Between Norteño and Tejano Conjunto analyzes the origin, evolution, and dissemination of the norteño and tejano conjunto. This group represents a marginalized local identity that was transformed primarily into an identity of the northeast. It then gave way to the whole of northern México and the American Southwest, and was later assimilated internationally as a mainstream genre. This book provides a long-term historic vision of conjunto and the various musical forms it uses, such as polka, corrido, or canción (song), and, more recently, bolero and cumbia, as well as its transformations and contributions to other musical cultures.
"In the 1990s Tejano basked in the media spotlight as one of the fastest-growing subgenres in American music." "This sourcebook recounts the fascinating, never-before-told history of this innovative and influential musical genre - as well as of norteno, conjunto, grupo, mariachi, trio, tropical/cumbia, vallenato, and banda. Organized in an easy-to-use A-Z format, The Billboard Guide to Tejano and Regional Mexican Music features succinct but revealing biographies as well as discographies of 300 of these genres' most innovative and successful artists."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Around 1930, a highly popular and distinctive type of accordion music, commonly known as conjunto, emerged among Texas-Mexicans. Manuel Peña's The Texas-Mexican Con;unto is the first comprehensive study of this unique folk style. The author's exhaustive fieldwork and personal interviews with performers, disc jockeys, dance promoters, recording company owners, and conjunto music lovers provide the crucial connection between an analysis of the music itself and the richness of the culture from which it sprang. Using an approach that integrates musicological, historical, and sociological methods of analysis, Peña traces the development of the conjunto from its tentative beginnings to its preeminence as a full-blown style by the early 1960s. Biographical sketches of such major early performers as Narciso Martínez (El Huracán del Valle), Santiago Jiménez (El Flaco), Pedro Ayala, Valerio Longoria, Tony de la Rosa, and Paulino Bernal, along with detailed transcriptions of representative compositions, illustrate the various phases of conjunto evolution. Peña also probes the vital connection between conjunto's emergence as a powerful symbolic expression and the transformation of Texas-Mexican society from a pre-industrial folk group to a community with increasingly divergent socioeconomic classes and ideologies. Of concern throughout the study is the interplay between ethnicity, class, and culture, and Peña's use of methods and theories from a variety of scholarly disciplines enables him to tell the story of conjunto in a manner both engaging and enlightening. This important study will be of interest to all students of Mexican American culture, ethnomusicology, and folklore.
"Readers interested not only in music, but also in ethnic studies and popular culture, will appreciate the broad spectrum covered in Tejano Proud: Tex-Mex Music in the Twentieth Century."--BOOK JACKET.
At a time when the U.S.-Mexican border was still not clearly defined and when the doctrine of Manifest Destiny and land hunger impelled the Anglo presence ever deeper and more intrusively into South Texas, Juan Nepomucino Cortina cut a violent swath across the region in a conflict that came to be known as The Cortina War. Did this border caudillo fight to defend the rights, honor, and legal claims of the Mexicans of South Texas, as he claimed? Or was his a quest for personal vengeance against the newcomers who had married into his family, threatened his mother’s land holdings, and insulted his honor? Historian Jerry Thompson mines the archival record and considers it in light of recent revisionist history of the region. As a result, he produces not only a carefully nuanced work on Cortina—the most comprehensive to date for this pivotal borderlands figure—but also a balanced interpretation of the violence that racked South Texas from the 1840s through the 1860s. Cortina’s influence in the region made him a force to be reckoned with during the American Civil War. He influenced Mexican politics from the 1840s to the 1870s and fought in the Mexican Army for more than forty-five years. His daring cross-border cattle raids, carried out for more than two decades, made his exploits the stuff of sensational journalism in the newspapers of New York, Boston, and other American cities. By the time of his imprisonment in 1877, Cortina and his followers had so roiled South Texas that Anglo reprisals were being taken against Mexicans and Tejanos throughout the region, ironically worsening the racism that had infuriated Cortina in the beginning. The effects of this troubled period continue to resonate in Anglo-Mexican and Anglo-Tejano relations, down to this very day. Students of regional and borderlands history will find this premier biography to be a rich source of new perspectives. Its transnational focus and balanced approach will reward scholarly and general readers alike.
Introducing a new model for the transnational history of the United States, Raul Ramos places Mexican Americans at the center of the Texas creation story. He focuses on Mexican-Texan, or Tejano, society in a period of political transition beginning with the year of Mexican independence. Ramos explores the factors that helped shape the ethnic identity of the Tejano population, including cross-cultural contacts between Bexarenos, indigenous groups, and Anglo-Americans, as they negotiated the contingencies and pressures on the frontier of competing empires.
This book explores how the diverse and fiercely independent peoples of Texas and New Mexico came to think of themselves as members of one particular national community or another in the years leading up to the Mexican-American War. Hispanics, Native Americans, and Anglo Americans made agonizing and crucial identity decisions against the backdrop of two structural transformations taking place in the region during the first half of the 19th century and often pulling in opposite directions.
