In Death at Bishop's Keep, Kathryn Ardleigh captured the interest of detective Sir Charles Sheridan as they solved their first case together. Now the demise of a local constable and the disappearance of a child have the sleuthing couple on the trail of deadly greed and criminal mischief once again. And with the help of a shy woman who calls herself Beatrix Potter, Kate intends to uncover the sinister secrets of Gallows Green...
In Death at Bishop's Keep, Kathryn Ardleigh captured the interest of detective Sir Charles Sheridan as they solved their first case together. Now the demise of a local constable and the disappearance of a child have the sleuthing couple on the trail of deadly greed and criminal mischief once again. And with the help of a shy woman who calls herself Beatrix Potter, Kate intends to uncover the sinister secrets of Gallows Green...
Sir Charles Sheridan is many things—an amateur scientist, a renowned photographer, and a skilled detective. And due to Victorian customs, he will soon become a baron—rendering him unable to marry American writer Kate Ardleigh. But even as customs keep them apart, a good muder case always seems to bring them together... The Countess of Warwick, known affectionately as "Daisy," is the subject of endless rumors about her "unladylike" ways and temperament. But what happens during a weekend party at her Easton estate is uglier that any rumor. First, a stableboy is killed. Then a nobleman is murdered outide Daisy's well-known trysting spot. A murderer is on the grounds—and on the loose. Seeking to avoid scandal, the Prince of Wales orders Sir Charles to solve the case. Together, he and Miss Ardleigh find that even the highest levels of society are no refuge from the lowest of deeds...
Kate Adrleigh is everything the Victorian English gentlewoman is not--outspoken, free-thinking, American...and a writer of the frowned upon "penny-dreadfuls." Soon after her arrival in Essex, England, a body is unearthed in a nearby archeological dig--and Kate has the chance to not only research her latest story...but to begin her first case with amateur detective Sir Charles Sheridan.
On May 4, 1886, a bomb exploded at a Chicago labor rally, wounding dozens of policemen, seven of whom eventually died. A wave of mass hysteria swept the country, leading to a sensational trial, that culminated in four controversial executions, and dealt a blow to the labor movement from which it would take decades to recover. Historian James Green recounts the rise of the first great labor movement in the wake of the Civil War and brings to life an epic twenty-year struggle for the eight-hour workday. Blending a gripping narrative, outsized characters and a panoramic portrait of a major social movement, Death in the Haymarket is an important addition to the history of American capitalism and a moving story about the class tensions at the heart of Gilded Age America.
"Don't dawdle, Alex. My Keepers and I will be searching for that body. If we find it, you'll know." Sheriff Agni put a fist over his chest and splayed out his fingers. "Boom." A year after a nasty breakup and a big move, Alex Fossor feels like he's finally getting his life together. Then he gets framed for murder and the Rimbault Society--mages who secretly run the world--drag him before North America's Archmage. The only thing that stalls Alex's execution is the same evidence that could damn him, when the victim's body walks out of the morgue and disappears. Reviled for his death magic, Alex knows he'll have to prove his own innocence. But the mundane, the magical, the living and the dead are on his case. A beautiful stranger knows who the real culprit could be, but can Alex trust her to have his back? With time running out, Alex discovers a sinister plot to use arcane drugs to harvest the city's addicts. He'll have to embrace everything that makes him a monster in the eyes of the law, before a hex on his heart burns him to ash.
"Intriguing and captivating."—Celia Rees, author of Witch Child WRONGED. HANGED. ALIVE? (AND TRUE!) Anne can't move a muscle, can't open her eyes, can't scream. She lies immobile in the darkness, unsure if she'd dead, terrified she's buried alive, haunted by her final memory—of being hanged. A maidservant falsely accused of infanticide in 1650 England and sent to the scaffold, Anne Green is trapped with her racing thoughts, her burning need to revisit the events—and the man—that led her to the gallows. Meanwhile, a shy 18-year-old medical student attends his first dissection and notices something strange as the doctors prepare their tools . . . Did her eyelids just flutter? Could this corpse be alive? Beautifully written, impossible to put down, and meticulously researched, Newes from the Dead is based on the true story of the real Anne Green, a servant who survived a hanging to awaken on the dissection table. Newes from the Dead concludes with scans of the original 1651 document that recounts this chilling medical phenomenon. Newes from the Dead is a 2009 Bank Street - Best Children's Book of the Year.
Two apparently accidental deaths at the Marconi telegraph station. The drowning of a local girl. Two cases that involve Charles, Lord Sheridan, and his wife, Kate, in foreign espionage, malicious intrigue, and inexplicable messages sent out of the blue.
A spellbinding novel about transience and mortality, by one of the most original voices in American literature The Silk Road begins on a mat in yoga class, deep within a labyrinth on a settlement somewhere in the icy north, under the canny guidance of Jee Moon. When someone fails to arise from corpse pose, the Astronomer, the Archivist, the Botanist, the Keeper, the Topologist, the Geographer, the Iceman, and the Cook remember the paths that brought them there—paths on which they still seem to be traveling. The Silk Road also begins in rivalrous skirmishing for favor, in the protected Eden of childhood, and it ends in the harrowing democracy of mortality, in sickness and loss and death. Kathryn Davis’s sleight of hand brings the past, present, and future forward into brilliant coexistence; in an endlessly shifting landscape, her characters make their way through ruptures, grief, and apocalypse, from existence to nonexistence, from embodiment to pure spirit. Since the beginning of her extraordinary career, Davis has been fascinated by journeys. Her books have been shaped around road trips, walking tours, hegiras, exiles: and now, in this triumphant novel, a pilgrimage. The Silk Road is her most explicitly allegorical novel and also her most profound vehicle; supple and mesmerizing, the journey here is not undertaken by a single protagonist but by a community of separate souls—a family, a yoga class, a generation. Its revelations are ravishing and desolating.
“A sentence to Dartmoor Prison is a sentence to a living hell…” Lord Charles Sheridan and his American wife, Kate, have heard some truly awful things about Britain’s most notorious prison. But Dartmoor and its mist-shrouded environs hold special appeal for both Sheridans. Kate hopes to find inspiration for her new Gothic novel, while Charles plans to implement a fingerprinting program at the prison—and arrange a meeting with one of its most infamous inmates, Samuel Spencer. He’s convinced that Spencer—a Scotsman who admitted to killing his wife—is, in fact, innocent. What’s more, he believes he has the evidence to prove it. But Spencer continues to maintain his own guilt—and, as if to confirm it, he soon stages a daring prison escape. Lord Charles and his acquaintance Arthur Conan Doyle are most perplexed by this odd turn of events. And when a body turns up on the moor, it’s up to the two men—and the clever Kate—to discover if the missing convict is connected to this murderous new case…
