Lost Kingdoms

Lost Kingdoms

Author: John Guy

Publisher: Yale University Press

Published: 2014-05-06

Total Pages: 338

ISBN-13: 030020437X

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The first publication to explore Southeast Asian history from the 5th to 9th century through the region’s sculpture, this book offers a fresh and exciting approach to an enduring subject.


Wisdom Embodied

Wisdom Embodied

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2010

Total Pages: 258

ISBN-13: 1588393992

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Chinese Buddhist and Daoist Sculpture in The Metropolitan Museum of Art --


Buddhist Art of Myanmar

Buddhist Art of Myanmar

Author: Sylvia Fraser-Lu

Publisher: Yale University Press

Published: 2015-01-01

Total Pages: 273

ISBN-13: 0300209452

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A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.


The Art of South and Southeast Asia

The Art of South and Southeast Asia

Author: Steven Kossak

Publisher: Metropolitan Museum of Art

Published: 2001

Total Pages: 169

ISBN-13: 0870999923

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Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.


Burma's Lost Kingdoms

Burma's Lost Kingdoms

Author: Pamela Gutman

Publisher: Weatherhill, Incorporated

Published: 2001

Total Pages: 196

ISBN-13:

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This thorough introduction to the history, art, and culture of Arakan, an ancient state located in the northeast corner of Burma, explains and illustrates how Southeast Asia from the beginning of the first millennium absorbed and reinterpreted the influences of many cultures. It is written by a noted scholar who visited the area over many years while conducting research for her doctoral thesis on Arakan. Off the Bay of Bengal, in the northwest corner of Burma lie the splendid capital cites of ancient Arakan; Dhanyaawadi, Vesali and Mrauk-U (Myohaung) being the largest. Mentioned in Ptolemy's "Geographia" (2nd century), Arakan was from earliest times a cosmopolitan state with a vigorous and mixed culture. Indian Brahmins conducted the royal ceremonials, Buddhist monks spread their teachings, traders came and went, and artists and architects used Indian models for inspiration. Through Buddhism, Arakan came into contact with other remote countries, including Sri Lanka, Nepal, Tibet, and China. To the east were the many early empires of Southeast Asia: Burman, Siamese, and Khmer, while later came influences from the Islamic courts of Bengal and Delhi. This is the first comprehensive study on the history, art, and culture of Arakan. It also serves as an excellent introduction to the hitherto almost unknown bronze and stone art of Arakan.


Coastal Shrines and Transnational Maritime Networks across India and Southeast Asia

Coastal Shrines and Transnational Maritime Networks across India and Southeast Asia

Author: Himanshu Prabha Ray

Publisher: Taylor & Francis

Published: 2020-07-26

Total Pages: 250

ISBN-13: 1000166511

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This book breaks new ground by examining trans-oceanic connectivity through the perspective of coastal shrines and maritime cultural landscapes across the Bay of Bengal and the South China Sea. It covers a period of expanding networks and cross-cultural encounters from the 3rd century BCE to the 13th century CE. The book examines the distinctiveness of these shrines, and highlights their interconnections, and their role in social integration in South and Southeast Asia. By drawing on data from shipwreck sites, the author elaborates on the material and religious intersections and transmissions between cultures across the seas. Many of these coastal shrines survived into the colonial period when they came to be admired for their aesthetic value as ‘monuments’. As nation states of the region became independent, these shrines were often inscribed on UNESCO’s World Heritage List on account of their Outstanding Universal Values. The book argues that in the 21st century there is a need to promote the cultural connectivity of the past as transnational heritage on UNESCO’s global platform to preserve and protect our shared heritage. The volume will be essential reading for academics and researchers of archaeology, anthropology, museum and heritage studies, history of South and Southeast Asia, religious studies, cultural studies, and Asian studies.


The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art

The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art

Author: Dallas Museum of Art

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9780300149883

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In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art