American Fencer

American Fencer

Author: Tim Morehouse

Publisher:

Published: 2012-03-07

Total Pages: 0

ISBN-13: 9780984733330

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"Olympic medalist and U.S. National Champion Tim Morehouse's memoir is a story of teamwork and individualism, monastic dedication and high-stakes competition-- the difference between a dream and its demise separated by 120 milliseconds at the tip of a sword."--Page 4 of cover.


Fencing

Fencing

Author: Charles Louis De Beaumont

Publisher:

Published: 1970

Total Pages: 274

ISBN-13: 9780718205669

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Arte Gladiatoria Dimicandi

Arte Gladiatoria Dimicandi

Author: Filippo Vadi

Publisher:

Published: 2004

Total Pages: 0

ISBN-13: 9781891448164

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For the first time, a color fascimile and translation will be available from this important 15th century master of late Italian Medieval swordsmanship. Master Fillipo Vadi's work, previously overlooked and underestimated by fencing scholars, presents the student of historical swordsmanship or of miltiary history a fresh, stunningly beautiful look into the mind of an Italian fencing master.Accompanying the exquisitely wrought text, finely translated by Luca Porzio, are 56 color plates showing many of the techniques explained in the chapters and by other historical masters, but in this case, with such a beautiful rendering that they are works of art unto themselves.An absolute must for the bookshelf of anyone interested in the history of fencing or late medieval warfare, this rich volume will also appeal to collectors of illuminated manuscripts, reeactors, and literary traditions of 15th century Italy.


Cold Steel

Cold Steel

Author: Alfred Hutton

Publisher: Courier Corporation

Published: 2006-06-23

Total Pages: 210

ISBN-13: 0486449319

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This 1889 classic by a pioneer of modern fencing offers both technical and historical views of the art of the sabre. Topics include a variety of different strokes and parries, and associated weapons. 55 illustrations.


Fencing

Fencing

Author: Camillo Agrippa

Publisher:

Published: 2010-01

Total Pages: 236

ISBN-13: 9781599101736

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Camillo Agrippa's widely influential "Treatise on the Science of Arms" was a turning point in the history of fencing. The author - an engineer by trade and not a professional master of arms - was able to radically re-imagine teaching the art of fencing. Agrippa's treatise is the fundamental text of Western swordsmanship. Just as earlier swordsmanship can be better understood from Agrippa's critiques, so too was his book the starting point for the rapier era. Every other treatise of the early-modern period had to deal explicitly or implicitly with Agrippa's startling transformation of the art and science of self-defense with the sword. Likewise, all of the fundamental ideas that are still used today - distance, time, line, blade opposition, counterattacks and countertime - are expressed in this paradigm-shifting treatise. This is a work that should be on the bookshelf of anyone interested in the history, practice or teaching of fencing. His treatise was also a microcosm of sixteenth-century thought. It examines the art, reduces it to its very principles, and reconstructs it according to a way of thinking that incorporated new concepts of art, science and philosophy. Contained within this handy volume are concrete examples of a new questioning of received wisdom and a turn toward empirical proofs, hallmarks of the Enlightenment. The treatise also presents evidence for a redefinition of elite masculinity in the wake of the military revolution of the sixteenth century. At the same time, is offers suggestive clues to the place of the hermetic tradition in the early-modern intellectual life and its implications for the origins of modern science. Camillo Agrippa's "Treatise on the Science of Arms" was first published in Rome in 1553 by the papal printer Antonio Blado. The original treatise was illustrated with 67 engravings that belong to the peak of Renaissance design. They are reproduced here in full. "Mondschein has at last made available to English-speaking readers one of the most important texts in the history of European martial arts. Agrippa marks a turning point in the intellectual history of these arts.... Mondschein's introduction to his work helps the reader understand Agrippa - and the martial practices themselves - as pivotal agents in the evolving cultural and intellectual systems of the sixteenth century. Above all, Mondschein's translation is refreshingly clean and idiomatic, rendering the systematic clarity of the Italian original into equally clear modern English - evidence of the author's familiarity with modern fencing and understanding of the physical realities that his author is trying to express. Mondschein's contextualization of his topic points the way for future scholarly exploration, and his translation will doubtless be valued by both students of cultural history and practitioners of modern sword arts." - Dr. Jeffrey L. Forgeng, Paul S. Morgan Curator -Higgins Armory Museum, Adj. Assoc. Prof. of Humanities, Worcester Polytechnic Institute First English translation. Hardcover, 234 pages, 67 illustrations, introduction, bibliography, glossary, appendix, index."


Late Medieval and Early Modern Fight Books

Late Medieval and Early Modern Fight Books

Author:

Publisher: BRILL

Published: 2016-06-27

Total Pages: 633

ISBN-13: 9004324720

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Late Medieval and Early Modern Fight Books offers insights into the cultural and historical transmission and practices of martial arts, based on the corpus of the Fight Books (Fechtbücher) in 14th- to 17th-century Europe. The first part of the book deals with methodological and specific issues for the studies of this emerging interdisciplinary field of research. The second section offers an overview of the corpus based on geographical areas. The final part offers some relevant case studies. This is the first book proposing a comprehensive state of research and an overview of Historical European Martial Arts Studies. One of its major strengths lies in its association of interdisciplinary scholars with practitioners of martial arts. Contributors are Sydney Anglo, Matthias Johannes Bauer, Eric Burkart, Marco Cavina, Franck Cinato, John Clements, Timothy Dawson, Olivier Dupuis, Bert Gevaert, Dierk Hagedorn, Daniel Jaquet, Rachel E. Kellet, Jens Peter Kleinau, Ken Mondschein, Reinier van Noort, B. Ann Tlusty, Manuel Valle Ortiz, Karin Verelst, and Paul Wagner.


Historical Fencing Manual

Historical Fencing Manual

Author: Francesco Lodà

Publisher: Freelance Academy Press

Published: 2019

Total Pages: 0

ISBN-13: 9781937439408

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Modern fencing's origins come from the elegant, and deadly rapier of the late Italian Renaissance. Several schools of rapier fencing existed, amongst which one of the strongest and longest lasting was the Roman-Neapolitan-Sicilian School of swordsmanship (Scuola Romana-Napoletana-Siciliana). Arising from the early, northern school, the southern school dates to 17th-Century, in Rome, then spread throughout the South of Italy and evolved uninterruptedly until the 19th-Century, when it merged with the more modern traditions of fencing. Historical Fencing Handbook: Rapier-Fencing in the 17th- and 18th-Centuries, is a true, modern fencing manual for training in this tradition, written by a modern master of the art. The texts of the 17th-and 18th-century masters are broken-down, synthesized and arranged into a concise, modern pedagogy, opening a gateway to the southern Italian school for the very first time. Beginning with fundamentals of stance, footwork, attack and defense, the text also covers complex provocations, disarms and grapples, and use of the left-hand dagger - a complete course under one cover!


The Art of Sword Combat

The Art of Sword Combat

Author: Joachim Meyer

Publisher: Casemate Publishers

Published: 2016-08-31

Total Pages: 143

ISBN-13: 147387677X

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This sixteenth-century German guide to sword fighting and combat training is a crucial source for understanding medieval swordplay techniques. Following his translation of Joachim Meyer’s The Art of Combat, Jeffrey L. Forgeng was alerted to an earlier version of Meyer’s text, discovered in Lund University Library in Sweden. The manuscript, produced in Strasbourg around 1568, is illustrated with thirty watercolor images and seven ink diagrams. The text covers combat with the longsword (hand-and-a-half sword), dusack (a one-handed practice weapon comparable to a sabre), and rapier. The manuscript’s theoretical discussion of guards sheds significant light on this key feature of the historical practice, not just in relation to Meyer but in relation to medieval combat systems in general. The Art of Sword Combat also offers an extensive repertoire of training drills for both the dusack and the rapier, a feature largely lacking in treatises of the period and critical to modern reconstructions of the practice. Forgeng’s translation also includes a biography of Meyer, much of which has only recently come to light, as well as technical terminology and other essential information for understanding and contextualizing the work.