Emergence of Irish Gothic Fiction

Emergence of Irish Gothic Fiction

Author: Jarlath Killeen

Publisher: Edinburgh University Press

Published: 2013-12-11

Total Pages: 249

ISBN-13: 0748690816

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Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance.


Irish Gothic Fairy Stories

Irish Gothic Fairy Stories

Author: Steve Lally

Publisher: The History Press

Published: 2019-05-01

Total Pages: 255

ISBN-13: 0750990368

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In the four provinces of Ireland there are thirty-two counties. Each county and its people have their own traditions, beliefs and folklore – and each one is also inhabited by the Sidhe: an ancient and magical race. Some believe they are descended from fallen angels, whilst others say they are the progeny of Celtic deities. They go by many names: the good folk, the wee folk, the gentle people and the fey, but are most commonly known as ‘the fairies’. These are not the whimsical fairies of Victorian and Edwardian picture books. They are feared and revered in equal measure, and even in the twenty-first century are spoken of in hushed tones. The fairies are always listening. Storyteller Steve Lally and his wife singer-songwriter Paula Flynn Lally have compiled this magnificent collection of magical fairy stories from every county in Ireland. Filled with unique illustrations that bring these tales to life, Irish Gothic Fairy Stories will both enthral and terrify readers for generations to come.


Gothic Ireland

Gothic Ireland

Author: Jarlath Killeen

Publisher: Four Courts Press

Published: 2005

Total Pages: 248

ISBN-13:

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This book examines the formation of Anglican identity in Ireland throughout the long, 18th century. Beginning with the 1641 Rebellion, which constitutes the inaugurating event of Anglican Ireland, the book traces the convolutions of this identity through to the Act of Union in 1801. It argues that Gothicism is the basic modality in which Anglican Ireland found expression, and traces the themes and modes of Gothic writing in political tracts, philosophical pamphlets, graveyard poetry, aesthetic treatises, and Gothic novels. In linking these diffuse modes of writing through their common recourse to a Gothic language, this book produces a psycho-history of the Anglican mind.


The Gothic Family Romance

The Gothic Family Romance

Author: Margot Gayle Backus

Publisher: Post-Contemporary Intervention

Published: 1999

Total Pages: 312

ISBN-13:

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Uses 19th and 20th-century Irish Gothic literary texts to argue that capitalism, the nuclear patriarchal family and Protestantism coincided with and reinforced the conditions for the plantation of Ireland and the colonization which followed.


The gothic novel in Ireland, c. 1760–1829

The gothic novel in Ireland, c. 1760–1829

Author: Christina Morin

Publisher: Manchester University Press

Published: 2018-05-11

Total Pages: 139

ISBN-13: 1526122316

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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The gothic novel in Ireland, c. 1760–1829 offers a compelling account of the development of gothic literature in late-eighteenth and early-nineteenth century Ireland. Countering traditional scholarly views of the ‘rise’ of ‘the gothic novel’ on the one hand, and, on the other, Irish Romantic literature, this study persuasively re-integrates a body of now overlooked works into the history of the literary gothic as it emerged across Ireland, Britain, and Europe between 1760 and 1829. Its twinned quantitative and qualitative analysis of neglected Irish texts produces a new formal, generic, and ideological map of gothic literary production in this period, persuasively positioning Irish works and authors at the centre of a new critical paradigm with which to understand both Irish Romantic and gothic literary production.


Irish Gothic

Irish Gothic

Author: Ronald Kelly

Publisher: Crossroad Press

Published: 2021-02-24

Total Pages: 134

ISBN-13:

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When Irish eyes are dying Breath chills till time is over, Death pulls slowly graveward To rest ’neath sod and clover… Ireland… Sweet Erin…The Emerald Isle. In the bright and bonnie light of day, it is a place of beauty, history, and good humor. Of rolling green hills and stone walls at every step of a mile. A kind blessing for health and happiness, and a pint in your hand at the village pub… as well as the sound of fife and fiddle, the lilting tune of laughter, and the cheerful dance of a jig. But, as the sun takes leave and dusk descends, deep shadows and the dank of an evening mist claim the Land of Saints. Within the cloak of night, boogies and beasties roam the moors, keen for the echo of lonesome footsteps and the alluring scent of fear and dread. Banshee, selkie, leprechaun, and fairy alike. The restless spirit of the Sluagh and the bestial form of the werewolf, hungry and on the prowl. In Irish Gothic: Tales of Celtic Horror, Ronald Kelly returns to the land of his ancestry and explores the dark superstition and frightful folklore of Ol’ Éire. Seven stories of Celtic gothic terror… tales to quicken the beat of the heart and chill one’s bones to the very marrow.


Irish Gothics

Irish Gothics

Author: Christina Morin

Publisher: Palgrave Macmillan

Published: 2014-01-01

Total Pages: 215

ISBN-13: 9781349474233

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Scholarly interest in 'the Irish Gothic' has grown at a rapid pace in recent years, but the debate over exactly what constitutes this body of literature remains far from settled. This collection of essays explores the rich complexities of the literary gothic in eighteenth- and nineteenth-century Ireland.


The Gothic and the Everyday

The Gothic and the Everyday

Author: L. Piatti-Farnell

Publisher: Springer

Published: 2014-10-16

Total Pages: 218

ISBN-13: 113740664X

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The Gothic and the Everyday aims to regenerate interest in the Gothic within the experiential contexts of history, folklore, and tradition. By using the term 'living', this book recalls a collection of experiences that constructs the everyday in its social, cultural, and imaginary incarnations


The Gothic World

The Gothic World

Author: Glennis Byron

Publisher: Routledge

Published: 2013-10-08

Total Pages: 752

ISBN-13: 1135053057

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The Gothic World offers an overview of this popular field whilst also extending critical debate in exciting new directions such as film, politics, fashion, architecture, fine art and cyberculture. Structured around the principles of time, space and practice, and including a detailed general introduction, the five sections look at: Gothic Histories Gothic Spaces Gothic Readers and Writers Gothic Spectacle Contemporary Impulses. The Gothic World seeks to account for the Gothic as a multi-faceted, multi-dimensional force, as a style, an aesthetic experience and a mode of cultural expression that traverses genres, forms, media, disciplines and national boundaries and creates, indeed, its own ‘World’.


Gaelic Gothic

Gaelic Gothic

Author: Luke Gibbons

Publisher: Arlen House

Published: 2004

Total Pages: 104

ISBN-13:

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Explores the complexities of the gothic genre, maintaining that, though originally a literary genre known for its popular or sensational appeal, the gothic grew to become part of everyday life. This is a thought-provoking study that recognises the relationship between racial theory and literary genre.