In this exquisite, absorbing historical mystery, Tetisheri, confidant of Queen Cleopatra, must solve a troubling case in ancient Alexandria. Alexandria, 47BC. Cleopatra – seventh of her name, avatar of the goddess Isis, ruler of the Kingdom of Egypt – watches over her city. The war is over, but Alexandria has suffered in its wake. Caesar has returned to Rome, and the queen must restore her city and her kingdom to their former greatness. But now a body has been found floating upright at the bottom of the sea, anchored by a weight around its feet. It's the second corpse to be found this way, and with a city to rebuild and a kingdom to keep in line, Cleopatra cannot allow any more murders to interfere. So she sets Tetisheri – her Eye and closest confidant – to make things right. As she delves deeper into the mystery, Tetisheri will discover secrets, conspiracy and danger far beyond her ken... Reviews for Dana Stabenow: 'Outstanding' Washington Post 'One of the strongest voices in crime fiction' Seattle Times 'A first-rate talent' Booklist
In this exquisite, absorbing historical mystery, Tetisheri, confidant of Queen Cleopatra, must solve a troubling case in ancient Alexandria.Alexandria, 47BC. Cleopatra - seventh of her name, avatar of the goddess Isis, ruler of the Kingdom of Egypt - watches over her city. The war is over, but Alexandria has suffered in its wake. Caesar has returned to Rome, and the queen must restore her city and her kingdom to their former greatness.But now a body has been found floating upright at the bottom of the sea, anchored by a weight around its feet. It's the second corpse to be found this way, and with a city to rebuild and a kingdom to keep in line, Cleopatra cannot allow any more murders to interfere. So she sets Tetisheri - her Eye and closest confidant - to make things right. As she delves deeper into the mystery, Tetisheri will discover secrets, conspiracy and danger far beyond her ken...Reviews for Dana Stabenow: 'Outstanding' Washington Post 'One of the strongest voices in crime fiction' Seattle Times 'A first-rate talent' Booklist
Analysis of the relationship between the Winchester manuscript and Caxton's edition. Detailed linguistic analysis of the two versions of the Morte Darthur, charting important changes in the development of the English language.
Down Below (also known as Hell), chaos reigns. Junior devils, Ishtar and Scabrous, have failed in their efforts to control the life of their patient, Jack. As punishment, they are transformed into hounds for mortal combat. To escape and avoid execution for their failures, these devil dogs seek refuge in the Harrows. Since Noah’s Flood, the Harrows has been a refuge for those excluded from heaven and hell. In the desert lands of the Harrows, a spring flows at the place where a mysterious itinerate Jewish preacher appeared long ago. The occupants of the Harrows are warned not to drink from the constantly flowing spring. In 1979, Jack arrives in isolated West Berlin to fulfill his ongoing responsibilities as executor of his murdered wife Sarah’s estate. Intent on repatriating Sarah’s collection of Nazi stolen art, Jack is distracted by a former lover, Aydin. Aydin flees from the clutches of her crazed uncle, who, intent on effecting an honor killing, has killed Sarah by mistake. In West Berlin, Jack must stay a step ahead of criminal forces intent on seizing Sarah’s art while dealing with Aydin, who has machinations of her own.
As both chemist and priest your scribe believes that the current gap between science and religion can be bridged largely by revelation. Revelation is a select part of religion, often beyond the ken or competence of qualified science. Types of revelation comprise the manifest supernatural and prophecy, fulfilled prophecy supporting what is yet to be fulfilled. The book offers answers and asks a variety of questions. This book is written in four sections, each with chapter-like and numbered subsections: Section 1 the most scriptural and salvational Section 2 the most prophetic or revelatory Section 3 the most scientific and integrative knowledge Section 4 the most semantic and hypothetic Section 1 Scripture, Old and New Testament, appears to be a rich source of revelation and other reliable spiritual reality. Its integrity distinguishes divine and human reporting, also religion versus irreligion. Jesus' early advent fulfilled dozens of Old Testament prophecies; divine evidence for the reliability of its revelation. Scripture reveals that Jesus of Nazareth walked among us, both man and God. Section 2 Section 2 comprise a commentary upon the Revelation to John. The prophecy concentrated therein is mysterious in part yet relatively ordered and culminating. It helps to organize other prophecy revealed in Scripture. And it serves to guide our on-going participation with the ascended Christ as Lord. Prophecy reveals that God has operated mightily in and on history, that he has revealed essential parts of his plan and care for mankind. Section 3 Without religion, science, particularly inanimate science, tends to support determinism, also a relatively rigid causation or rationalism. Science develops knowledge more than understanding. Section 3 attempts to assemble salient science together with a minor proportion of related hypotheses. Your scribe believes that God's concern and involvement and control of life is more intimate and profound than most science and philosophy has indicated. Section 4 The relatively hypothetic Section 4 comprises much supposition, some semantically treated. Suppositions are offered concerning material or systematic structures for said living sub matter in body, mind and soul. Life after first death is a gift from the soul's Creator. Spirits just and unjust await resurrection in the spirit, not in the flesh, not in reincarnation. Tthe soul is foundational to theology and tends to respond to spiritual reality, to living sub matter, particularly to God and other souls.
After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. The coincidence of productions at La Scala (Milan) and Covent Garden (London) in the same month (September 2008) of two different operas signals a new stage in the recovery of these extraordinary works, confined until now to special venues committed to 'early music'-opera festivals, conservatory, and university productions. The works of the composer who is credited with having invented the genre of opera as we know it are finally enjoying a renaissance. A new edition of Cavalli's twenty-eight operas is in preparation, and the composer and his works are at the center of a great deal of new scholarship ranging from the study of sources and production issues to the cultural context of opera of this period. In the face of such burgeoning interest, this collection of essays considers the Cavalli revival from various points of view. In particular, it explores the multiple issues involved in the transformation of an operatic manuscript into a performance. Although focused on the works of Cavalli, much of this material can transfer easily to other operatic repertoires.Following an introductory part, reflecting back on four decades of Cavalli performances by some of the conductors responsible for the revival of interest in the composer, the collection is divided into four further parts: The Manuscript Scores, Giasone: Production and Interpretation, Making Librettos, and Cavalli Beyond Venice.
