Dox Thrash

Dox Thrash

Author: John W. Ittmann

Publisher: University of Washington Press

Published: 2001

Total Pages: 176

ISBN-13: 9780295981598

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An exhibition catalog presenting all 188 prints artist Dox Thrash is known to have made showcases his use of the carborundum process and his mastery of various other methods of printmaking such as etching, aquatint, lithography, and woodcut.


The Crisis

The Crisis

Author:

Publisher:

Published: 1940-12

Total Pages: 28

ISBN-13:

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The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.


African Americans in the Visual Arts

African Americans in the Visual Arts

Author: Steven Otfinoski

Publisher: Infobase Publishing

Published: 2014-05-14

Total Pages: 273

ISBN-13: 1438107773

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While social concerns have been central to the work of many African-American visual artists, painters


African-American Art

African-American Art

Author: Sharon F. Patton

Publisher: Oxford University Press, USA

Published: 1998

Total Pages: 328

ISBN-13: 9780192842138

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Discusses African American folk art, decorative art, photography, and fine arts.


A Site of Struggle

A Site of Struggle

Author: Sampada Aranke

Publisher: Princeton University Press

Published: 2022-04-26

Total Pages: 137

ISBN-13: 0691209278

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Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events.


Afromodernisms

Afromodernisms

Author: Fionnghuala Sweeney

Publisher: Edinburgh University Press

Published: 2013-02-06

Total Pages: 264

ISBN-13: 0748646418

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Makes a persuasive case for a black Atlantic literary renaissance & its impact on modernist studies. These 10 new chapters stretch and challenge current canonical configurations of modernism in two key ways: by considering the centrality of black artists, writers and intellectuals as key actors and core presences in the development of a modernist avant-garde; and by interrogating 'blackness' as an aesthetic and political category at critical moments during the twentieth century. This is the first book-length publication to explore the term 'Afromodernisms' and the first study to address together the cognate fields of modernism and the black Atlantic.


The Harmon and Harriet Kelley Collection of African American Art

The Harmon and Harriet Kelley Collection of African American Art

Author: Harmon Kelley

Publisher: University of Texas Press

Published: 1994

Total Pages: 88

ISBN-13:

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." . . this collection has a narrative and descriptive thrust that is centered on the social and economic history of African Americans in the United States and presents a kaleidoscopic view of Black life and cultural history. The insistent integrity of the works included reflects a deep understanding of African American social values and celebrates with pride both a humble and a noble existence." -- Corrine Jennings African American art is reaching a wider audience today than ever before, as major exhibitions tour museums around the country. Inspired by the exhibit Hidden Heritage: Afro-American Art, 1800-1950, Harmon and Harriet Kelley began collecting African American art in 1987 and have amassed a collection that represents a broad range of genres and artists from the nineteenth and twentieth centuries. Profusely illustrated with color and black-and-white plates, this catalog accompanies a traveling exhibition of the Kelley collection, comprised of 124 works by 70 artists, including Edward M. Bannister, Elizabeth Catlett, William H. Johnson, Emma Lee Moss, Charles E. Porter, Henry O. Tanner, and Dox Thrash. Essays on "Nineteenth-Century African American Art," "Twentieth-Century Artists," and "American Art and the Black Folk Artist" build an illuminating context for the works, restoring them to their rightful places in the history of American art.


Popular Fronts

Popular Fronts

Author: Bill V Mullen

Publisher: University of Illinois Press

Published: 2024-04-22

Total Pages: 182

ISBN-13: 0252098013

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The Communist International's Popular Front campaign of the 1930s brought to the fore ideas that resonated in Chicago's African American community. Indeed, the Popular Front not only connected to the black experience of the era, but outlasted its Communist Party affiliation to serve as both model and inspiration for a postwar cultural insurrection led by African Americans. With a new preface Bill V. Mullen updates his dynamic reappraisal of a critical moment in American cultural history. Mullen's study includes reassessments of the politics of Richard Wright's critical reputation and a provocative reading of class struggle in Gwendolyn Brooks' A Street in Bronzeville. He also takes an in-depth look at the institutions that comprised Chicago's black popular front: the Chicago Defender, the period's leading black newspaper; Negro Story, the first magazine devoted to publishing short stories by and about African Americans; and the WPA-sponsored South Side Community Art Center.


The Women of Atelier 17

The Women of Atelier 17

Author: Christina Weyl

Publisher: Yale University Press

Published: 2019-01-01

Total Pages: 297

ISBN-13: 0300238509

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This timely reexamination of the experimental New York print studio Atelier 17 focuses on the women whose work defied gender norms through novel aesthetic forms and techniques.