Madeleine Shaye has a successful dual career as a concert pianist and TV arts correspondent, a great relationship with her grown daughter, and a love affair that is the envy of friends. She believes she has all the luck. But her blissful life suddenly unravels in this genre-bending novel about a mysterious love with two faces, a shocking betrayal, and the passion to reclaim old dreams.
Madeleine Shaye has a successful dual career as a concert pianist and TV arts correspondent, a great relationship with her grown daughter, and a love affair that is the envy of friends. She believes she has all the luck. But her blissful life suddenly unravels in this genre-bending novel about a mysterious love with two faces, a shocking betrayal, and the passion to reclaim old dreams.
The history of the "People of the Shore" detailed in Shinnecock Indian Nation. The Shinnecock have resided along the shores of eastern Long Island for more than 10,000 years. These hunter-gatherers were also skilled whalers who first tackled the Atlantic in their dugout canoes and later became highly regarded crew members on 19th-century whaling ships that sailed the globe. The Shinnecock were also noted wampum makers, using the northern quahog hard-shelled clam and whelk shells to craft some of the finest-quality wampum beads to be found anywhere along the eastern seaboard. Since the first tall ships sailed into the local waters in the 1500s, new settlers and shifty land deals have diminished the ancestral territory of the Shinnecock Indian Nation. Despite overwhelming odds, however, and in the midst of immense privilege and wealth of their Hamptons neighbors, the Shinnecock remain. They are a federally recognized tribe with more than 1,500 enrolled members and are governed by a seven-member council of trustees.
Get the most informative paddling guide to the area, featuring 50 of the best routes for canoeing and kayaking. Boasting more than 400 miles of coastline, beautiful sandy beaches, expansive salt marshes, and dozens of protected bays and harbors, Long Island is truly a paddler’s paradise. It offers something for everyone, from expert sea kayakers to families with young children. Amazing wildlife; ever-changing landscapes; charming history; and, on its western edge, a view of the setting sun behind the Manhattan skyline—there’s no better way to explore it all than from the water. Paddling Long Island & New York City is the most comprehensive guide to the area’s top paddling locations, including rivers, harbors, lakes, and portions of the New York City Water Trail. Written by expert local paddler Kevin Stiegelmaier, the guidebook provides engaging and concise information about Long Island’s geology, weather, history, and wildlife, while also offering carefully selected details vital to a successful paddling trip. You’ll appreciate Kevin’s helpful hints on trip planning, including notes on tides, equipment, training, and camping. Plus, the book’s safety information and navigational “rules of the road” are essential to know. Inside you’ll find: Details on 50 top paddling trips Route descriptions with full-color maps and photos Recommended runs for fishing, trips with children, wildlife viewing, and more At-a-glance data including difficulty, distance, and potential hazards GPS coordinates for put-ins and take-outs Whether you’re looking to spend a long day on the water or you only have time for a quick tour of a local harbor, this book has the information you need to make the trip enjoyable. Wet your paddle and whet your taste for outdoor adventure!
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue - in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science - but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. The Arts of Disruption: Allegory and Piers Plowman offers a series of new readings of the allegorical poem Piers Plowman: but it is also a book about allegory. It argues not just that there are distinctively disruptive 'arts' that occur in allegory, but that allegory, because it is interested in the difficulty of making meaning, is itself a disruptive art. The book approaches this topic via the study of five medieval allegorical narrative structures that exploit diegetic conflict and disruption. Although very different, they all bring together contrasting descriptions of spiritual process, in order to develop new understanding and excite moral or devotional change. These five structures are: the paradiastolic 'hypocritical figure' (such as vices masked by being made to look like 'adjacent' virtues), personification debate, violent language and gestures of apophasis, narratives of bodily decline, and grail romance. Each appears in a range of texts, which the book explores, along with other connected materials in medieval rhetoric, logic, grammar, spiritual thought, ethics, medicine, and romance iconography. These allegorical narrative structures appear radically transformed in Piers Plowman, where the poem makes further meaning out of the friction between them. Much of the allegorical work of the poem occurs at the points of their intersection, and within the conceptual gaps that open up between them. Ranging across a wide variety of medieval allegorical texts, the book shows from many perspectives allegory's juxtaposition of the heterogeneous and its questioning of supposed continuities.
Philosophy begins with a question. The same question is often asked in different languages. Comparative philosophy is a project that engages thinkers from all areas of the world and approaches common problems from different perspectives. The conversations look at not only interactions between cultures, but also the relationships among humans, animals, and nature. But the many languages and unfamiliar terms can seem intimidating even to those with formal philosophical training. This book provides an approachable survey of current topics from some of the newest comparative philosophers as they enter the field. Arising out of a graduate student philosophy conference at the University of Hawai‘i, these selected papers were revised to respond to the suggestions and challenges presented during the conference. For this volume, foreign terms are translated, and introductions and editors’ notes give context to the individual chapters. Ignoring the traditional divisions of academic philosophy, this anthology focuses rather on the common search for answers by bringing thinkers from what are labeled “eastern” and “western” philosophy into conversation with one another as members of the global community.
