Masters of Cinema: George Lucas
Masters of Cinema: George Lucas

Author: Karina Longworth

Publisher: Phaidon Press

Published: 2012-09-17

Total Pages: 0

ISBN-13: 9782866429041

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George Lucas (born 1944) is a producer, screenwriter and director, who played a major role in the anti-establishment New Hollywood movement of the 1970s and helped define the blockbuster era of the 1980s. He is best known as the creator of the Star Warsspace opera and the producer of the iconic Indiana Jonesadventure film series. Lucas had directed THX 1138(1971) and American Graffiti(1973) before launching, in 1977, the first film in the Star Warsfranchise. Rapidly a worldwide pop culture phenomenon, this was followed by two sequels- The Empire Strikes Back(1980) and Return of the Jedi(1983). Sixteen years later a new trilogy, The Phantom Menace(1999), Attack of the Clones(2002) and Revenge of the Sith(2005), were released. The Star Warsseries has spawned a range of other media, including tv series, video games and comic books. With this simple yet powerful saga, lucas has created a brand, a business empire and a technological revolution.

Masters of Cinema: Martin Scorsese
Masters of Cinema: Martin Scorsese

Author: Thomas Sotinel

Publisher: Phaidon Press

Published: 2010-11-10

Total Pages: 0

ISBN-13: 9782866425746

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Martin Scorsese (USA, born 1942) is among the most prolific of American directors, having made more than 25 features in a 40-year career that has seen him garner all the highest honours the film world can bestow. He is admired and respected throughout the world for the tireless work of his Film Foundation in preserving America's film heritage.

Masters of Cinema: Clint Eastwood
Masters of Cinema: Clint Eastwood

Author: Bernard Benoliel

Publisher: Phaidon Press

Published: 2010-11-10

Total Pages: 0

ISBN-13: 9782866425708

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Clint Eastwood (USA, b. 1930) is a veteran among the grand masters of contemporary American cinema, whose rise through the system took a highly unusual form. After playing iconic roles in Sergio Leone's spaghetti westerns of the 1960s, he returned to Hollywood and underwent a controversial reincarnation as the ultraviolent cop Harry. In the 1970s Eastwood began to direct and, in the style of the great directors of the past, made masterpieces in genres ranging from the western (Unforgiven, 1992) to film noir (Mystic River, 2003), a war epic (Letters from Iwo Jima, 2006), a jazz bio-pic (Bird, 1988), a melodrama (The Bridges of Madison County, 1995) and a sports picture (Million Dollar Baby, 2004). His most recent film, Invictus, takes Eastwood to South Africa and the historic figure of Nelson Mandela, as he continues to explore the question underlying all his films: can human beings overcome experiences of violence and evil?

Faith and Spirituality in Masters of World Cinema
Faith and Spirituality in Masters of World Cinema

Author: Kenneth R. Morefield

Publisher: Cambridge Scholars Publishing

Published: 2011

Total Pages: 0

ISBN-13: 9781443832731

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Faith and Spirituality in Masters of World Cinema, Volume II continues the work presented in the first volume of this title, published by Cambridge Scholars Publishing in 2008. It provides informed yet accessible articles that will give readers an introduction to masters of world cinema whose works explore the themes of human spirituality and religious faith. Volume II contains essays dealing with canonical directors notably absent from the first entry of the series (such as Godard and Kurosawa) while also including examinations of contemporary auteurs who are still actively working (for example, Andersson, and von Trier). While retaining a truly international emphasisâ "it includes essays about directors from the United States, Canada, Iran, Sweden, India, Denmark, Italy, Mexico, Australia, and Japanâ "Volume II also acts as an important contribution to canon formation, illustrating the complexity and variety in the films of those who are truly the masters of world cinema. Built solidly around close, formal readings of selective films, the essays in Volume II also demonstrate familiarity with film history and bring insight from such varied disciplines as New Testament Studies, Clinical Psychology, Art History, and Medieval History. It also seeks to broaden the understanding of â ~faithâ (TM) and â ~spirituality, â (TM) examining how the meaning of such terms changes as the cultures that produce the art that defines them continues to evolve.

Cinema Novo X 5
Cinema Novo X 5

Author: Randal Johnson

Publisher: University of Texas Press

Published: 1984-08-01

Total Pages: 263

ISBN-13: 0292710917

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With such stunning films as Dona Flor and Her Two Husbands, Bye Bye Brazil, and Pixote, Brazilian cinema achieved both critical acclaim and popular recognition in the 1970s and 1980s, becoming the premier cinema of Latin America and one of the largest film producers in the western world. But the success of Brazilian film at home and abroad came after many years of struggle by filmmakers determined to create a strong film industry in Brazil. At the forefront of this struggle were the filmmakers of Cinema Novo, the internationally acclaimed movement whose flowering in the 1960s marked the birth of modern Brazilian film. Cinema Novo x 5 places the success of Brazilian cinema in perspective by examining the films of the five leaders of this groundbreaking movement—Andrade, Diegues, Guerra, Rocha, and dos Santos. By exploring the individuality of these masters of contemporary Brazilian film, Randal Johnson reveals the astonishing stylistic and thematic diversity of Cinema Novo. His emphasis is on the films themselves, as well as their makers’ distinctive cinematic vision and views of what cinema should be and is. At the same time, he provides a wealth of valuable background information to enhance readers’ understanding of the historical, cultural, and economic context in which Cinema Novo was born and flourished.

Modernist America
Modernist America

Author: Richard Pells

Publisher: Yale University Press

Published: 2011-03-29

Total Pages: 514

ISBN-13: 0300171730

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America's global cultural impact is largely seen as one-sided, with critics claiming that it has undermined other countries' languages and traditions. But contrary to popular belief, the cultural relationship between the United States and the world has been reciprocal, says Richard Pells. The United States not only plays a large role in shaping international entertainment and tastes, it is also a consumer of foreign intellectual and artistic influences.Pells reveals how the American artists, novelists, composers, jazz musicians, and filmmakers who were part of the Modernist movement were greatly influenced by outside ideas and techniques. People across the globe found familiarities in American entertainment, resulting in a universal culture that has dominated the twentieth and twenty-first centuries and fulfilled the aim of the Modernist movement--to make the modern world seem more intelligible."Modernist America" brilliantly explains why George Gershwin's music, Cole Porter's lyrics, Jackson Pollock's paintings, Bob Fosse's choreography, Marlon Brando's acting, and Orson Welles's storytelling were so influential, and why these and other artists and entertainers simultaneously represent both an American and a modern global culture.