Designed for a nonmathematical undergraduate optics course addressed to art majors, this four-part treatment discusses the nature and manipulation of light, vision, and color. Questions at the end of each chapter help test comprehension of material, which is almost completely presented in a nonmathematical manner. 170 black-and-white illustrations. 1983 edition.
Light Vision Color takes a well-balanced, interdisciplinary approach to our most important sensory system. The book successfully combines basics in vision sciences with recent developments from different areas such as neuroscience, biophysics, sensory psychology and philosophy. Originally published in 1998 this edition has been extensively revised and updated to include new chapters on clinical problems and eye diseases, low vision rehabilitation and the basic molecular biology and genetics of colour vision. Takes a broad interdisciplinary approach combining basics in vision sciences with the most recent developments in the area Includes an extensive list of technical terms and explanations to encourage student understanding Successfully brings together the most important areas of the subject in to one volume
Vision: man's link with the world. The science of light. The eye as a camera. From light to sight. Exploring the spectrum. Sensing light's many shades. Three dimensions of vision. Seeing with the brain. The evolution of the eye. A vocabulary for vision.
The present book is based on the experience of the author. The experience is mainly the result of years of research, of consulting work, and in participation in policy decision making in many felds, most, but not all, related to outdoor lighting. To some degree, the book represents the preference of the author. The selection of the subjects is based on more than 50 years of experience of what is desirable to know for persons engaged in scientifc research or practical application in the felds of lighting and vision. The subjects deal with a number of fundamental aspects. The theorists must have them at their fngertips, whereas the practical engineers may assume them as known in their daily work. The selection of subjects is based in part by the questions that came to the author over the years, but even more by the preference of the author himself. In this respect, it is a personal book. Thus, it should be stressed that the book is not a ‘handbook’ or even a ‘textbook’; many subjects that commonly are treated in such books are not included here. Not because they lack importance, but because the author feels that they are adequately treated elsewhere. Some relevant works are mentioned in the References. Over the years, the author has been engaged in giving courses on vision and lighting, lately more in particular on Masterclasses on a post-graduate or post-doctorate level.
Seeing the Light is the most accessible and comprehensive study of optics and light on the market. Each chapter is a self-contained lesson, making it easy to learn about specific optical concepts. Diagrams, photos, and illustrations help bring concepts to life, and sections at the ends of chapters explore the more advanced aspects of each topic.
A village girl receives a divine vision that will lead her into the chambers of the English Inquisition... Young, wealthy and twice married, Margaret has a modest enough ambition: she wishes to write a book. But this is 1355, and the notion of a woman wanting to record her experiences and thoughts is not just arrogant, it’s possibly heretical. Three clerics contemptuously decline to be Margaret’s scribe, and it is only starvation that persuades Brother Gregory, a renegade Carthusian friar with a mysterious past, to take on the unseemly task of chronicling her life. As she narrates her life story, an extraordinary tale unfolds filled with perilous brushes with death, where a mix of miracle and Margaret’s innate intellect pull her through. But this is a world where a clever woman is at constant risk of being accused of witchcraft... A Vision of Light, first in the critically acclaimed historical Margaret of Ashbury Trilogy is a remarkable novel that challenges all of our notions about women’s roles in the medieval era, perfect for fans of Ariana Franklin, Sarah Perry and Jessie Burton. ‘Both arresting and absorbing’ The New York Times ‘Fascinating and factual...If all chronicles of earthly life were recorded with such drama, flair, and wit, the world would be full of history majors’ Los Angeles Times
The subject of this volume is two-fold. First, it gathers typical polarization patterns occurring in nature. Second, it surveys the polarization-sensitive ani mals, the physiological mechanisms and biological functions of polarization sensitivity as weIl as the polarization-guided behaviour in animals. The monograph is prepared for biologists, physicists and meteorologists, espe cially for experts of atmospheric optics and animal vision, who wish to under stand and reveal the message hidden in polarization patterns of the optical environment not directly accessible to the human visual system, but measur able by polarimetry and perceived by many animals. Our volume is an attempt to build a bridge between these two physical and biological flelds. In Part I we introduce the reader to the elements of imaging polarimetry. This technique can be efflciently used, e. g. in atmospheric optics, remote sens ing and biology. In Part 11 we deal with typical polarization patterns of the natural optical environment. Sunrise/sunset, clear skies, cloudy skies, moonshine and total solar eclipses all mean quite different illumination conditions, wh ich also affect the spatial distribution and strength of celestial polarization. We pre sent the polarization patterns of the sky and its unpolarized (neutral) points under sunlit, moonlit, clear, cloudy and eclipsed conditions as a function of solar elevation. The polarization pattern of a rainbow is also shown. That part of the spectrum is derived in which perception of skylight polarization is optimal under partly cloudy skies.
