"This lavishly illustrated retrospective of Jasper Johns's work offers a new perspective on the artist's work based on his own enduring fascination with mirroring and doubles"--
This volume was published to accompany an exhibition of the works of American contemporary artist who works primarily in painting and printmaking, Jasper Johns (b. 1930). In the late 1950's, Johns emerged as force in the American art scene. His richly worked paintings of maps, flags, and targets led the artistic community away from Abstract Expressionism toward a new emphasis on the concrete. Johns laid the groundwork for both Pop Art and Minimalism. The exhibition of works depicted in this book was held at the National Gallery in Washington, concentrating on the pivotal decade 1955-1965 when Johns produced his most famous works. Alongside the full color reproductions of Johns' works are analysis of various diverse aspects of these early years of his career that established him as one of the great figures in modern art and stimulated much in art created by others.
Catalog for the exhibition "Jasper Johns: 'Something Resembling Truth'" at Royal Academy of Arts, London, 23 September-10 December 2017, and The Broad, Los Angeles, 10 February-13 May 2018.
This book is published in conjunction with the exhibition Jasper Johns / In Press: The Crosshatch Works and the Logic of Print, on view at the Harvard Art Museums, Cambridge, Massachusetts, May 22-August 18, 2012.
Spanning over 60 years of Jasper Johns's (b. 1930) prolific career, this spectacular publication is the most comprehensive and definitive study of the artist's work to date. Written by noted Johns expert Roberta Bernstein, the book explores the synergy between continuity and change in the development of the artist's work through 2014. The text is enlivened by the voluminous insight Bernstein has gained over decades of knowing the artist, and she incorporates Johns's own unique manner of talking about his art through interviews and public statements. Each chapter is focused on a specific time period and its prevailing themes in Johns's paintings and sculptures, and throughout the book related drawing and prints are referenced as contributions to an advanced understanding of the work.