Minimal Film is a book on film narrated through the visual magic of graphic design or a graphic design book told through the evocative magic of cinema. The goal of Minimal Film lies in representing the emotion of cinema through extreme synthesis and simplicity of forms. Plus there's colour, which makes each illustration visually stunning and effective. For example: a white circle resting on a blue field is enough to portray the ball Wilson from Cast Away , while two white triangles perfectly perpendicular to a red field suffice to evoke Dracula . From Game of Thrones to Breaking Bad , even TV series, which have been elected to "prime-time" for Hollywood productions, are visually represented in the book. Shortology is a direct language that can narrate anything through pictograms. This has allowed the author to see cinema from a different perspective, reinterpreting and reviewing it up to isolating its very essence. Exactly like the philosophy of Shortology, this publication is based on this notion: eliminating the superfluous and focusing on the essential. A book on emotions, on unforgettable traces cinema has left on our imagination as spectators and lovers of the seventh art.
Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.
Plateau's problem is a scientific trend in modern mathematics that unites several different problems connected with the study of minimal surfaces. In its simplest version, Plateau's problem is concerned with finding a surface of least area that spans a given fixed one-dimensional contour in three-dimensional space--perhaps the best-known example of such surfaces is provided by soap films. From the mathematical point of view, such films are described as solutions of a second-order partial differential equation, so their behavior is quite complicated and has still not been thoroughly studied. Soap films, or, more generally, interfaces between physical media in equilibrium, arise in many applied problems in chemistry, physics, and also in nature. In applications, one finds not only two-dimensional but also multidimensional minimal surfaces that span fixed closed ``contours'' in some multidimensional Riemannian space. An exact mathematical statement of the problem of finding a surface of least area or volume requires the formulation of definitions of such fundamental concepts as a surface, its boundary, minimality of a surface, and so on. It turns out that there are several natural definitions of these concepts, which permit the study of minimal surfaces by different, and complementary, methods. In the framework of this comparatively small book it would be almost impossible to cover all aspects of the modern problem of Plateau, to which a vast literature has been devoted. However, this book makes a unique contribution to this literature, for the authors' guiding principle was to present the material with a maximum of clarity and a minimum of formalization. Chapter 1 contains historical background on Plateau's problem, referring to the period preceding the 1930s, and a description of its connections with the natural sciences. This part is intended for a very wide circle of readers and is accessible, for example, to first-year graduate students. The next part of the book, comprising Chapters 2-5, gives a fairly complete survey of various modern trends in Plateau's problem. This section is accessible to second- and third-year students specializing in physics and mathematics. The remaining chapters present a detailed exposition of one of these trends (the homotopic version of Plateau's problem in terms of stratified multivarifolds) and the Plateau problem in homogeneous symplectic spaces. This last part is intended for specialists interested in the modern theory of minimal surfaces and can be used for special courses; a command of the concepts of functional analysis is assumed.
Many of us have been fascinated as children by soap bubbles and soap films. Their shapes and colours are beautiful and they are great fun to pay with. With no les intensity, scientists and mathematicians have been interested in the properties of bubbles and films throughout scientific history. In this book David Lovett describes the properties of soap films and soap bubbles. He then uses their properties to illustrate and elucidate a wide range of physical principles and scientific phenomena in a way that unifies different concepts. The book will appeal not only to students and teachers at school and university but also to readers with a general scientific interest and to researchers studying soap films. For the most part simple school mathematics is used. Sections containing more advanced mathematics have been placed in boxes or appendices and can be omitted by readers without the appropriate mathematical background. The text is supported with * Over 100 diagrams and photgraphs. * Details of practical experiments that can be performed using simple household materials. * Computer programs that draw some of the more complicated figures or animate sequences of soap film configurations. * A bibliography for readers wishing to delve further into the subject. David Lovett is a lecturer in physics at the University of Essex. His research interests include Langmiur-Blodgett thin films and the use of models as teaching aids in physics. He has been interested in soap films since 1978 and has made a number of original contributions to the subject, particularly in the use of models which change their dimensions and their analogy with phase transitions. He has published three other books including ITensor Properties of Crystals (Institute of Physics Publishing 1989). John Tilley is also a lecturer in physics at the University of Essex with research interests in theoretical solid-state physics and soap films. He is coauthor of Superfluidity and Superc
This collection of fully peer-reviewed papers were presented at the 26th Leeds-Lyon Tribology Symposium which was held in Leeds, UK, 14-17 September, 1999. The Leeds-Lyon Symposia on Tribology were launched in 1974, and the large number of references to original work published in the Proceedings over many years confirms the quality of the published papers. It also indicates that the volumes have served their purpose and become a recognised feature of the tribological literature. This year's title is 'Thinning Films and Tribological Interfaces', and the papers cover practical applications of tribological solutions in a wide range of situations. The evolution of a full peer review process has been evident for a number of years. An important feature of the Leeds-Lyon Symposia is the presentation of current research findings. This remains an essential feature of the meetings, but for the 26th Symposium authors were invited to submit their papers for review a few weeks in advance of the Symposium. This provided an opportunity to discuss recommendations for modifications with the authors.
This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994. This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and
Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and digital video tools, a thorough overview of the filmmaking stages, and the aesthetic considerations for telling a visual story. The ultimate goal of this book is to help you develop your creative voice while acquiring the solid practical skills and confidence to use it. Unlike many books that privilege raw technical information or the line-producing aspects of production, Voice & Vision places creativity, visual expression, and cinematic ideas front and center. After all, every practical decision a filmmaker makes, like choosing a location, an actor, a film stock, a focal length, a lighting set-up, an edit point, or a sound effect is also an expressive one and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience. "In Practice" sidebars throughout Voice & Vision connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which will inspire you to be innovative and resourceful when you are solving your own filmmaking challenges.
Many of the modern variational problems of topology arise in different but overlapping fields of scientific study: mechanics, physics and mathematics. In this work, Professor Fomenko offers a concise and clear explanation of some of these problems (both solved and unsolved), using current methods of analytical topology. His book falls into three interrelated sections. The first gives an elementary introduction to some of the most important concepts of topology used in modern physics and mechanics: homology and cohomology, and fibration. The second investigates the significant role of Morse theory in modern aspects of the topology of smooth manifolds, particularly those of three and four dimensions. The third discusses minimal surfaces and harmonic mappings, and presents a number of classic physical experiments that lie at the foundations of modern understanding of multidimensional variational calculus. The author's skilful exposition of these topics and his own graphic illustrations give an unusual motivation to the theory expounded, and his work is recommended reading for specialists and non-specialists alike, involved in the fields of physics and mathematics at both undergraduate and graduate levels.
