswald for murder, and how this formed the basis for the epic tome. Author James DiEugenio details the myriad problems with Bugliosi’s book, and explores the cooperation of the mainstream press in concealing many facts during the publicity campaign for the book and how this lack of scrutiny led Hanks and Goetzman—cofounders of the production company Playtone—to purchase the film rights. DiEugenio then shows how the film adapted from that book, entitled Parkland, does not resemble Bugliosi’s book and examines why. This book reveals the connections between Washington and Hollywood, as well as the CIA influence in the film colony today. It includes an extended look at the little-known aspects of the lives and careers of Bugliosi, Hanks, and Goetzman. Reclaiming Parkland sheds light on the Kennedy assassination, New Hollywood, and the political influence on media in America.
