Katarina Meilers is a smart professional design consultant, emotionally scarred by her mother's past and that of her own. She is content with immersion in work until she finds herself enthralled by the deep green eyes and quirky smile of Chase Prestian, one of the wealthiest and most powerful men in the world. Chase is unrelenting in his pursuit and Katarina is defenseless against the palpable magnetism that exists between them. She finds herself plunged into a world of ostentatious wealth, danger, and a journey of sexual exploration that ignites her deepest, darkest desires. When Katarina learns the truth about his past, and her own, she must overcome naivete and a deep-seated mistrust to determine if she can accept the domineering traits of a man whose tendencies for control know no bounds.
June, 1968. America is in a state of turbulence, engulfed in civil unrest and uncertainty. Yet for Whitney Dane - spending the summer of her twenty-second year on Martha's Vineyard - life could not be safer, nor the future more certain. Educated at Wheaton, soon to be married, and the youngest daughter of the patrician Dane family, Whitney has everything she has ever wanted, and is everything her all-powerful and doting father, Charles Dane, wants her to be. But the Vineyard's still waters are disturbed by the appearance of Benjamin Blaine. An underprivileged, yet fiercely ambitious and charismatic young man, Blaine is a force of nature neither Whitney nor her family could have prepared for. As Ben's presence begins to awaken independence within Whitney, it also brings deep-rooted Dane tensions to a dangerous head. And soon Whitney's set-in-stone future becomes far from satisfactory, and her picture-perfect family far from pretty. A sweeping family drama of dark secrets and individual awakenings, set during the most consequential summer of recent American history.
Passionately in love, Katarina and Chase continue to journey through their past issues, needs, and desires, determined to do whatever it takes to have a life together without the constant need to look over their shoulders. Chase and Katarina's father are relentless in their pursuit of the elusive Alfreita, a man who will stop at nothing in his attempts at revenge and who poses a grave threat to the safety, future happiness, and legacy of their family.Katarina must search deep within herself, finding inner strength and drawing upon it, as she deals with the repercussions to her family and is finally able to relinquish control and place her wholehearted trust in Chase, the gift he so desperately desires.
The Nobel Prize winner’s catalog of his Istanbul museum is like “wandering past the illuminated windows of an arcade. . . . This book spills over with pleasure”(The New York Times). The culmination of decades of omnivorous collecting, Orhan Pamuk’s Museum of Innocence in Istanbul uses his novel of lost love, The Museum of Innocence, as a departure point to explore the city of his youth. In The Innocence of Objects, Pamuk’s catalog of this remarkable museum, he writes about things that matter deeply to him: the psychology of the collector, the proper role of the museum, the photography of old Istanbul (illustrated with Pamuk’s superb collection of haunting photographs and movie stills), and of course the customs and traditions of his beloved city. The book’s imagery is equally evocative, ranging from the ephemera of everyday life to the superb photographs of Turkish photographer Ara Güler. Combining compelling visual images and writing, The Innocence of Objects is an original work of art and literature.
A "superlative spy novel" (New York Times) by the author of the bestselling espionage thrillers Body of Lies and The Director. Agents of Innocence is the book that established David Ignatius's reputation as a master of the novel of contemporary espionage. Into the treacherous world of shifting alliances and arcane subterfuge comes idealistic CIA man Tom Rogers. Posted in Beirut to penetrate the PLO and recruit a high-level operative, he soon learns the heavy price of innocence in a time and place that has no use for it.
The Lovely Bones meets Celeste Ng for teens in this gorgeous, haunting, and tragic novel that examines the crippling--and far-reaching--effects of one person's trauma on her family, her community, and herself. For the past eight years, sixteen-year-old Emilia DeJesus has done her best to move on from the traumatic attack she suffered in the woods behind her elementary school. She's forced down the memories--the feeling of the twigs cracking beneath her, choking on her own blood, unable to scream. Most of all, she's tried to forget about Jeremy Lance, the boy responsible, the boy who caused her such pain. Emilia believes that the crows who watched over her that day, who helped her survive, are still on her side, encouraging her to live fully. And with the love and support of her mother, brother, and her caring boyfriend, Emilia is doing just that. But when a startling discovery about her attacker's identity comes to light, and the memories of that day break through the mental box in which she'd shut them away, Emilia is forced to confront her new reality and make sense of shifting truths about her past, her family, and herself. A compulsively-readable tragedy that reminds us of the fragility of human nature. Praise for The Fall of Innocence * "Sanchez deftly shows the long-lasting impact of the assault. . . . An intimate and tragic look at how traumatic incidents affect individuals, their families, and others around them." --Kirkus Reviews, STARRED REVIEW * "Sanchez writes with stunning detail, showcasing the beauty that can be found in small moments, in family interactions, in nature, and in seemingly everyday objects. . . and illustrates how a trauma like Emilia's has widespread effects." --School Library Journal, STARRED REVIEW * "It is hard to imagine a more beautifully told, more moving, or more authentic story of one family’s journey through unbearable pain." --VOYA, STARRED REVIEW "Beautifully written but ineffably sad, Emilia's story is a case study of trauma and its aftermath." --BCCB "Emilia's inner world both captivates and devastates." --Publishers Weekly "Internal and contemplative, [this novel's] haunting quality lingers." --Booklist
It is the twilight of innocence: America 1914. As Europe goes to war, Helen, a Boston bluestocking, begins her studies at Harvard-Radcliffe. Riley, a carefree British playboy more interested in chasing women than studying, sets his sights on her. He is surprised to find that his adversary in love is not Helen's protective brother, but Riley's own cousin, Wils Brandl, a brooding poet and German noble. As distant conflict begins to penetrate the quiet walls of Harvard, Wils must return to Europe and face a war for which he is not prepared. Set in Boston and Flanders Fields, Harvard 1914 explores love, war, and a new social imagination.
In the tradition of The Good Mother and The Deep End of the Ocean, a beautifully written first novel about a family's worst nightmare. Jack Keliher and Lily Sterne lead ordinary lives. But when their eighteen-month-old daughter, Katie, is accidentally burned while home alone with Lily and rushed to the hospital, their ordered world begins to unravel. An emergency room physician's report brings the state to take temporary custody of Katie, setting in motion a bureaucratic ordeal in which Lily and Jack are faced with every parent's worst fear: that their child will be taken away from them. Lily fears that her history of mental instability and postpartum depression will be used against her; Jack, in turn, blames Lily. Rachel Basch's quietly compelling narrative alternates between the voices of Jack and Lily as they reveal their increasingly divergent responses to the accident and its consequences. Their fierce struggle to keep their baby safe begins to take its toll on their relationship and their lives, and they are forced to grapple with the emotional and spiritual differences that slowly drive them apart. This exquisite novel's power reaches far beyond the story of an accident and its effect on a family. In depicting the anguish of a family in crisis, Basch has written a stunning work about the nature of privacy, the relationship of work and self, and the fragility--and ultimately, the importance--of love.
